Rwarrrrr! You might not have the wookiee growl down pat, but you'll instantly be ready to co-pilot the Millennium Falcon when you slip on this hoodie. Probably the easiest of all ways to rock a Star Wars costume, it features luxurious wookiee faux fur and an embroidered bandoleer. And that extra fur is sure to keep you toasty if you live in a colder climate, like Hoth.
Spider-Man takes the fight to The Crime Master and busts up an operation of drinking, girls and drugs. In a back room he discovers a soundproof torture chamber. He goes to visit Felicia, but she is with someone else. Returning home, he is told that Robbie has disappeared. On Ellis Island, Octavius inspects the new test subjects, and Robbie is among them. Octavius, working for The Friends of New Germany (TFONG), intends to use them to prove that inferior races can be controlled by removing their willpower surgically. Spider-Man revisits the chamber for more information, but he is ambushed by The Crime Master and his men. With them is The Sandman who slams Spider-Man to the ground with ease.[6]
Norman Osborn broke out of jail and managed to clear his name of being the Green Goblin. After failing to convert Peter into his heir, he started to provoke Peter into killing him in a story called A Death in the Family. Norman was sick of his life and wanted to die at the hands of Spider-man. He tried to get Peter so mad that he would do this. First by releasing footage of Gwen's death to the media, claiming that Gwen's death was the result of Spider-Man's selfish actions. To make matters worse, Norman forced a drunken Flash Thompson to have a car accident, causing him to go into a coma. Spider-Man and the Green Goblin meet up in one of Osborn's warehouses where Spider-Man defeats the Goblin. Although he urged him to finish him off, Peter refused to play the Goblin's game and proposed a truce. Norman accepts, but as he returns to one of his offices, he puts a gun in his mouth. He is however to afraid to pull the trigger.
While out web-swinging, Spider-Man sees a brilliant purple light from a distant warehouse, and investigates it to find Mysterio ranting about how he missed out on one chance to kill Spider-Man already. Although Spider-Man quickly defeats him and ties him up, when examining Mysterio's equipment, he is shot by Mysterio, causing him to fall through the rift created by the equipment. When he regains consciousness, he discovers that it is daylight. Although he interrupts a mugging, he is shocked and confused when the would-be victim informs him that, while he is grateful for the rescue, it might be disrespectful to be seen wearing Peter Parker's suit after his death. Swinging away to think about what he has just heard, Spider-Man runs into another Spider-Man on a rooftop.[3]
Reaction to Spider-Man's rogues gallery has been overwhelmingly positive with many journalists citing it as one of the greatest comic book rogues galleries of all time,[133][134][135] with Batman's rogues gallery being its most rivaled contender.[136][137] Although editors such as The Hollywood Reporter's Graeme McMillan felt that only Flash's rogues gallery can compete with Spider-Man's rogues.[134] Kyle Schmidlin of What Culture! described the superhero's rogues gallery as "one of the most colorful in comics" explaining that Batman could only be debated as having a great number of enemies as good as Spider-Man.[138] IGN staff editors, Joshua Yehl and Jesse Schedeen, described the Spider-Man villains as "one of the most iconic and well-balanced in comics". They opined that the scope of their schemes, how cool their powers are, and how dramatically they have affected Spider-Man's life is what makes the Spider-Man villains so great.[1] Newsarama ranked Spider-Man's rogues gallery as number one out ten as the greatest rogues gallery of all time.[137]
Spider-Man has the proportionate strength of a spider, thus allowing him to press 10 tons without effort and much more when under stress. His attacks are so strong; they could kill a normal person- Spider-Man has to pull his punches or kicks when not fighting foes with similar or higher strength levels to avoid fatalities. His strength also extends to his feet, allowing him to leap great lengths and attain a heights of much greater three stories with one powerful jump. Spidey's strength has made him capable of going toe-to-toe with opponents including Doctor Octopus, Venom and Rhino. He has even held his own against powerful heroes such as Iron Man and the Hulk. It's also shown that Spider-Man can break free from Doctor Octopus's nearly indestructible arms albeit with much effort, although this was due to the Sinister Six suit enhancing his strength. Spidey's strength and durability also give him incredible stamina allowing him to exert himself beyond the limits of humans as his body produces less fatigue toxins. He was able to fight Morlun continually for many hours, and has stated an ability to hold his breath for at least twice as long as non-enhanced humans. After his encounter with the Queen, Spider-Man's strength had been increased to the point where he has become able to lift over 15 tons without effort and after the Other story arc he was able to lift at least 20 tons without effort. During that time, he wore an Iron Spider costume designed for him by Tony Stark which increased his strength further allowing him to lift over 25 tons without effort. He has stopped wearing the Iron Spider costume after the Civil War and his enhanced strength was erased by Mephisto after the One More Day storyline. Spider-man's best strength feats tend to come during periods of emotional duress- for example in a fight with Iron Man 2020, where when a boy was injured mid fight, an enraged Spider-Man jumped up to his flying height and hit him with such force the foe was sent flying hundreds of feet into a building, which was destroyed on impact. Another instance was when he lifted a segment of the Daily Bugle, after the building was attacked by the Green Goblin. In both cases, he didn't have any enhancements from the Queen or the Other.
