‘We hebben inmiddels vijf jaar op rij het topniveau behaald in de Champions League van de internationale klantenservices’, kon Cindy Kroon (vice president Customers & Solutions regio NL/UK bij Nuon/Vattenfall) een tijdje terug wel van de daken schreeuwen na het binnenslepen van het COPC CX 6.0-certificaat. ‘En toch blijft dit voor ons iets heel bijzonders.’ Achterover leunen is er dan ook niet bij voor de energiespeler: samen met Bernard Steenbergen (director Customer Service Operations) daagt Kroon de organisatie continu uit dit niveau vast te houden. Minimaal.
A bite from a radioactive spider triggers mutations in Peter Parker's body, granting him superpowers.[86] In the original Lee-Ditko stories, Spider-Man has the ability to cling to walls, superhuman strength, a sixth sense ("spider-sense") that alerts him to danger, perfect balance and equilibrium, as well as superhuman speed and agility.[86] The character was originally conceived by Stan Lee and Steve Ditko as intellectually gifted, but later writers have depicted his intellect at genius level.[87] Academically brilliant, Parker has expertise in the fields of applied science, chemistry, physics, biology, engineering, mathematics, and mechanics. With his talents, he sews his own costume to conceal his identity, and he constructs many devices that complement his powers, most notably mechanical web-shooters to help navigate and trap his enemies along with a spider-signal as an flashlight and a warning beacon to criminals.[86]

The Classic Suit is the one Peter Parker begins this story using, and it appears he has been using this suit for the better part of 8 years. It features a smaller spider design on the front with the larger spider on the back - and more basic materials used in the design. It becomes damaged during the start of the story, during your fight with Kingpin.
Upon approaching the Spider-Island arc, Peter felt vulnerable with the lack of his spider sense. He began training under Shang Chi to create his own unique martial arts style to make up for his lack of spider sense called the "Way of the Spider". It was then revealed that Shang Chi was instructed by the new Madam Web (Julia Carpenter the former Arachne and Spider-Woman) to secretly prepare Peter for a future threat (Spider-Island). This style consists of among other things, hitting pressure points with Spider Strength, and striking with Spider Speed. This new martial art has considerably improved Spider-Man's H2H capabilities, and so far he has stalemated Julia Carpenter and effortlessly defeated 3 spider-powered individuals in a few seconds during Spider-Island. When he regained his Spider-Sense, he defeated a mutated Kaine who was considerably stronger and quicker than him, and effortlessly trumped a mind controlled Spider-Woman, in handful of blows and kicks.
There are several trading cards depicting either Captain Universe himself or Spider-Man as Captain Universe, these trading card sets include Marvel VS., Marvel Overpower, the Fleer Mark Bagley Spider-Man Card Set and Fleer Ultra 1994. There was also a special Captain Universe trading card included with the personalized X-Men/Captain Universe comic depicting the comic book owner's personal stats as Captain Universe.[31]
Answering the call of justice, Call Girl disconnects criminals and places their evil ambitions on hold. Extending her influence from social media to the town of South Park, Wendy Testaburger is a gadgeteer and a white-hat hacker with a heart of gold who uses technology and an army of followers to unfriend evil. If you need information, just know that you can rely on... Call Girl!
From at least the 16th century,[5] the festival included mumming and guising,[6] which involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food.[6] It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them.[7] It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune".[8] F. Marian McNeill suggests the ancient pagan festival included people wearing masks or costumes to represent the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire.[5] In parts of southern Ireland, a man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune.[9] In 19th century Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed.[6] In parts of Wales, men went about dressed as fearsome beings called gwrachod,[6] while in some places, young people cross-dressed.[6] Elsewhere in Europe, mumming and costumes were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers".[6] It has also been suggested that the wearing of Halloween costumes developed from the custom of souling, which was practised by Christians in parts of Western Europe from at least the 15th century.[10][11] At Allhallowtide, groups of poor people would go door-to-door, collecting soul cakes – either as representatives of the dead,[12] or in return for saying prayers for them.[13] One 19th century English writer said it "used to consist of parties of children, dressed up in fantastic costume, who went round to the farm houses and cottages, signing a song, and begging for cakes (spoken of as "Soal-cakes"), apples, money, or anything that the goodwives would give them".[14] The soulers typically asked for "mercy on all Christian souls for a soul cake".[15] The practice was mentioned by Shakespeare his play The Two Gentlemen of Verona (1593).[16][17] Christian minister Prince Sorie Conteh wrote on the wearing of costumes: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognised by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities".[18] In the Middle Ages, statues and relics of martyred saints were paraded through the streets at Allhallowtide. Some churches who could not afford these things had people dress as saints instead.[19][20] Some believers continue the practice of dressing as saints, biblical figures, and reformers in Halloween celebrations today.[21] Many Christians in continental Europe, especially in France, believed that on Halloween "the dead of the churchyards rose for one wild, hideous carnival," known as the danse macabre, which has often been depicted in church decoration.[22] An article published by Christianity Today claimed the danse macabre was enacted at village pageants and at court masques, with people "dressing up as corpses from various strata of society", and suggested this was the origin of Halloween costume parties.[23][24]
×