Both Spider-Men face off against Mysterio's Avatar. Miles blindly attacks, but due to his lack of combat experience and tactics, he is easily thrown back into Peter and both end up in the East River. Mysterio then deploys high-technology and a strong chemical in order to create the illusion that a mob of Spider-Man's enemies from both realities is attacking them. During the battle, Peter figures out the trick and demands Mysterio to return him to his home universe. Angered, Mysterio decides to instead strand Peter in a world where he is believed to be dead. The avatar self-destructs rendering Miles unconscious. He later wakes up to see that the Ultimates and Nick Fury are on the scene. While his version of Tony Stark begins to work on deciphering Mysterio's dimension technology, Miles asks where Peter went. Fury surmised that he went off to find out the truth about his alternate self. Peter decides to investigate on his own and goes to the location where his apartment in his home universe is supposed to be. He finds it to be converted into a store, and while posing some questions to the cashier, he stops an armed gunman who was attempting a robbery. He is shocked to find out that the Peter Parker of this other world had died in battle and that the city was still mourning his tragic end. It is also common knowledge that Peter Parker was Spider-Man. Distraught over the news, he swings over to Queens where the Parker Residence is currently up for sale. May Parker is seeing off Gwen Stacy to school. When they both see Peter in his costume, they believe he is some lunatic who is disrespecting the memory of the deceased Peter Parker and threaten to call the police. They become shocked beyond words as Peter unmasks himself with tears in his eyes.[5]
All seemed to go well again until Mary-Jane, whom had started acting again, was threatened by a stalker. It started with phone-calls, but when Mary-Jane took a plane, it exploded in mid-air and seemingly killed Mary-Jane. Peter, firstly stricken with grief, did not believe she had died. He knew it must have had something to do with the stalker, and Peter started a crusade to find out the truth. This brought him to Latveria and in a fight against the Hulk among others. Eventually, Peter learned that it was indeed the stalker that had faked Mary-Jane's death and had held her captive during it all. The stalker was a mutant that absorbed all of Peter's memories when he was saved by him during one of Spider-man's fights on the streets of New York. The Stalker needed Mary-Jan for himself because of it and he felled he knew her. Spider-man managed to save Mary-Jane and defeat the Stalker. Mary-Jane however was traumatized by the experience and needed time of from her life as the wife of a superhero. The two parted ways for some time.
^ Norman Osborn using the alias as Green Goblin is Spider-Man's archenemy.[123][127][128] Mostly after he is responsible for setting up the death of Spider-Man's girlfriend in one of the most famous Spider-Man stories of all time which helped end the Silver Age of Comic Books and begin the Bronze Age of Comic Books.[123] He was thought to be dead after that but writers help bring him back from the 1990s and he returned to plague Spider-Man once more in the comic books (such as being involved of the killing of Aunt May) and other heroes (such as the Avengers[129]). He is also an enemy of Spider-Man sometimes just as Norman and not just only as the Green Goblin.[130]

After suffering numerous defeats at the hands of Spider-Man, the Green Goblin vowed to destroy his foe once and for all. Using a special gas that blocks Peter's Spider-Sense, the Goblin followed Peter around and discovered his secret identity. Now knowing Peter was Spider-Man, the Green Goblin kidnapped him, and although he has the chance to kill Peter, the Goblin instead revealed his own secret identity. He was Norman Osborn, a ruthless businessman who was also Harry's father. Norman released Spider-Man from his restraints to defeat him in combat and prove his superiority. The Web-Slinger managed to defeat him and knocked him into some chemicals, resulting in Norman having amnesia and no recollection of both his and Peter's alternate egos.

An issue of What If? asks the question "What If Spider-Man Had Kept His Cosmic Powers?" Spider-Man becomes corrupted by power when the Captain Universe energies decide to stay with him. He ends up battling his Avengers friends when they don't agree with his methods. A confrontation with a rogue Doombot leaves an innocent hostage dead. Peter manages to give up the entirety of his powers, including his spider-ones. Later, Peter's child manifests a combination of Captain Universe and Spider-Man powers.