In Marvel Zombies 2, he notices that his hunger is starting to fade and, as a result, is the first of the Galacti to turn against his fellow zombies.[15] Eventually with the aid of Forge, Malcom, and the Acolytes, the zombies retaining their hunger are defeated. Spider-Man is one of the zombies that remain and continue work to rebuild New Wakanda, and bury the dead.[volume & issue needed]
Peter's first super-villain confrontation was with a communist spy called the Chameleon who could disguise himself as anyone. He attempted to disguise himself as Spider-Man and steal some important documents but he was defeated by the debuting hero, restoring his good name. Peter went on to get a job at the Daily Bugle as a photographer, selling photos to J. Jonah Jameson even though they were usually used against him. He eventually fought his second super villain, The Vulture. Due to his inexperience, Spider-Man was defeated but when the villain got cocky, Spider-Man used a gadget of his own to defeat The Vulture. Spider-Man then had his first confrontation with his most dangerous villain yet, the tentacled madman known as Doctor Octopus. Spider-Man was defeated by the more powerful Doctor Octopus in their initial encounter which caused Peter to doubt himself for the first time. He was encouraged by a speech given by the Human Torch to keep on fighting. Spider-Man managed to defeat the villain by knocking him out with one punch to the jaw, since Ock's powers came only from his tentacles. He would follow up this victory by fighting the shape shifting Sandman, the lethal Lizard, who is actually Peter's mentor and friend Curt Connors, the Enforcers, Electro, Mysterio, Kraven the Hunter, Doctor Doom, and his soon to-be arch-nemesis the Green Goblin.
In 2010, a stage musical entitled Spider-Man: Turn Off the Dark opened on Broadway, with music by Bono and the edge and writing by Julie Taymor. The musical was wrought with problems from the very beginning, with multiple injuries happening to actors on the set, and a total cost of 75 million dollars for the production. After opening for previews, the show received many terrible reviews, and was temporarily shut down for rewrites.
Another great choice for movie fans, Jim Carrey's performance as The Riddler in 1994's Batman Forever was like a role the actor was born to play. And no matter if you employ the exaggerated mannerisms of Carrey's Riddler, or prefer a more stoic type super criminal, this authentic jumpsuit costume will have you ready to go toe-to-toe with Batman. This officially licensed costume is the perfect choice for the guy who enjoys a good pun!
Arcade Beetle Abner Jenkins Leila Davis Janice Lincoln Big Wheel Black Tarantula Boomerang Bullseye Calypso Carrion Clash Cyclone Demogoblin Doctor Doom Doppleganger Dracula Foreigner Gibbon Gog Grey Goblin Grim Hunter Grizzly Hippo Human Fly Hypno-Hustler Jack O' Lantern Jason Macendale Jigsaw Juggernaut Kangaroo Living Brain Lobo Brothers Looter Man-Wolf Kraven the Hunter (Ana Kravinoff) Kraven the Hunter (Alyosha Kravinoff) Lady Octopus Leap-Frog Magneto Man-Bull Massacre Mephisto Menace Mister Hyde Molten Man Morlun Nightmare Overdrive Owl Red Skull Ringer Scarecrow Scorcher Scorpia Scream Screwball Shathra Shriek Sin-Eater Speed Demon Spider Queen Spot Stegron Stilt-Man Styx and Stone Swarm Tarantula Taskmaster Trapster Phil Urich Vermin Walrus White Rabbit Will o' the Wisp
Other features include short-distance gliding capability, limited bulletproofing, built-in fire/police/emergency scanner, audio/visual amplification (including infrared and ultraviolet), cloaking device, carbon filters to keep out airborne toxins, and a short-range GPS microwave communication system. It grants the ability to breathe under water, and can morph into different shapes due to its "'smart' liquid metal" form. It can also "more or less disappear" when not needed due to reactions to neurological impulses as Tony Stark revealed. The new costume is able to look like other styles of costumes Spider-Man has worn over the years or turn into his street clothes. Part of the costume can detach itself from Spider-Man to cover an object too dangerous to touch, such as a radioactive asteroid. All these features are controlled by a computer system in the chest piece. The suit responds to mental control.[9]
The feast of All Hallows', on its current date in the Western Church, may be traced to Pope Gregory III's (731–741) founding of an oratory in St Peter's for the relics "of the holy apostles and of all saints, martyrs and confessors".[76][77] In 835, All Hallows' Day was officially switched to 1 November, the same date as Samhain, at the behest of Pope Gregory IV.[78] Some suggest this was due to Celtic influence, while others suggest it was a Germanic idea,[78] although it is claimed that both Germanic and Celtic-speaking peoples commemorated the dead at the beginning of winter.[79] They may have seen it as the most fitting time to do so, as it is a time of 'dying' in nature.[78][79] It is also suggested that the change was made on the "practical grounds that Rome in summer could not accommodate the great number of pilgrims who flocked to it", and perhaps because of public health considerations regarding Roman Fever – a disease that claimed a number of lives during the sultry summers of the region.[80]
Zapp Brannigan. Always ready to step in and save the day...or just get in the way of the beloved crew of the Planet Express. If you'd like to go as this memorable Futurama character, look no further than our authentic Zapp costume. Styled as a tunic and wig with gloves and boots, it will turn any man into a brave 25 star general. A popular choice for any guy who's a fan of Matt Groening!
