Similar to a grappling hook, the line launching gun uses a strong clamp attached to a high-tensil wire for scaling surfaces and/or traversing gaps. It can be recovered by releasing the clamp and rewinding the cable. It was based from one that is designed as compact climbing gear for commando units. It is propelled with compressed air, and works with a magnetic grappling iron. The thin climbing cable was tested on a load-carrying capacity of 350 lbs. The line can be attached to a reel in the buckle in the utility harness, but this was only used to escape after being defeated by the Scarecow in The Narrows.
Christian Bale found the original Batsuit to be very uncomfortable and restrictive, as it was still very much derived from the standard WB batsuits of the past first established by Michael Keaton, with little improvement. The "bat suit wrangler", Day Murch from the 90's films was brought on to assist Bale and stuntmen like Buster Reeves. From Christopher Nolan's point of view, he was dissatisfied with the appearance of the foam rubber cowl, within the fiction it supposed to be made of a solid graphite material. For these reasons, Bruce's desire for a new costume in the movies was put into the story.
Peter becomes desperate to save May. He makes a deal with Mephisto who offers to save his aunt and restore the secrecy of his identity in exchange for erasing Peter's marriage to MJ. Mephisto gives the couple One More Day to decide (hence the title of the story) and Peter reluctantly agrees. He then wakes up in the house of May who is alive and well with no recollection of the deal. This marks the beginning of the Brand New Day era, in which Harry Osborn is alive and Spider-Man meets new friends and foes. He fights new villains including Mister Negative, Screwball, the Spider-Mugger, Menace who is the girlfriend of Harry, Kraven's daughter Ana Kravinoff in the story Kraven's First Hunt, the New Vulture in 24/7, teams-up with Anti-Venom to fight Norman Osborn's Thunderbolts in New Ways to Die and is accused of murder during the Character Assassination story. When the Secret Invasion took place, Spider-Man helped his fellow heroes in fighting off the invading Skrulls.
^ Another character commonly described as archenemy is Venom. Eddie Brock as Venom is commonly described as the mirror version or the evil version of Spider-Man in many ways.[8][9][123] Venom's goals are usually depicted as ruining Spider-Man's life and messing with Spider-Man's head.[86] Venom is also one of the most popular Spider-Man villains.[131] This popularity has led him to be an established iconic character of his own with own comic book stories.[8][132]
Spider-Man (1982) Questprobe Featuring Spider-Man Doctor Doom's Revenge The Amazing Spider-Man (Amiga) The Amazing Spider-Man (Game Boy) The Amazing Spider-Man vs. The Kingpin Spider-Man: The Video Game The Amazing Spider-Man 2 (1992) Return of the Sinister Six Arcade's Revenge Invasion of the Spider-Slayers Maximum Carnage Lethal Foes Separation Anxiety Spider-Man (1995) Web of Fire Spider-Man (2000) The Sinister Six Enter Electro Mysterio's Menace Spider-Man (2002) Spider-Man 2 Ultimate Spider-Man Battle for New York Spider-Man 3 Friend or Foe Web of Shadows Toxic City Total Mayhem Shattered Dimensions Edge of Time The Amazing Spider-Man (2012) The Amazing Spider-Man 2 (2014) Spider-Man Unlimited (2014) Spider-Man (2018)
Jump up ^ Simon, Joe, with Jim Simon. The Comic Book Makers (Crestwood/II, 1990) ISBN 1-887591-35-4. "There were a few holes in Jack's never-dependable memory. For instance, there was no Black Magic involved at all. ... Jack brought in the Spider-Man logo that I had loaned to him before we changed the name to The Silver Spider. Kirby laid out the story to Lee about the kid who finds a ring in a spiderweb, gets his powers from the ring, and goes forth to fight crime armed with The Silver Spider's old web-spinning pistol. Stan Lee said, 'Perfect, just what I want.' After obtaining permission from publisher Martin Goodman, Lee told Kirby to pencil-up an origin story. Kirby... using parts of an old rejected superhero named Night Fighter... revamped the old Silver Spider script, including revisions suggested by Lee. But when Kirby showed Lee the sample pages, it was Lee's turn to gripe. He had been expecting a skinny young kid who is transformed into a skinny young kid with spider powers. Kirby had him turn into... Captain America with cobwebs. He turned Spider-Man over to Steve Ditko, who... ignored Kirby's pages, tossed the character's magic ring, web-pistol and goggles... and completely redesigned Spider-Man's costume and equipment. In this life, he became high-school student Peter Parker, who gets his spider powers after being bitten by a radioactive spider. ... Lastly, the Spider-Man logo was redone and a dashing hyphen added".
