Whether your son is the type who plans every detail of his trick or treating attire months in advance or you’re looking for a last-minute boys Halloween costume, Spirit has you covered! We have hundreds of costumes ranging from humorous to scary for boys of all ages, from toddler to teenager. As part of our full array of affordable kids Halloween costumes, Spirit has the outfits and accessories to make your son’s festive look complete.
We also have plenty of bad guy costumes, so if he wants to dress up as Thanos from Avengers: Infinity War, in a padded shirt plus gauntlet, mask and pants with boot covers, he can. These detailed superhero costumes for boys will make him feel totally powerful. Whether he’s setting out on his own or wants to form a group costume with his friends, such as the Power Rangers Ninja Steel, our superhero costumes fit boys of all ages. From Batman to Guardians of the Galaxy to Big Hero 6, plus many more, Spirit is here to give your son a truly heroic Halloween!
As a former preschool teacher... it is hard for me to give credence to a claim that there is something objectionably “appropriative” about a blonde haired child’s wanting to be Mulan for a day. Pretend play is the foundation of most cognitive tasks, and it seems to me that we want to be in the business of encouraging the exercise of imagination, not constraining it.
The wearing of costumes is an important part of holidays developed from religious festivals such as Mardi Gras (in the lead up to Easter), and Halloween (related to All Hallow's Eve). Mardi Gras costumes usually take the form of jesters and other fantasy characters; Halloween costumes traditionally take the form of supernatural creatures such as ghosts, vampires, pop-culture icons and angels. In modern times. Christmas costumes typically portray characters such as Santa Claus (developed from Saint Nicholas). In Australia, the United Kingdom and the United States the American version of a Santa suit and beard is popular; in the Netherlands, the costume of Zwarte Piet is customary. Easter costumes are associated with the Easter Bunny or other animal costumes.
In 1962, Marvel Comics editor and head writer Stan Lee was looking for a new superhero idea. He decided to create Spider-Man as a character with whom teens could identify, as there was a recent surge in teenage demand for comics. Lee was supposedly inspired for the concept of Spider-Man after observing a spider climb up a wall. Lee had to convince publisher Martin Goodman to introduce Spider-Man in the last issue of the canceled series Amazing Adult Fantasy, which was renamed Amazing Fantasy for that issue (#15, Aug. 1962). Lee then approached legendary artist Jack Kirby for an initial character design. However Lee was dissatisfied with Kirby’s attempt as the character turned out to be too heroic and Spider-Man was supposed to be a teenage boy. Lee then turned to Steve Ditko who developed the now iconic look of Spider-Man.
But in the mid-1990s, many thought that the trunks were a quaint design flaw that didn’t belong in modern-day superhero costumes. In the storyline “Troika," Batman experimented with his look and made a new batsuit. The blue was replaced by black and coal gray colors. The bodysuit was now all one piece, with no visible division between boots and gloves, spikes were added to the boots in a style similar to the gloves and the shorts were completely gone.
A bite from a radioactive spider triggers mutations in Peter Parker's body, granting him superpowers. In the original Lee-Ditko stories, Spider-Man has the ability to cling to walls, superhuman strength, a sixth sense ("spider-sense") that alerts him to danger, perfect balance and equilibrium, as well as superhuman speed and agility. The character was originally conceived by Stan Lee and Steve Ditko as intellectually gifted, but later writers have depicted his intellect at genius level. Academically brilliant, Parker has expertise in the fields of applied science, chemistry, physics, biology, engineering, mathematics, and mechanics. With his talents, he sews his own costume to conceal his identity, and he constructs many devices that complement his powers, most notably mechanical web-shooters to help navigate and trap his enemies along with a spider-signal as an flashlight and a warning beacon to criminals.
In 1966, Marvel Comics introduced the Black Panther, an African monarch who became the first non-caricatured black superhero. The first African-American superhero, the Falcon, followed in 1969, and three years later, Luke Cage, a self-styled "hero-for-hire", became the first black superhero to star in his own series. In 1989, the Monica Rambeau incarnation of Captain Marvel was the first female black superhero from a major publisher to get her own title in a special one-shot issue. In 1971, Red Wolf became the first Native American in the superheroic tradition to headline a series. In 1973, Shang-Chi became the first prominent Asian superhero to star in an American comic book (Kato had been a secondary character of the Green Hornet media franchise series since its inception in the 1930s.). Kitty Pryde, a member of the X-Men, was an openly Jewish superhero in mainstream American comic books as early as 1978.
From at least the 16th century, the festival included mumming and guising, which involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food. It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them. It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune". F. Marian McNeill suggests the ancient pagan festival included people wearing masks or costumes to represent the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire. In parts of southern Ireland, a man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune. In 19th century Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed. In parts of Wales, men went about dressed as fearsome beings called gwrachod, while in some places, young people cross-dressed. Elsewhere in Europe, mumming and costumes were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers". It has also been suggested that the wearing of Halloween costumes developed from the custom of souling, which was practised by Christians in parts of Western Europe from at least the 15th century. At Allhallowtide, groups of poor people would go door-to-door, collecting soul cakes – either as representatives of the dead, or in return for saying prayers for them. One 19th century English writer said it "used to consist of parties of children, dressed up in fantastic costume, who went round to the farm houses and cottages, signing a song, and begging for cakes (spoken of as "Soal-cakes"), apples, money, or anything that the goodwives would give them". The soulers typically asked for "mercy on all Christian souls for a soul cake". The practice was mentioned by Shakespeare his play The Two Gentlemen of Verona (1593). Christian minister Prince Sorie Conteh wrote on the wearing of costumes: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognised by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities". In the Middle Ages, statues and relics of martyred saints were paraded through the streets at Allhallowtide. Some churches who could not afford these things had people dress as saints instead. Some believers continue the practice of dressing as saints, biblical figures, and reformers in Halloween celebrations today. Many Christians in continental Europe, especially in France, believed that on Halloween "the dead of the churchyards rose for one wild, hideous carnival," known as the danse macabre, which has often been depicted in church decoration. An article published by Christianity Today claimed the danse macabre was enacted at village pageants and at court masques, with people "dressing up as corpses from various strata of society", and suggested this was the origin of Halloween costume parties.