Digitale transformatie is een vaak voorkomend en veelomvattend begrip. Gelukkig weten wij hier wel raad mee. In een interview met CustomerFirst vertellen onze collega’s, Yvonne de Keijzer en Femke Oosterlinck, wat digitale transformatie voor ons in de praktijk betekent. Co-creatie en de combinatie mensen en technologie zijn bepalend om de ultieme klantrelatie- en beleving te...
American Upper Midwest, Pacific Northwest, the northern portions of the Great Lakes Basin, and Maine – Due to the cold weather, the garb in rural areas tends to more closely adhere to heavier materials, such as flannel or Buffalo plaid mackinaw jackets, the occasional parka, and trapper hat. A good example is seen in the typical attire of Paul Bunyan, a folk hero popular in areas where logging was a common occupation, as well as lumberjacks working in the area.
On Earth-11638, this version of Spider-Man is called the Amazing Spider who is rich, powerful, and popular where none of his loved ones has died. Peter runs Parker Technologies and his Uncle Ben spurs him to be the best. Upon inventing a portal technology, he unknowingly brought Earth-616's Spider-Man, Deadpool, and Hulk to Earth-11638. During a scuffle with Spider-Man in Amazing Spider's lair called the Web, Uncle Ben was about to plug Spider-Man into the machine. Amazing Spider was caught between the machine and was placed in a comatose state. While in a coma, Amazing Spider's soul arrived in Hell where Bruce Banner's Sorcerer Supreme counterpart died fighting the Infernal Hulk. Though Bruce's astral form stayed alive and helped return the Amazing Spider to life with the souls of the repentant damned which gave him a second chance to live. When he awoke, he found himself transformed into a new character called the Ghost Spider. To make amends with Spider-Man, Ghost Spider transported him, Deadpool, and Hulk back to Earth-616.
As one contemporaneous journalist observed, "Spider-Man has a terrible identity problem, a marked inferiority complex, and a fear of women. He is anti-social, [sic] castration-ridden, racked with Oedipal guilt, and accident-prone ... [a] functioning neurotic". Agonizing over his choices, always attempting to do right, he is nonetheless viewed with suspicion by the authorities, who seem unsure as to whether he is a helpful vigilante or a clever criminal.
The culmination of nearly every superhero that came before him, Spider-Man is the hero of heroes. He's got fun and cool powers, but not on the god-like level of Thor. He's just a normal guy with girlfriend problems and money issues, so he’s more relatable than playboy billionaire Iron Man. And he's an awkward teenager, not a wizened adult like Captain America. Not too hot and not too cold, Spider-Man is just right.
Following the 2015 Secret Wars event, a number of Spider-Man-related titles were either relaunched or created as part of the "All-New, All-Different Marvel" event. Among them, The Amazing Spider-Man was relaunched as well and primarily focuses on Peter Parker continuing to run Parker Industries, and becoming a successful businessman who is operating worldwide.
As a former preschool teacher... it is hard for me to give credence to a claim that there is something objectionably “appropriative” about a blonde haired child’s wanting to be Mulan for a day. Pretend play is the foundation of most cognitive tasks, and it seems to me that we want to be in the business of encouraging the exercise of imagination, not constraining it.
While the previous game had been acclaimed for replicating the show's iconic construction paper style, the original South Park elements had to all be re-created and re-animated in Flash for use in the game, requiring collaboration between the developers and South Park' artists. For the sequel, Ubisoft San Francisco aimed to simplify this process by building an entirely new game engine that is fully capable of not only replicating the show's trademark art style, but also importing the original art assets used in the show. This enables not only total accuracy, but the ability to lift new characters, props, locations and other assets created for Season Twenty, while the game is still in production.
Spider-Man has changed his costume many times but would always return to his classic and most well known look which has varied sometimes. He has had many memorable costumes, including the Black & White symbiote suite, the Red & Gold Iron Spider suit, the Identity Crisis costumes, the Scarlet Spider costume, the White & Blue Armored Spider suit, the Bag-Man costume and recently he has started wearing a black & green costume. You can view several of Spider-Man's costumes in his costume gallery.
Follow Spider-Man’s action-packed journey, from his struggle to harness the extraordinary gifts that will prove to be both blessing and curse, to his fight to save innocent lives while the media tears him to pieces. It all leads up to his ultimate battle high above New York streets, against the death-dealing madman known as the Green Goblin. While the city watches helplessly and countless lives hang in the balance, Spider-Man confronts his archnemesis, and the Goblin puts Spider-Man’s vow to fight crime to the ultimate test...
There also contain many other versions of Spider-Man outside of comic books. Some in film, in television or in video games among countless other media. Some characters have crossed over in the comic book canon as one of the separate incarnations such as the Ultimate Spider-Man animated series version and the live-action Japanese show version appearing in "Spider-Verse". Also, one of the alternate Spider-Men from the series final of the 90s TV Show appeared in Spider-Verse as a background character, and the two live-action versions from the original trilogy and Amazing Spider-Man series are mentioned.
Planet of the Symbiotes (1995) Spider-Man: Chapter One (1998) Spider-Man: Blue (2002) Spider-Man/Black Cat: The Evil that Men Do (2002) Trouble (2003) Venom vs. Carnage (2004) Spider-Man: House of M (2005) Spider-Man and the Fantastic Four (2007) Spider-Man: With Great Power (2008) Astonishing Spider-Man & Wolverine (2010) Spider-Man and the X-Men (2014)
From at least the 16th century, the festival included mumming and guising, which involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food. It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them. It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune". F. Marian McNeill suggests the ancient pagan festival included people wearing masks or costumes to represent the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire. In parts of southern Ireland, a man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune. In 19th century Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed. In parts of Wales, men went about dressed as fearsome beings called gwrachod, while in some places, young people cross-dressed. Elsewhere in Europe, mumming and costumes were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers". It has also been suggested that the wearing of Halloween costumes developed from the custom of souling, which was practised by Christians in parts of Western Europe from at least the 15th century. At Allhallowtide, groups of poor people would go door-to-door, collecting soul cakes – either as representatives of the dead, or in return for saying prayers for them. One 19th century English writer said it "used to consist of parties of children, dressed up in fantastic costume, who went round to the farm houses and cottages, signing a song, and begging for cakes (spoken of as "Soal-cakes"), apples, money, or anything that the goodwives would give them". The soulers typically asked for "mercy on all Christian souls for a soul cake". The practice was mentioned by Shakespeare his play The Two Gentlemen of Verona (1593). Christian minister Prince Sorie Conteh wrote on the wearing of costumes: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognised by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities". In the Middle Ages, statues and relics of martyred saints were paraded through the streets at Allhallowtide. Some churches who could not afford these things had people dress as saints instead. Some believers continue the practice of dressing as saints, biblical figures, and reformers in Halloween celebrations today. Many Christians in continental Europe, especially in France, believed that on Halloween "the dead of the churchyards rose for one wild, hideous carnival," known as the danse macabre, which has often been depicted in church decoration. An article published by Christianity Today claimed the danse macabre was enacted at village pageants and at court masques, with people "dressing up as corpses from various strata of society", and suggested this was the origin of Halloween costume parties.