It's been three weeks since spider-man foiled Doc Ock's plan and now Peter is invited to MJ's, which is Mary Jane's Club, but he is still under the weather because he was not able to prevent Silver Sables death, but while Peter is "having fun" at the party Carlie calls and tells Spider-man to come meet her at the cemetery. Spider-Man arrives and Carlie tells him that the grounds keeper saw a pale man digging the grave of Billie Connors with his bare hands and then vanishing into the dark with the body. Spider-Man instantly realized that this pale powerful man was Morbius and he goes to face him at Horizon labs. Spider-Man, disgusted by Morbius' actions, starts to attack him, but eventually stops when Michael explains that the reason he dug up the grave was to find a cure for the Lizard, and he tells Peter that he has already accomplished his goal. Spider-Man, hearing this, plans an attack on the Lizard and the confronts him in the sewers and fights him for a long period for time, but finaly Morbius and Spider-Man stab the Lizard with enough hypodermic harpoons for Max to bring Connor's back. But the Lizard is still in control, even in Kurt's body. The Lizard awakens Morbius' violent vampire side, with the smell of blood. And while Spider-Man was distracted with Morbius, Connors created the new serum that will turn him into the Lizard again, but this serums turns everyone into lizards except Connors himself, so while testing this serum Connors turns the entire Horizon Labs crew into Lizards. When he finally created the serum for himself, it turned him into a new version of the Lizard. When Spider-Man comes after capturing Morbius, Carlie tells him what has happened. Spidey creates a new cure and a battle ensures between Spider-Man and the Lizard. When Spider-Man stabs the Lizard with a harpoon filled with the cure, nothing happens, the cure doesn't work. Only at the end we see that the cure has actually worked and now Connors' mind is secretly in control of the Lizard's body.
When fighting Electro, Spidey had to modify his costume to defeat his foe. He once made a costume from a rubber air mattress that made victory over Electro possible. On another occasion, when Electro's powers were amplified, Spider-Man used an improved version of the insulated costume that was resistant to Electro's attacks. With the help of X-Man, Spider-Man once again defeated Electro.
In Marvel Zombies Return Spider-Man is teleported to a new world, where he consumes and infects the Sinister Six (except for Sandman). As his cosmic abilities did not come with him, and his webshooters have dried up, the zombified superhero is forced to make do with his own veins and arteries. Following the death of the Spider-Man of this universe (killed by Sandman in revenge for the deaths of the Sinister Six)[16] the zombie Spider-Man works on developing a cure for the plague with the aid of the Kitty Pryde of this universe, using nanites and the blood of this world's Wolverine.[17] With the zombie Giant-Man having followed Spider-Man to this new reality, Spider-Man resolves to stop Giant-Man.[18] Spider-Man releases the Sandman, now infused with nanites, and wipes out every zombie hero and villain. Zombie Spider-Man dies from being exposed to his own weapon.[volume & issue needed]
Jump up ^ "Halloween Pranks Keep Police on Hop", Oregon Journal (Portland, Oregon), 1 November 1934; and "The Gangsters of Tomorrow", The Helena Independent (Helena, Montana), 2 November 1934, p. 4. The Chicago Tribune also mentioned door-to-door begging in Aurora, Illinois on Halloween in 1934, although not by the term 'trick-or-treating'. "Front Views and Profiles" (column), Chicago Tribune, 3 November 1934, p. 17.
“First published in 1930, Gladiator is the tale of Hugo Danner, a man endowed from birth with extraordinary strength and speed. But Danner is no altruist. He spends his life trying to cope with his abilities, becoming a sports hero in college, later a sideshow act, a war hero, never truly finding peace with himself. The character of Danner inspired both Superman’s creators, and Lester Dent’s Doc Savage. But Wylie, an editor with the New Yorker, sought to develop more than a pulp hero. His Gladiator provides surprising insights into the difficulties suffered by the truly gifted when born in our midst.”
