While battling the first Zebra-Man, Bruce Wayne was accidentally irradiated by the same energy that had irradiated Jake Baker. Without an inhibitor belt, Bruce's diamagnetism powers were out of control, causing Robin to go on without him. Batman soon took advantage of the diamagnetism, however, and used it to attract Zebra-Man to him and attract both of them to Gotham City Police Department.
^ Jump up to: a b Manning, Matthew K.; Gilbert, Laura, ed. (2012). "1960s". Spider-Man Chronicle Celebrating 50 Years of Web-Slinging. Dorling Kindersley. p. 24. ISBN 978-0756692360. Electro charged into Spider-Man's life for the first time in another [Stan] Lee and [Steve] Ditko effort that saw Peter Parker using his brilliant mind to outwit a foe.
Spider-Man's exposure to the mutated spider venom induced a mutagenic, cerebellum-wide alteration of his engrams resulting in the ability to mentally control the flux of inter-atomic attraction (electrostatic force) between molecular boundary layers. This overcomes the outer electron shell's normal behavior of mutual repulsion with other outer electron shells and permits the tremendous potential for electron attraction to prevail. The mentally controlled sub-atomic particle responsible for this has yet to be identified. This ability to affect the attraction between surfaces is so far limited to Spider-Man's body (especially concentrated in his hands and feet) and another object, with an upper limit of several tons per finger. Limits to this ability seem to be psychosomatic, and the full nature of this ability has yet to be established. Spider-man utilizes this ability in his locomotion across New-York, but also has the ability to use it offensively, in a manner resembling the Mark of Kaine. Spider-Man rarely uses this ability though, due to its brutal and disfiguring effects. It also works differently, ripping off layers of skin and muscle, rather than burning it as Kaine does via the HCL secreted through his palms.
“This year, we seem afraid that college students are unable to decide how to dress themselves on Halloween,” she wrote. “I don’t wish to trivialize genuine concerns about cultural and personal representation, and other challenges to our lived experience in a plural community. I know that many decent people have proposed guidelines on Halloween costumes from a spirit of avoiding hurt and offense. I laud those goals, in theory, as most of us do. But in practice, I wonder if we should reflect more transparently, as a community, on the consequences of an institutional (bureaucratic and administrative) exercise of implied control over college students.”
One superpowered character was portrayed as an antiheroine, a rarity for its time: the Black Widow, a costumed emissary of Satan who killed evildoers in order to send them to Hell—debuted in Mystic Comics #4 (Aug. 1940), from Timely Comics, the 1940s predecessor of Marvel Comics. Most of the other female costumed crime-fighters during this era lacked superpowers. Notable characters include The Woman in Red, introduced in Standard Comics' Thrilling Comics #2 (March 1940); Lady Luck, debuting in the Sunday-newspaper comic-book insert The Spirit Section June 2, 1940; the comedic character Red Tornado, debuting in All-American Comics #20 (Nov 1940); Miss Fury, debuting in the eponymous comic strip by female cartoonist Tarpé Mills on April 6, 1941; the Phantom Lady, introduced in Quality Comics Police Comics #1 (Aug. 1941); the Black Cat, introduced in Harvey Comics' Pocket Comics #1 (also Aug. 1941); and the Black Canary, introduced in Flash Comics #86 (Aug. 1947) as a supporting character. The most iconic comic book superheroine, who debuted during the Golden Age, is Wonder Woman. Modeled from the myth of the Amazons of Greek mythology, she was created by psychologist William Moulton Marston, with help and inspiration from his wife Elizabeth and their mutual lover Olive Byrne. Wonder Woman's first appearance was in All Star Comics #8 (Dec. 1941), published by All-American Publications, one of two companies that would merge to form DC Comics in 1944.
Combat and customization meet collectibles with Artifacts, powerful items you can find throughout town that enhance your character's "might" - their stats and abilities in combat, and sometimes those of your allies as well. Many of these artifacts, of course, are items relevant to South Park lore as well, like a sexy magazine from Mayor McDaniels' office. If you feel like you're stuck and can't progress, finding or equipping new artifacts might be a good move.
In an alternate future Spider-Man is a old man who got paralyzed from a LMD(Life Model Decoy) Deadpool doppelganger and lives in a retirement home with a old man Deadpool. Unknown to Spider-Man, Oldpool was giving his blood to Peter so he wouldn't die. In a battle between LMD Deadpools, Oldpool uses a time machine and mistakenly switches places with the mainstream Deadpool. After they got to the main timeline they are reunited with the main Spider-Man and Oldpool. Then after stoping Master Matrix (the LMD master created from Peter's parents), Old Man Peter and Oldpool fade away to their timeline.
Outside of the mainstream universe, there are different incarnations of Spider-Man in alternate universes such as the Ultimate universe version. Originally, these characters were depicted as separate from each other, but they have crossed over together in Spider-Verse, where the many versions of Spider-Men are the major protagonists of the storyline. Some of these characters were later merged in the same universe in the 2015 comic book series Secret Wars as a part of the Spider-Man family.
After Spider-Man successfully apprehended the Vulture, Stark offered Parker another suit if he moved into the New Avengers Facility as the newest Avenger. However, Parker turned Stark's invitation down, preferring to operate in Queens as a local hero instead. Impressed at his maturity, Stark accepted his decision and returned the second suit back to Parker, after having confiscated it earlier following the Ambush at the Staten Island Ferry.
Captain Universe's history in the Earth X series was relatively the same as it had been on Earth-616 up until the Infinity Gauntlet Saga, where an unknown Captain Universe fought alongside Kismet, the Silver Surfer, Comet Man, Carol Danvers, Nova and Star-Lord. Years later Arcturus Rann died in a battle against the Psycho Man and took the Enigma Force with him to the afterlife. Captain Universe was transferred into the Kree superhero Mar-Vell and eventually became part of a completed Cosmic Conscience which revived the Perfect Knowledge of the Perfect Universe which had been destroyed countless millennia ago by The Celestials. Captain Universe later joined with Reed Richards to form the new Eternity. They were last seen preparing to save Franklin from The Celestials and The Elders of the Universe.
Eddie J. Smith, in his book Halloween, Hallowed is Thy Name, offers a religious perspective to the wearing of costumes on All Hallows' Eve, suggesting that by dressing up as creatures "who at one time caused us to fear and tremble", people are able to poke fun at Satan "whose kingdom has been plundered by our Saviour". Images of skeletons and the dead are traditional decorations used as memento mori.
Halloween costumes in the contemporary Western world sometimes depict people and things from present times and are sometimes read in terms of their political and cultural significance. Halloween costumes are sometimes denounced for cultural appropriation when they uncritically use stereotypical representations of other groups of people. Immigration and Customs Enforcement Secretary Julie Myers was involved in a scandal when she awarded "Best Costume" at the ICE Halloween party to an 'escaped Jamaican prisoner' dressed in dreadlocks and blackface.