Spider-Man's exposure to the mutated spider venom induced a mutagenic, cerebellum-wide alteration of his engrams resulting in the ability to mentally control the flux of inter-atomic attraction (electrostatic force) between molecular boundary layers. This overcomes the outer electron shell's normal behavior of mutual repulsion with other outer electron shells and permits the tremendous potential for electron attraction to prevail. The mentally controlled sub-atomic particle responsible for this has yet to be identified. This ability to affect the attraction between surfaces is so far limited to Spider-Man's body (especially concentrated in his hands and feet) and another object, with an upper limit of several tons per finger. Limits to this ability seem to be psychosomatic, and the full nature of this ability has yet to be established. Spider-man utilizes this ability in his locomotion across New-York, but also has the ability to use it offensively, in a manner resembling the Mark of Kaine. Spider-Man rarely uses this ability though, due to its brutal and disfiguring effects. It also works differently, ripping off layers of skin and muscle, rather than burning it as Kaine does via the HCL secreted through his palms.
After Peter had his aunt returned, he decided to stop being Spider-man for good. He started living in a new apartment with his aunt May and wife Mary-Jane. All of New York was wondering where Spider-Man could have gone after his seemingly final battle with the Green Goblin. He would not even react to messages send by Peter's good friend the Human Torch. Peter had found a job at a science-center where he did good work and stayed out of the superhero life, although it turned out that was harder then it seemed. It was at this time that a seemingly new Spider-Man appeared on the scene. It turned out that this was Mattie Franklin, a participant in the Gathering of the Five, whom got the gift of Power. She acted as Spider-man and later as Spider-Woman, when Peter finally accepted that he was needed as Spider-man and returned to the life as a superhero.

Though only a few classes are available to the player at the start of the game, a total of twelve classes can be unlocked altogether, and the player has the option of occasionally changing their class or eventually being able to dual-class or further. Abilities can be upgraded individually, allowing the player to establish a custom, one-of-a-kind hero unlike any other that fits their playing style.

Spider-Man is a fictional superhero in the Marvel Universe debuting in the anthology comic book series issue Amazing Fantasy #15 (August 1962) in the Silver Age of Comics published by Marvel Comics. After his debut he would get his own comic book entitled The Amazing Spider-Man. The comic book series would introduce many of what would become his major supervillain adversaries. Spider-Man would then be popular enough for more Spider-Man comic spinoffs (The Spectacular Spider-Man, Marvel Team-Up, Web of Spider-Man, Peter Parker: Spider-Man etc.) which introduced more recurring enemies of the web-slinger.


It’s a good thing Wonder Woman is here to watch the little ones, because we’re not sure The Riddler is going to best the best guardian over the young superheroes in training. Batman, Robin , and Catwoman can team up to hit the neighborhood in search of the best treats, but while The Riddler is busy trying to vex the neighbors with tricks and riddles, Wonder Woman can provide a watchful eye over her superheroes in training. When it comes to taking the yearly photo of the group, just let each member bust out their signature moves. Batman and Robin can look like stoic Gotham City residents, even while Catwoman throws her claws up in anticipation of a brand new heist. The Riddler is sure to be laughing, but as for Wonder Woman? Well, she’s the one that holds the group together. (Be it with her motherly instincts or just by keeping the Golden Lasso of Truth handy!)
^ Jump up to: a b Cowsill, Alan; Gilbert, Laura, ed. (2012). "1990s". Spider-Man Chronicle Celebrating 50 Years of Web-Slinging. Dorling Kindersley. p. 197. ISBN 978-0756692360. Artist Mark Bagley's era of The Amazing Spider-Man hit its stride as Carnage revealed the true face of his evil. Carnage was a symbiotic offspring produced when Venom bonded to psychopath Cletus Kasady."
Peter is shown to be learning the 'Way of the Spider', from Shang-Chi, and also seen neutralizing a couple of robberies. Jackal is revealed to be working on a scheme, recruiting several spider-powered criminals for some kind of project. Later, Peter and Carlie Cooper are talking when Carlie reveals she has spider-powers. When news of several hundreds of New Yorkers having manifested spider-powers reaches them, Carlie web swings away to help. Peter then pretends to be another random spider-powered New Yorker and defends New York against the spider-powered villains, along with the Avengers. Anti-Venom is seen curing people of their spider-powers, as he showed the ability to do so in New Ways to Die. Jackal is seen working on the Spider-King, filled with tiny embryos. Horizon Labs and Mr Fantastic work on finding a cure while the Avengers keep Manhattan quarantined to stop the virus from spreading. While at an lab, Peter and Carlie are attacked by Chance, Scorcher, and White Rabbit, who also have spider-powers. Peter manages to defeat them using his training from Shang-Chi. Jackal has the battle taped and gives it to Tarantula to study, as he will soon be 'tested'. Reed Richards finally develops a vaccine that stops people from gaining spider-powers, but cannot cure those already infected. J. Jonah Jameson discovers that he, too, has gained spider powers. Anti-Venom continues curing people, however Madame Web faints from the massive excess of spiders accessing the 'web of life'. Carlie meets up with Spider-Man, when they attempt to take down Shocker, who has grown 6 extra arms. After taking off his mask, they find that his face is slowly mutating into a spider's face, and his body is doing the same. Carlie starts to mutate as well.The Spider-Queen tells Jackal that the people of New York will soon become spiders, and she will own New York.

From at least the 16th century,[5] the festival included mumming and guising,[6] which involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food.[6] It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them.[7] It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune".[8] F. Marian McNeill suggests the ancient pagan festival included people wearing masks or costumes to represent the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire.[5] In parts of southern Ireland, a man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune.[9] In 19th century Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed.[6] In parts of Wales, men went about dressed as fearsome beings called gwrachod,[6] while in some places, young people cross-dressed.[6] Elsewhere in Europe, mumming and costumes were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers".[6] It has also been suggested that the wearing of Halloween costumes developed from the custom of souling, which was practised by Christians in parts of Western Europe from at least the 15th century.[10][11] At Allhallowtide, groups of poor people would go door-to-door, collecting soul cakes – either as representatives of the dead,[12] or in return for saying prayers for them.[13] One 19th century English writer said it "used to consist of parties of children, dressed up in fantastic costume, who went round to the farm houses and cottages, signing a song, and begging for cakes (spoken of as "Soal-cakes"), apples, money, or anything that the goodwives would give them".[14] The soulers typically asked for "mercy on all Christian souls for a soul cake".[15] The practice was mentioned by Shakespeare his play The Two Gentlemen of Verona (1593).[16][17] Christian minister Prince Sorie Conteh wrote on the wearing of costumes: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognised by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities".[18] In the Middle Ages, statues and relics of martyred saints were paraded through the streets at Allhallowtide. Some churches who could not afford these things had people dress as saints instead.[19][20] Some believers continue the practice of dressing as saints, biblical figures, and reformers in Halloween celebrations today.[21] Many Christians in continental Europe, especially in France, believed that on Halloween "the dead of the churchyards rose for one wild, hideous carnival," known as the danse macabre, which has often been depicted in church decoration.[22] An article published by Christianity Today claimed the danse macabre was enacted at village pageants and at court masques, with people "dressing up as corpses from various strata of society", and suggested this was the origin of Halloween costume parties.[23][24]
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