Two years have passed, and Peter Parker struggles to cope with the demands of life as a college student, a Daily Bugle photographer, and a crime-fighting superhero. But it hasn’t gotten any easier. Condemned by the press, tormented by secrets he can never reveal, forced to give up the girl of his dreams—at times the lonely burden of Spider-Man seems almost too great to bear... and the temptation to give up grows stronger by the hour.
. The story begins with Peter already having his Spider powers and is a part-time photographer for the Daily Bugle. Spider-Man would battle many classic villains and newer villains such as Green Goblin (Norman and Harry Osborn), Hobgoblin, the Chameleon, the Lizard, the Scorpion, Doctor Octopus, Mysterio, Rhino, the Kingpin of Crime, the Shocker, Vulture, Venom, and Carnage. Peter would eventually get into a romantic relationship with Felicia Hardy/Black Cat, and eventually fall for Mary Jane Watson. Although Gwen Stacy was never in the series, Marvel gave us a little teaser in the series finale story arc, having Spider-Man go to an alternate universe and meeting Gwen Stacy herself. A very important story arc in this series began as the finale of Season 3 in the episode entitled "Turning Point." In which the Green Goblin kidnaps Mary Jane and throws her off the George Washington Bridge, similar to the story arc "The Night Gwen Stacy Died." However, with the heavy censorship in the 1990s not allowing television to have heavy violence, death being a part of it. Marvel decided to have Mary Jane and the Green Goblin fall into an inter-dimension vortex instead. Season 4 was mostly about the guilt that Spider-Man has to carry for losing Mary Jane. He tries to rebound with the Black Cat, but Mary Jane eventually mysteriously returns to life. Season 5 starts off with the much anticipated Wedding of Peter Parker and Mary Jane Watson-Parker. With season 5 being the last season, Marvel dropped a bomb on us by revealing that Mary Jane was actually a clone created by Dr. Miles Warren.
Samhain/Calan Gaeaf marked the end of the harvest season and beginning of winter or the 'darker half' of the year. Like Beltane/Calan Mai, it was seen as a liminal time, when the boundary between this world and the Otherworld thinned. This meant the Aos Sí (/iːsˈʃiː/ eess-SHEE), the 'spirits' or 'fairies', could more easily come into this world and were particularly active. Most scholars see the Aos Sí as "degraded versions of ancient gods [...] whose power remained active in the people's minds even after they had been officially replaced by later religious beliefs". The Aos Sí were both respected and feared, with individuals often invoking the protection of God when approaching their dwellings. At Samhain, it was believed that the Aos Sí needed to be propitiated to ensure that the people and their livestock survived the winter. Offerings of food and drink, or portions of the crops, were left outside for the Aos Sí. The souls of the dead were also said to revisit their homes seeking hospitality. Places were set at the dinner table and by the fire to welcome them. The belief that the souls of the dead return home on one night of the year and must be appeased seems to have ancient origins and is found in many cultures throughout the world. In 19th century Ireland, "candles would be lit and prayers formally offered for the souls of the dead. After this the eating, drinking, and games would begin".
You have no idea how I did that. You have no knowledge of the laundry place. Maybe you speak French, and you can’t even hail a taxi. You can’t pay for one, you don’t have dollars in your pocket. Yet I knew how to do all of that. And you didn’t have to know any of it. All that complexity was hidden inside of me, and we were able to interact at a very high level of abstraction. That’s what objects are. They encapsulate complexity, and the interfaces to that complexity are high level.
At some unknown point Captain Universe (Gabriel Vargas) is arrested by the Kree Government for accidentally attacking a group of Kree who were killing people who he thought were innocents but were actually sympathetic to the genocidal actions of the Annihilation Wave. For months he was studied by the Kree who, despite their highly advanced technology, could not learn much about the Uni-Power other than that the suit given to all users is actually a molecular shell and not spandex as was previously believed. Eventually Gabriel is released from prison and put into a highly aggressive session of training by the Kree Military as he and several other prisoners prepare for a mission that will halt the Phalanx's technophage virus from spreading further. Gabriel lost the Uni-Power after finding a cure for a Phalanx airborne virus, and joined Starlord in battling the Phalanx. He was subsequently killed by the Phalanx select Blastaar during an attack on the Phalanx Babel Spire.
Three former hosts of the Uni-Power—Susan Storm-Richards, Spider-Man and X-23—are all contacted by the Enigma Force once again when the Whirldemon King, a powerful entity once defeated by the time-traveling Prince Wayfinder of Ithaca and creator of the Enigma Force itself, escapes imprisonment. When X-23 sacrifices herself to save Valeria Richards from possession by the King the Uni-Power bonds with her a second time. While trapped in the Whirldemons' prison dimension, a connection is explicitly made between a starry apparition that enabled Laura to throw off the influence of a demon attempting to coerce her into serving it, when the star-shaped mark left on Laura's palm after that encounter is recognized by the Whirldemon King as associated with the Enigma Force. Laura then uses the Uni-Power to wound the Whirldemon King and seal him back in his prison dimension, before returning her to earth. During these events the Enigma Force tells Laura that she has been designated the future heir to its power.