Part of the joy of Halloween is indulging your dark side. These boys scary clown Halloween costumes are the kind that are far more likely to make your son’s friends recoil in fear than grin—and that’s exactly what he wants! Give him a chance to terrify your neighborhood as he goes around collecting candy dressed as a Sinister Jester. This black and red costume features a very spooky mask with a terrifying grin, plus a hood with collar to add to the creepy sensation. No one will recognize him as he walks the street waiting to hear gleeful screams in response.
while witnessing a radiology experiment would be bitten on his hand by a radioactive spider. He then starts to find that he has amazing powers. He realizes that he has the spider's leaping, wall-crawling, spider sense, increased endurance, and super strength. He made himself a red and blue outfit and mask and produces a web-spinning fluid enabling him to swing from the buildings above the streets of Manhattan. Peter's first enemy would be the person who had killed his Uncle Ben. Uncle Ben would be killed by a burglar, a criminal that had ran past Peter earlier at the television studio. Peter didn't really care at the time and didn't help the police. This lead to Uncle Ben's death. Angry and upset, Peter sought his Uncle's murderer and webs him. After this tragedy, Peter would become a costumed crime fighter protecting New York. Peter Parker would be voiced by Bernard Cowan, Spider-Man would be voiced by Paul Soles, Len Carlson voiced Captain Stacy, Peg Dixon voiced Betty Brant, and Paul Kligman voiced J. Jonah Jameson. This series would also be well known for its theme song. It was performed by a vocal group with lyrics written by Paul Francis Webster and quick-tempo instrumentals performed by Bob Harris, published by Buddah Music, Inc. Lyrics "Spider-Man. Spider-Man. Does whatever a spider can. Spins a web, any size. Catches thieves- just like flies. Look out! Here comes the Spider-Man! Is he strong? Listen, bud. He's got radioactive blood. Can he swing, from a thread? Take a look overhead. Hey, there! There goes the Spider-Man! In the chill of night, at the scene of a crime. Like a streak of light, he arrives just in time! Spider-Man. Spider-Man. Friendly Neighborhood Spider-Man. Wealth and fame? He's ignored. Action is his reward. To him, life is a great big bang-up. Wherever there's a hang-up, you'll find the Spider-Man!"
From at least the 16th century,[5] the festival included mumming and guising,[6] which involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food.[6] It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them.[7] It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune".[8] F. Marian McNeill suggests the ancient pagan festival included people wearing masks or costumes to represent the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire.[5] In parts of southern Ireland, a man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune.[9] In 19th century Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed.[6] In parts of Wales, men went about dressed as fearsome beings called gwrachod,[6] while in some places, young people cross-dressed.[6] Elsewhere in Europe, mumming and costumes were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers".[6] It has also been suggested that the wearing of Halloween costumes developed from the custom of souling, which was practised by Christians in parts of Western Europe from at least the 15th century.[10][11] At Allhallowtide, groups of poor people would go door-to-door, collecting soul cakes – either as representatives of the dead,[12] or in return for saying prayers for them.[13] One 19th century English writer said it "used to consist of parties of children, dressed up in fantastic costume, who went round to the farm houses and cottages, signing a song, and begging for cakes (spoken of as "Soal-cakes"), apples, money, or anything that the goodwives would give them".[14] The soulers typically asked for "mercy on all Christian souls for a soul cake".[15] The practice was mentioned by Shakespeare his play The Two Gentlemen of Verona (1593).[16][17] Christian minister Prince Sorie Conteh wrote on the wearing of costumes: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognised by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities".[18] In the Middle Ages, statues and relics of martyred saints were paraded through the streets at Allhallowtide. Some churches who could not afford these things had people dress as saints instead.[19][20] Some believers continue the practice of dressing as saints, biblical figures, and reformers in Halloween celebrations today.[21] Many Christians in continental Europe, especially in France, believed that on Halloween "the dead of the churchyards rose for one wild, hideous carnival," known as the danse macabre, which has often been depicted in church decoration.[22] An article published by Christianity Today claimed the danse macabre was enacted at village pageants and at court masques, with people "dressing up as corpses from various strata of society", and suggested this was the origin of Halloween costume parties.[23][24]
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