As one contemporaneous journalist observed, "Spider-Man has a terrible identity problem, a marked inferiority complex, and a fear of women. He is anti-social, [sic] castration-ridden, racked with Oedipal guilt, and accident-prone ... [a] functioning neurotic".[44] Agonizing over his choices, always attempting to do right, he is nonetheless viewed with suspicion by the authorities, who seem unsure as to whether he is a helpful vigilante or a clever criminal.[85]
In the Avengers Assemble episode "Planet Doom", Slinger's costume almost flawlessly resembles Spider-Man Noir's costume. This version of Spider-Man is a member of the Defenders, a resistance group of vigilantes who are against Doctor Doom, who has altered history and conquered the world. Slinger works alongside Bullseye (Clint Barton) and Snap (Sam Wilson), who are awaiting their foretold savior, the God of Thunder Thor's, arrival. After Doom's defeat, reality is restored to normal, and Slinger reverts to Spider-Man.
In 1982, Parker Brothers published the first Spider-Man game for the Atari 2600 titled Spider-Man. The game involves climbing a sky scraper, rescuing hostages and defusing bombs set by the Green Goblin. The 1990's saw a flood of Spider-Man Video Games. The first game of the decade released was The Amazing Spider-Man, a puzzle action game released for Amiga, PC:DOS, Commodore 64, and Atari ST. Another game, also titled The Amazing Spider-Man was released in 1990 for the Game Boy. The Game Boy titles spawned two sequels: The Amazing Spider-Man 2 and The Amazing Spider-Man 3: Invasion of the Spider-Slayers.
Jump up ^ Bannatyne, Lesley (31 August 1998). HALLOWEEN. Pelican Publishing Company. p. 19. ISBN 9781455605538. Villagers were also encouraged to masquerade on this day, not to frighten unwelcome spirits, but to honor Christian saints. Poor churches could not afford genuine relics and instead had processions in which parishioners dressed as saints, angels and devils. It served the new church by giving an acceptable Christian basis to the custom of dressing up on Halloween.
Eddie J. Smith, in his book Halloween, Hallowed is Thy Name, offers a religious perspective to the wearing of costumes on All Hallows' Eve, suggesting that by dressing up as creatures "who at one time caused us to fear and tremble", people are able to poke fun at Satan "whose kingdom has been plundered by our Saviour". Images of skeletons and the dead are traditional decorations used as memento mori.[159][160]
Reconnaissance Drone: In addition to altering the suit's size, the spider emblem on his chest is capable of detaching from its socket, utilizing a miniature propulsion engine from its tail section that allows it to fly through the air independent of Spider-Man's control. It has a tracker mode which allows it to fly onto a target and relay its position to the Spider-Man Suit, allowing Parker to follow targets through the interface of his Web-Shooters.

Jump up ^ Manning, Matthew K.; Gilbert, Laura, ed. (2012). "1960s". Spider-Man Chronicle Celebrating 50 Years of Web-Slinging. Dorling Kindersley. p. 34. ISBN 978-0756692360. Spider-Man was introduced to a new character in the form of the super villain called the Looter. The product of another [Stan] Lee and [Steve] Ditko collaboration, the Looter was born when hiker Norton G. Fester discovered and experimented on a mysterious meteor.
Spider-Man is zombified by Captain America. Unlike many of his zombie compatriots, Spider-Man is consumed with guilt over his need to eat flesh, though he is unable to prevent himself from satiating his hunger. He later eats Galactus, and becomes one of The Galactus, a number of heroes who obtain Galactus' powers due to consuming him. When his hunger begins to fade he turns on his fellow zombies, and later travels to Earth Z, where he kills the Sinister Six. He makes attempts to find a cure and succeeds, filling Sandman with nanobites and using him to wipe out all zombies, including himself.