The earliest superhero I could find reference to was Mandrake the Magician, who debuted in 1934, four years before Superman, who was probably the first popular superhero. Mandrake’s super power was his ability to “make people believe anything, simply by gesturing hypnotically”. Does anyone out there know of any superheroes who made an earlier media appearance?
In 2008, Spider-Man: Web of Shadows was released. It contained an original storyline not related to the movies, in which players switch between Spidey's Black costume and his classic Red & Blue attire. Player's can dictate Spider-Man's actions, as he can be Heroic or Villainous, as related to his dependence on the symbiote. Many characters appear including Venom, Kingpin, Wolverine, Luke Cage, Mary Jane and others. It also has 4 different endings based on the path the player chooses. The consoles for this game are PS2, PS3, PC, Wii, Xbox, Xbox 360, PSP. Note: The PSP & PS2 versions of the game are very different from that of the PS3, Wii, Xbox 360 and PC versions. Spider-Man, voiced by Benjamin Diskin appears in Marvel: Ultimate Alliance 2 and is also one of the main characters. In the Pro-Registration story, he can wear his Iron Spider costume.
Spider-Queen has now evolved into a massive, spider-like monster, drawing strength from all infected New Yorkers. Mary Jane realizes that, because of her long relationship to Peter, she has some immunity against the disease, gaining spider-powers but not the subsequent mutations. Peter gives Kaine the Stealth Suit (immune to the Queen's sonic attacks) and Kaine goes to attack the Queen. Peter and Mary Jane gather several octobots, outfitting each with several doses of the cure, making them go out to cure people. Peter then connects with the antennae on top of the Empire State Building, curing many people at once, while Mary Jane fights off the spider-like creatures attacking them. Kaine jumps inside the Queen's mouth, killing her by reflecting her sonic scream on her insides. The Jackal uses a disguise to get samples of the Queen's bone marrow for future experiments.
Maybe they need a full size Dark Knight to help them take on their task? Whether it’s trick-or-treating the toughest neighborhood or they’re preparing for an epic showdown with a top villain, we’re confident having an adult Batman will make sure they come out victorious. He’ll probably have all kinds of extra gadgetry in his adult-sized utility belt, and with his authentic Dawn of Justice Batman costume, your children’s costumes will achieve their full effect. For posing, Wonder Woman can show her muscles while Superman prepares to take flight, and no matter what the mission is, Batman will be there to look over the young ones, but he’s going to look pretty fantastic in his own right, too. This will definitely be a superhero costume team for the history books!
From at least the 16th century, the festival included mumming and guising, which involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food. It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them. It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune". F. Marian McNeill suggests the ancient pagan festival included people wearing masks or costumes to represent the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire. In parts of southern Ireland, a man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune. In 19th century Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed. In parts of Wales, men went about dressed as fearsome beings called gwrachod, while in some places, young people cross-dressed. Elsewhere in Europe, mumming and costumes were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers". It has also been suggested that the wearing of Halloween costumes developed from the custom of souling, which was practised by Christians in parts of Western Europe from at least the 15th century. At Allhallowtide, groups of poor people would go door-to-door, collecting soul cakes – either as representatives of the dead, or in return for saying prayers for them. One 19th century English writer said it "used to consist of parties of children, dressed up in fantastic costume, who went round to the farm houses and cottages, signing a song, and begging for cakes (spoken of as "Soal-cakes"), apples, money, or anything that the goodwives would give them". The soulers typically asked for "mercy on all Christian souls for a soul cake". The practice was mentioned by Shakespeare his play The Two Gentlemen of Verona (1593). Christian minister Prince Sorie Conteh wrote on the wearing of costumes: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognised by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities". In the Middle Ages, statues and relics of martyred saints were paraded through the streets at Allhallowtide. Some churches who could not afford these things had people dress as saints instead. Some believers continue the practice of dressing as saints, biblical figures, and reformers in Halloween celebrations today. Many Christians in continental Europe, especially in France, believed that on Halloween "the dead of the churchyards rose for one wild, hideous carnival," known as the danse macabre, which has often been depicted in church decoration. An article published by Christianity Today claimed the danse macabre was enacted at village pageants and at court masques, with people "dressing up as corpses from various strata of society", and suggested this was the origin of Halloween costume parties.