Molecular Structure: One power Spidercide has that Spider-Man doesn't is complete control over his body on a molecular level. For example, he can extend his limbs or his body itself in a somewhat similar way to Mister Fantastic. He can shapeshift his form & appearance. He can also control the density of his bodily tissues, making him much more resistant to all forms of physical injury than he normally is enabling him to withstand even greater impact forces, falls from great heights, and high caliber bullets. He has also been known to transform his fists into various objects, turn himself partially or fully into liquid, & to simulate the type of artificial webbing that Spider-Man once used. Among other things.
Other related characters exist in alternative versions of the Marvel Universe called the Multiverse. These characters originally appeared in their own continuity but later on crossed over with the mainstream Spider-Man family. In 2015 all the alternate comic book universes were destroyed and only a few characters joined together with Earth-616 characters in its own universe including various Spider-Men.
The Batsuit has an electrical system that can shock assailants as a last resort. The Batsuit is made of triple-weave kevlar centered around the most obvious target, the chest-mounted Bat symbol. Though the suit has been drawn many different ways by different artists, and the stories themselves have described Batman as modifying the details of his costume from time to time, it is most often depicted as consisting of a scalloped cape, a bat-like cowl, a pair of gloves, boots, a yellow utility belt, and a tight-fitting body suit with the image of a bat emblazoned on the chest.
Spider-Man takes the fight to The Crime Master and busts up an operation of drinking, girls and drugs. In a back room he discovers a soundproof torture chamber. He goes to visit Felicia, but she is with someone else. Returning home, he is told that Robbie has disappeared. On Ellis Island, Octavius inspects the new test subjects, and Robbie is among them. Octavius, working for The Friends of New Germany (TFONG), intends to use them to prove that inferior races can be controlled by removing their willpower surgically. Spider-Man revisits the chamber for more information, but he is ambushed by The Crime Master and his men. With them is The Sandman who slams Spider-Man to the ground with ease.[6]

Black Widow a.k.a. Natasha Romanova: During a HYDRA attempt to take over S.H.I.E.L.D., she is tortured to such an extent that she regresses back to an old cover identity of schoolteacher Nancy Rushman, but she is recovered by Spider-Man in time to help Nick Fury and Shang-Chi work out what had happened and restore her memory, with "Nancy" developing an attraction to Spider-Man before her memory is restored during the final fight against Madam Viper, Boomerang and the Silver Samurai.
During the Halloween seasonal event, which lasts from October 20th   / October 1st until November 1   / November 10th   , several enemies wear costumes that change their appearance, unique enemies spawn, and new items become available via enemy drops or via purchase. Goodie Bags also drop, offering random Halloween-themed items, mostly decorative or vanity.
Jump up ^ Smith, Bonnie G. (2004). Women's History in Global Perspective. University of Illinois Press. p. 66. ISBN 9780252029318. Retrieved 14 December 2015. The pre-Christian observance obviously influenced the Christian celebration of All Hallows' Eve, just as the Taoist festival affected the newer Buddhist Ullambana festival. Although the Christian version of All Saints' and All Souls' Days came to emphasize prayers for the dead, visits to graves, and the role of the living assuring the safe passage to heaven of their departed loved ones, older notions never disappeared.
Eddie J. Smith, in his book Halloween, Hallowed is Thy Name, offers a religious perspective to the wearing of costumes on All Hallows' Eve, suggesting that by dressing up as creatures "who at one time caused us to fear and tremble", people are able to poke fun at Satan "whose kingdom has been plundered by our Saviour". Images of skeletons and the dead are traditional decorations used as memento mori.[159][160]
Captain Marvel a.k.a. Carol Danvers: Carol Danvers, the superhero Ms. Marvel, has worked with Spider-Man on occasion and even agreed to go on a date with him in accordance with his helping her on a mission, despite how angry he can make her. She later fulfills her promise.[3] Spider-Man had admitted to himself he finds her attractive in her outfit. At the end of the near disastrous date, the two bonded together over a love of junk food. After she was possessed by the symbiote for a time, Venom hints to Spider-Man that his feelings for Ms. Marvel are mutual. The two have remained good friends.
When Spider-Man tries to stop what looks like a simple robbery, he discovers that it's really the start of a sinister plot created by his archenemy, Dr. Octopus. Dr. Octopus is in control of a pair of unstoppable nuclear missiles that he plans to use to take over the world. Teaming up with Captain America, Spider-Man must race against time to stop World War III!
By 1995, the suit was eventually modified, the cloak becoming a scalloped-edged cape and the gloves becoming gauntlets with three “fins” with claws embedded in the fingers for climbing. Famously drawn by the likes of Neal Adams and Jim Aparo, he eventually created a unique fire-retardant and chemical-resistant triple-weave Kevlar thread for the suit. The material had carbon nanotube fibers that imparted it with a unique sheen and made it heavily resistant to tearing. This material would go into the creation of all following bat-suits and other suits in the Bat Family. The most notable traits of this evolution were the incorporation of the yellow ellipse around the bat emblem as well as the capsule utility belt. 

From at least the 16th century,[5] the festival included mumming and guising,[6] which involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food.[6] It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them.[7] It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune".[8] F. Marian McNeill suggests the ancient pagan festival included people wearing masks or costumes to represent the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire.[5] In parts of southern Ireland, a man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune.[9] In 19th century Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed.[6] In parts of Wales, men went about dressed as fearsome beings called gwrachod,[6] while in some places, young people cross-dressed.[6] Elsewhere in Europe, mumming and costumes were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers".[6] It has also been suggested that the wearing of Halloween costumes developed from the custom of souling, which was practised by Christians in parts of Western Europe from at least the 15th century.[10][11] At Allhallowtide, groups of poor people would go door-to-door, collecting soul cakes – either as representatives of the dead,[12] or in return for saying prayers for them.[13] One 19th century English writer said it "used to consist of parties of children, dressed up in fantastic costume, who went round to the farm houses and cottages, signing a song, and begging for cakes (spoken of as "Soal-cakes"), apples, money, or anything that the goodwives would give them".[14] The soulers typically asked for "mercy on all Christian souls for a soul cake".[15] The practice was mentioned by Shakespeare his play The Two Gentlemen of Verona (1593).[16][17] Christian minister Prince Sorie Conteh wrote on the wearing of costumes: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognised by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities".[18] In the Middle Ages, statues and relics of martyred saints were paraded through the streets at Allhallowtide. Some churches who could not afford these things had people dress as saints instead.[19][20] Some believers continue the practice of dressing as saints, biblical figures, and reformers in Halloween celebrations today.[21] Many Christians in continental Europe, especially in France, believed that on Halloween "the dead of the churchyards rose for one wild, hideous carnival," known as the danse macabre, which has often been depicted in church decoration.[22] An article published by Christianity Today claimed the danse macabre was enacted at village pageants and at court masques, with people "dressing up as corpses from various strata of society", and suggested this was the origin of Halloween costume parties.[23][24]
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