Flash Thompson Amazing Fantasy #15 (August 1962) A sometimes enemy of Peter Parker instead of Spider-Man. Flash's most common depiction is a high school bully of Parker commonly dubbing him "Puny Parker". Despite how he treats Parker he happens to be one of Spider-Man's biggest fans. Later on Flash would be depicted as being good friends to Peter instead. In The Amazing Spider-Man #654, Flash Thompson becomes "Agent Venom"
Reaction to Spider-Man's rogues gallery has been overwhelmingly positive with many journalists citing it as one of the greatest comic book rogues galleries of all time, with Batman's rogues gallery being its most rivaled contender. Although editors such as The Hollywood Reporter's Graeme McMillan felt that only Flash's rogues gallery can compete with Spider-Man's rogues. Kyle Schmidlin of What Culture! described the superhero's rogues gallery as "one of the most colorful in comics" explaining that Batman could only be debated as having a great number of enemies as good as Spider-Man. IGN staff editors, Joshua Yehl and Jesse Schedeen, described the Spider-Man villains as "one of the most iconic and well-balanced in comics". They opined that the scope of their schemes, how cool their powers are, and how dramatically they have affected Spider-Man's life is what makes the Spider-Man villains so great. Newsarama ranked Spider-Man's rogues gallery as number one out ten as the greatest rogues gallery of all time.
In a Manhattan warehouse, an innocent man has been murdered during a mysterious crime. Evidence points to the involvement of Venom-- the alien symbiote who is obsessed with Spider-Man's destruction. Yet Venom has always safeguarded innocent lives--- has he gone completely around the bend, or is there another suspect?Spider-Man thinks there is more to the crime than meets the eye. The spectre of the Hobgoblin, one of Spider-Man's nastiest villains, falls on a series of thefts, and leads the web-slinger to a deadly secret that may cause New York's destruction. Spider-Man must outsmart two of his most lethal foes to save the city-- but even more danger awaits him!
Scott Malkinson could've been an ordinary child, but in a freak accident his mom farted on him during childbirth which gave him diabetes. Rather than dwelling on his misfortune, Captain Diabetes wields his sugary illness as a source of power that his enemies cannot overcome. Captain Diabetes is a Brutalist archetype who combines punishing melee knockback moves with an annoying desire to hang out.
During the 1940s there were many superheroes: The Flash, Green Lantern and Blue Beetle debuted in this era. This era saw the debut of first known female superhero, writer-artist Fletcher Hanks's character Fantomah, an ageless ancient Egyptian woman in the modern day who could transform into a skull-faced creature with superpowers to fight evil; she debuted in Fiction House's Jungle Comic #2 (Feb. 1940), credited to the pseudonymous "Barclay Flagg". The Invisible Scarlet O'Neil, a non-costumed character who fought crime and wartime saboteurs using the superpower of invisibility created by Russell Stamm, would debut in the eponymous syndicated newspaper comic strip a few months later on June 3, 1940.
A martial art garb designed around the totem of the bat. While retraining his body after having his back restored by a mutant with healing powers and then going through physical therapy Bruce Wayne was given the Mask of Tengu by Lady Shiva as a substitute Bat-Uniform during the final stages of his retraining, before this, he wore a standard ninja outfit with a hood.
The practice may have originated in a Celtic festival, held on 31 October–1 November, to mark the beginning of winter. It was called Samhain in Ireland, Scotland and the Isle of Man, and Calan Gaeaf in Wales, Cornwall and Brittany. The festival is believed to have pre-Christian roots. After the Christianization of Ireland in the 5th century, some of these customs may have been retained in the Christian observance of All Hallows' Eve in that region—which continued to be called Samhain/Calan Gaeaf—blending the traditions of their ancestors with Christian ones. It was seen as a liminal time, when the spirits or fairies (the Aos Sí), and the souls of the dead, could more easily come into our world. It was believed that the Aos Sí needed to be propitiated to ensure that the people and their livestock survived the winter.