In 1998 writer-artist John Byrne revamped the origin of Spider-Man in the 13-issue limited series Spider-Man: Chapter One (December 1998 – October 1999), similar to Byrne's adding details and some revisions to Superman's origin in DC Comics' The Man of Steel.[36] At the same time the original The Amazing Spider-Man was ended with issue #441 (November 1998), and The Amazing Spider-Man was restarted with vol. 2, #1 (January 1999).[37] In 2003 Marvel reintroduced the original numbering for The Amazing Spider-Man and what would have been vol. 2, #59 became issue #500 (December 2003).[37]
The game's other key new feature is a crafting system - with just a few common items like water bottles and tortillas, you can get crafting valuable healing items in moments. Water bottles can be used to craft healing drinks, tortillas to craft Mexican food for stronger farts and healing, bits of fabric to create costumes, and junk to sell for more parts.
In an alternate Civil War reality where the conflict continued after the anti-registration side's attempt to escape the Negative Zone prison triggered a self-destruct that destroyed most of New York, Peter continued serving on Captain America's side in the conflict and was given new upgrades such as wings that bear a resemblance to the Falcon, with Rogers noting that Peter is now his fastest operative. Since Mary-Jane and his daughter Maybelle live on Iron Man's terrain due to them not getting the chance to evacuate, he hardly gets the chance to see them. Following Steve's death in the final battle, Peter becomes the leader of Steve's side called "the Blue" and collaborates with Jennifer Walters who is the new leader of "The Iron."

In order to censor the Daily Bugle, Osborn kidnaps the editor J. Jonah Jameson and has the Chameleon assume his place. The Chameleon-as-Jameson goes to Urich’s apartment and shoots him, unaware that Felicia witnessed the murder. Hardy goes to the Daily Bugle offices and kills the Chameleon, leaving his body to be discovered by Spider-Man shortly before the arrival of the police.[3] Spider-Man escapes the attentions of the police and goes to his home, where he killed the Vulture, in order to stop him from murdering Aunt Parker. Despite saving his aunt, May criticized him for killing the Vulture, as he could have stopped him with his powers. She told Peter that killing people would make him less of what makes him human.[4]


From at least the 16th century,[5] the festival included mumming and guising,[6] which involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food.[6] It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them.[7] It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune".[8] F. Marian McNeill suggests the ancient pagan festival included people wearing masks or costumes to represent the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire.[5] In parts of southern Ireland, a man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune.[9] In 19th century Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed.[6] In parts of Wales, men went about dressed as fearsome beings called gwrachod,[6] while in some places, young people cross-dressed.[6] Elsewhere in Europe, mumming and costumes were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers".[6] It has also been suggested that the wearing of Halloween costumes developed from the custom of souling, which was practised by Christians in parts of Western Europe from at least the 15th century.[10][11] At Allhallowtide, groups of poor people would go door-to-door, collecting soul cakes – either as representatives of the dead,[12] or in return for saying prayers for them.[13] One 19th century English writer said it "used to consist of parties of children, dressed up in fantastic costume, who went round to the farm houses and cottages, signing a song, and begging for cakes (spoken of as "Soal-cakes"), apples, money, or anything that the goodwives would give them".[14] The soulers typically asked for "mercy on all Christian souls for a soul cake".[15] The practice was mentioned by Shakespeare his play The Two Gentlemen of Verona (1593).[16][17] Christian minister Prince Sorie Conteh wrote on the wearing of costumes: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognised by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities".[18] In the Middle Ages, statues and relics of martyred saints were paraded through the streets at Allhallowtide. Some churches who could not afford these things had people dress as saints instead.[19][20] Some believers continue the practice of dressing as saints, biblical figures, and reformers in Halloween celebrations today.[21] Many Christians in continental Europe, especially in France, believed that on Halloween "the dead of the churchyards rose for one wild, hideous carnival," known as the danse macabre, which has often been depicted in church decoration.[22] An article published by Christianity Today claimed the danse macabre was enacted at village pageants and at court masques, with people "dressing up as corpses from various strata of society", and suggested this was the origin of Halloween costume parties.[23][24]
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