A version of Peter Parker exists, who is a child abused by his Uncle Ben. While locked in the cellar, he is befriended by a large spider-like creature, the Tallus instructs Blink and Nocturne to lead this universe's incarnation of Wolverine to the run down shack the Parkers call home, a fight ensues and the creature and Wolverine are both slain, as Blink and Nocturne depart this reality, it is shown that the creature bit the young Peter.
Samhain/Calan Gaeaf marked the end of the harvest season and beginning of winter or the 'darker half' of the year. Like Beltane/Calan Mai, it was seen as a liminal time, when the boundary between this world and the Otherworld thinned. This meant the Aos Sí (/iːsˈʃiː/ eess-SHEE), the 'spirits' or 'fairies', could more easily come into this world and were particularly active. Most scholars see the Aos Sí as "degraded versions of ancient gods [...] whose power remained active in the people's minds even after they had been officially replaced by later religious beliefs". The Aos Sí were both respected and feared, with individuals often invoking the protection of God when approaching their dwellings. At Samhain, it was believed that the Aos Sí needed to be propitiated to ensure that the people and their livestock survived the winter. Offerings of food and drink, or portions of the crops, were left outside for the Aos Sí. The souls of the dead were also said to revisit their homes seeking hospitality. Places were set at the dinner table and by the fire to welcome them. The belief that the souls of the dead return home on one night of the year and must be appeased seems to have ancient origins and is found in many cultures throughout the world. In 19th century Ireland, "candles would be lit and prayers formally offered for the souls of the dead. After this the eating, drinking, and games would begin".
It was a basic convention of comic books at the time of Batman's creation that black needed a highlight color (usually blue) in order to show detail and give the illusion of three-dimensionality. Over time, the initial blue highlight spread out over the previously black cape and cowl to become the dominant color. Thus artists renditions depict the costume as black and gray or blue and gray.
When Spider-Man first appeared in the early 1960s, teenagers in superhero comic books were usually relegated to the role of sidekick to the protagonist. The Spider-Man series broke ground by featuring Peter Parker, a high school student from Queens behind Spider-Man's secret identity and with whose "self-obsessions with rejection, inadequacy, and loneliness" young readers could relate. While Spider-Man had all the makings of a sidekick, unlike previous teen heroes such as Bucky and Robin, Spider-Man had no superhero mentor like Captain America and Batman; he thus had to learn for himself that "with great power there must also come great responsibility"—a line included in a text box in the final panel of the first Spider-Man story but later retroactively attributed to his guardian, the late Uncle Ben.
Jump up ^ Moser, Stefan (29 October 2010). "Kein 'Trick or Treat' bei Salzburgs Kelten" (in German). Salzburger Nachrichten. Archived from the original on 17 March 2014. Retrieved 11 August 2017. Die Kelten haben gar nichts mit Halloween zu tun", entkräftet Stefan Moser, Direktor des Keltenmuseums Hallein, einen weit verbreiteten Mythos. Moser sieht die Ursprünge von Halloween insgesamt in einem christlichen Brauch, nicht in einem keltischen.
Jump up ^ Kaplan, Arie (2008). From Krakow to Krypton: Jews and Comic Books. The Jewish Publication Society. p. 120. ISBN 978-0827608436. In Uncanny X-Men #129 cover-dated Jan. 1979 and on sale in late 1978, writer Chris Claremont and the artist John Byrne created Katherine "Kitty" Pryde, aka Shadowcat, a young Jewish girl who possess the mutant ability to walk through walls.
Rapper Kanye West makes a return to the South Park world, having fully teansformed into a "Gay Fish" (his only identification in the game) and seeking Sea-Man and the player's help to guide his "momma" to Heaven aboard a unicorn that farts rainbows. This is a reference to 'Only One', a real mobile game West is making about his real mother's ascension to Heaven.
This beggars belief. Yale students told to talk to each other if they find a peer’s costume offensive helplessly declare that they’re unable to do so without an authority figure specifying “any modes or means to facilitate these discussions,” as if they’re Martians unfamiliar with a concept as rudimentary as disagreeing in conversation, even as they publish an open letter that is, itself, a mode of facilitating discussion.
Both major publishers began introducing new superheroines with a more distinct feminist theme as part of their origin stories or character development. Examples include Big Barda, Power Girl, and the Huntress by DC comics; and from Marvel, the second Black Widow, Shanna the She-Devil, and The Cat. Female supporting characters who were successful professionals or hold positions of authority in their own right also debuted in the pages of several popular superhero titles from the late 1950s onward: Hal Jordan's love interest Carol Ferris was introduced as the Vice-President of Ferris Aircraft and later took over the company from her father; Medusa, who was first introduced in the Fantastic Four series, is a member of the Inhuman Royal Family and a prominent statesperson within her people's quasi-feudal society; and Carol Danvers, a decorated officer in the United States Air Force who would become a costumed superhero herself years later.
In 1975 Shotaro Ishinomori's Himitsu Sentai Gorenger debuted on what is now TV Asahi, it brought the concepts of multi-colored teams and supporting vehicles that debuted in Gatchaman into live-action, and began the Super Sentai franchise (later adapted into the American Power Rangers series in the 1990s). In 1978, Toei adapted Spider-Man into a live-action Japanese television series. In this continuity, Spider-Man had a vehicle called Marveller that could transform into a giant and powerful robot called Leopardon, this idea would be carried over to Toei's Battle Fever J and now multi-colored teams not only had support vehicles but giant robots to fight giant monsters with.