A month later, Robbie is receiving care by his parents at home, but seeing him like this makes Peter feel guilty and upset. Mary Jane Watson tries to comfort him outside, but he still feels he is losing everybody he cares for. Octavius is deported to Germany, where the Nazis think that his disability renders him useless, and Felicia has recovered but wears a cat mask to cover all the scars on her face.[8]

In 1952, Osamu Tezuka's manga Tetsuwan Atom, more popularly known in the West as Astro Boy, was published. The series focused upon a robot boy built by a scientist to replace his deceased son. Being built from an incomplete robot originally intended for military purposes Astro Boy possessed amazing powers such as flight through thrusters in his feet and the incredible mechanical strength of his limbs.
In parts of Britain, these customs came under attack during the Reformation as some Protestants berated purgatory as a "popish" doctrine incompatible with their notion of predestination. Thus, for some Nonconformist Protestants, the theology of All Hallows' Eve was redefined; without the doctrine of purgatory, "the returning souls cannot be journeying from Purgatory on their way to Heaven, as Catholics frequently believe and assert. Instead, the so-called ghosts are thought to be in actuality evil spirits. As such they are threatening."[101] Other Protestants maintained belief in an intermediate state, known as Hades (Bosom of Abraham),[107] and continued to observe the original customs, especially souling, candlelit processions and the ringing of church bells in memory of the dead.[71][108] Mark Donnelly, a professor of medieval archæology, and historian Daniel Diehl, with regard to the evil spirits, on Halloween, write that "barns and homes were blessed to protect people and livestock from the effect of witches, who were believed to accompany the malignant spirits as they traveled the earth."[109] In the 19th century, in some rural parts of England, families gathered on hills on the night of All Hallows' Eve. One held a bunch of burning straw on a pitchfork while the rest knelt around him in a circle, praying for the souls of relatives and friends until the flames went out. This was known as teen'lay.[110] The rising popularity of Guy Fawkes Night (5 November) from 1605 onward, saw many Halloween traditions appropriated by that holiday instead, and Halloween's popularity waned in Britain, with the noteworthy exception of Scotland.[111] There and in Ireland, they had been celebrating Samhain and Halloween since at least the early Middle Ages, and the Scottish kirk took a more pragmatic approach to Halloween, seeing it as important to the life cycle and rites of passage of communities and thus ensuring its survival in the country.[111]
In Batman: The Animated Series (1992–1995) the Batsuit is based on the "New Look" costume. The cape, cowl, gloves, briefs, and boots are dark blue, as indicated by the highlight. Occasionally the cape and cowl are also shown to be one piece and when he's not fighting, the cape sometimes resembles a cloak, draped over Batman's body. The costume lacks any armor qualities, instead of being merely a bodysuit with no apparent special features and it often becomes torn in serious fights. It is occasionally seen packed in Bruce Wayne's luggage or in his vehicles, and it is made clear that he has numerous spares.
Samhain/Calan Gaeaf marked the end of the harvest season and beginning of winter or the 'darker half' of the year.[43][44] Like Beltane/Calan Mai, it was seen as a liminal time, when the boundary between this world and the Otherworld thinned. This meant the Aos Sí (/iːsˈʃiː/ eess-SHEE), the 'spirits' or 'fairies', could more easily come into this world and were particularly active.[45][46] Most scholars see the Aos Sí as "degraded versions of ancient gods [...] whose power remained active in the people's minds even after they had been officially replaced by later religious beliefs".[47] The Aos Sí were both respected and feared, with individuals often invoking the protection of God when approaching their dwellings.[48][49] At Samhain, it was believed that the Aos Sí needed to be propitiated to ensure that the people and their livestock survived the winter. Offerings of food and drink, or portions of the crops, were left outside for the Aos Sí.[50][51][52] The souls of the dead were also said to revisit their homes seeking hospitality.[53] Places were set at the dinner table and by the fire to welcome them.[54] The belief that the souls of the dead return home on one night of the year and must be appeased seems to have ancient origins and is found in many cultures throughout the world.[55] In 19th century Ireland, "candles would be lit and prayers formally offered for the souls of the dead. After this the eating, drinking, and games would begin".[56]
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