I really liked the idea of Popeye as the first sequential art precedent! But the general Modernist and American concept of a superhero also has deep roots in the radio legacy of The Shadow and others. I don’t know enough about early european newsprint comics to hazard a guess; I wouldn’t be surprised to hear of one. Other western antecenants not mentioned in detail, King Arthur (most certainly magical, and indirectly religious being THE socialized mythic antecend to the Divine Right of Kings) Robin Hood, certainly Populist, but no superpowers…falls into the category of abnornally super abilities a la Batman, and if Batman isn’t included on this list, well….
Maybe they need a full size Dark Knight to help them take on their task? Whether it’s trick-or-treating the toughest neighborhood or they’re preparing for an epic showdown with a top villain, we’re confident having an adult Batman will make sure they come out victorious. He’ll probably have all kinds of extra gadgetry in his adult-sized utility belt, and with his authentic Dawn of Justice Batman costume, your children’s costumes will achieve their full effect. For posing, Wonder Woman can show her muscles while Superman prepares to take flight, and no matter what the mission is, Batman will be there to look over the young ones, but he’s going to look pretty fantastic in his own right, too. This will definitely be a superhero costume team for the history books!
i agree with steve, in that the first superhero i could think of was gilgamesh. i think what jason is stuck on here is the first comic book hero - not just a character who uses superhuman powers for good, but one whose tales were published in modern drawning. if it wasn’t just drawn, but told through modern media that defines a superhero for jason, wouldn’t the shadow preceed mandrake in his radio drama?
And these aren't your dad's costumes. Anything you want to be, we have a costume for it. If you want to be a paladin, slashing his way through dungeons to save a princess, we've got a knight costume you need to see. If you're the kind of guy who can recite every Ben Stiller line from Zoolander, we've got that one too. If you're the type of guy who just needs that Raggedy Andy costume to make your girl happy for that couples costume she's been dying to wear with you, we can do you a solid. (It's cool, we've been there too). Whatever kind of guy you are and whatever kind of men's costume you need, you're going to find it here.
The earliest superhero I could find reference to was Mandrake the Magician, who debuted in 1934, four years before Superman, who was probably the first popular superhero. Mandrake’s super power was his ability to “make people believe anything, simply by gesturing hypnotically”. Does anyone out there know of any superheroes who made an earlier media appearance?
Jump up ^ As late as 1900, an article on Thanksgiving entertaining recommended a lit jack-o'-lantern as part of the festivities. "The Day We Celebrate: Thanksgiving Treated Gastronomically and Socially" Archived 5 August 2016 at the Wayback Machine., The New York Times, 24 November 1895, p. 27. "Odd Ornaments for Table" Archived 5 August 2016 at the Wayback Machine., The New York Times, 21 October 1900, p. 12.
On top of his spider-given powers Peter is of genius level intelligence. It has even been stated that Peter scored as high on some of the same testing scores as Reed Richards did when he was Peter's age. He is especially gifted in the sciences such as mechanics, biology and physics. This has become particularly apparent during his time working at Horizon Labs, where he was able to create a device to drain Alpha of his powers in less than 24 hours.
In the episode "The Big Chill," when Mr. Freeze defeats the Batman in their first encounter, the latter's butler Alfred coats the Batsuit with a special white weather-proof material, that can withstand sub-zero temperatures and can be used by the Batman to camouflage himself in the snow. It covers the Batman's facial part as well, which is usually the only exposed part of his regular Batsuit. Additionally, this arctic Batsuit is shown to be armed with retractable skis in the boots and two flamethrowers attached on either side of the waist. Also, the blades on the Batman's gloves emit high electric sparks to melt any ice in his path. The arctic Batsuit reappears in the episode "Fire and Ice," and is depicted to sustain heavy amounts of damage but protects its wearer, when the villain Firefly maneuvers the Batman into a fuel tanker that is about to explode. The Batman survives but injures himself and the suit.
In the 1930s, both trends came together in some of the earliest superpowered costumed heroes such as Japan's Ōgon Bat (visualized in painted panels used by kamishibai oral storytellers in Japan since 1931), Mandrake the Magician (1934), Superman in 1938 and Captain Marvel (1939) at the beginning of the Golden Age of Comic Books. The precise era of the Golden Age of Comic Books is disputed, though most agree that it was started with the launch of Superman in 1938. Superman remains one of the most recognizable Superheroes to this day. The success of Superman spawned a whole new genre of characters with secret identities and superhuman powers – the Superhero genre.
With the reveal of Tom Holland’s Spider-Man in the Captain America: Civil War trailer, we wanted to go back and look at the many Spider-Man costumes over the years! Peter Parker being the thrifty science-nerd that he is, we can’t include every version of the wall crawler that has appeared in Marvel comics as some only make single issue appearances (though we did include some of those). Starting from Peter’s first appearance in Amazing Fantasy #15 to the Ultimate Spider-Man Miles Morales and every major version of the webslinger in-between, check out the gallery below for a look at the Spider-Man costumes.
Outside of the mainstream universe, there are different incarnations of Spider-Man in alternate universes such as the Ultimate universe version. Originally, these characters were depicted as separate from each other, but they have crossed over together in Spider-Verse, where the many versions of Spider-Men are the major protagonists of the storyline. Some of these characters were later merged in the same universe in the 2015 comic book series Secret Wars as a part of the Spider-Man family.
After finally freeing himself of a circular orbit in an imploding dimension the superhero known as Quasar returned to the site of a major battle between himself, Doctor Strange, The Thing, Thor and the evil Elder God Set. Shocked to find his comrades dead, Quasar screamed into the Heavens as a glowing red light consumed him. It changed him and infused him with the powers of Captain Universe. After merging the Uni-Power with his own Quantum Bands; Quasar took Doctor Strange's Eye of Agamotto and left the imploding dimension.
From at least the 16th century, the festival included mumming and guising, which involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food. It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them. It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune". F. Marian McNeill suggests the ancient pagan festival included people wearing masks or costumes to represent the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire. In parts of southern Ireland, a man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune. In 19th century Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed. In parts of Wales, men went about dressed as fearsome beings called gwrachod, while in some places, young people cross-dressed. Elsewhere in Europe, mumming and costumes were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers". It has also been suggested that the wearing of Halloween costumes developed from the custom of souling, which was practised by Christians in parts of Western Europe from at least the 15th century. At Allhallowtide, groups of poor people would go door-to-door, collecting soul cakes – either as representatives of the dead, or in return for saying prayers for them. One 19th century English writer said it "used to consist of parties of children, dressed up in fantastic costume, who went round to the farm houses and cottages, signing a song, and begging for cakes (spoken of as "Soal-cakes"), apples, money, or anything that the goodwives would give them". The soulers typically asked for "mercy on all Christian souls for a soul cake". The practice was mentioned by Shakespeare his play The Two Gentlemen of Verona (1593). Christian minister Prince Sorie Conteh wrote on the wearing of costumes: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognised by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities". In the Middle Ages, statues and relics of martyred saints were paraded through the streets at Allhallowtide. Some churches who could not afford these things had people dress as saints instead. Some believers continue the practice of dressing as saints, biblical figures, and reformers in Halloween celebrations today. Many Christians in continental Europe, especially in France, believed that on Halloween "the dead of the churchyards rose for one wild, hideous carnival," known as the danse macabre, which has often been depicted in church decoration. An article published by Christianity Today claimed the danse macabre was enacted at village pageants and at court masques, with people "dressing up as corpses from various strata of society", and suggested this was the origin of Halloween costume parties.