In an early recollection of the character's creation, Ditko described his and Lee's contributions in a mail interview with Gary Martin published in Comic Fan #2 (Summer 1965): "Stan Lee thought the name up. I did costume, web gimmick on wrist & spider signal."[23] At the time, Ditko shared a Manhattan studio with noted fetish artist Eric Stanton, an art-school classmate who, in a 1988 interview with Theakston, recalled that although his contribution to Spider-Man was "almost nil", he and Ditko had "worked on storyboards together and I added a few ideas. But the whole thing was created by Steve on his own... I think I added the business about the webs coming out of his hands."[20]:14
Karen: The suit has a built-in A.I. named Karen, similar to Tony Stark ’s F.R.I.D.A.Y., that informs Spider-Man on changing tactical situations and provides diagnostic reports. This feature was initially set to activate after Parker completed the Training Wheels Protocol, but Ned Leeds unlocked it with the rest of the suit's abilities. Karen records and stores data while the suit is in use through the Baby Monitor Protocol, allowing Spider-Man to access a personal database and review information he may have overlooked previously, or to research people or events he has previously encountered. Karen also provides suggestions and activates features autonomously, such as when she enabled the suit's 'Enhanced Reconnaissance Mode' when Parker needed help surveying a couple of criminals.
Are you naturally hairier than you'd like--or have you always been completely incapable of growing a full beard? Either way, we bring equal opportunity furriness to all our bros with the gruff and gritty werewolf onesie. If the story of Little Red Riding Hood ended with the wolf eating the woodsman and stealing his clothes, this would be the result. Like all our mens Halloween costumes, this one can be played funny or scary. It's up to you what twisted twist to put on the execution of the character.
During the Big Time storyline, in an attempt to defeat the new and improved Hobgoblin, Peter creates a stealth suit. He is able to do this through his new job at Horizon Labs. The Stealth Suit warps light and sound to become invisible and totally silent, it is also impervious to sonic attacks. He also created special lenses so that he can be seen by people if needs be. The lighting on the suit can change between green, orange and blue. Orange is for the secondary mode which disrupts sonic frequencies from infrasonic to ultrasonic but is visible. Blue is it in normal mode which can be seen and heard. However, a side effect of this costume is that while he can be impervious to sonic attacks, it also prevents him from hearing others. For example, while fighting the Hobgoblin and the Kingpin, Spider-Man was unable to hear the Cat's cries for help.

A previously unknown translation of an ancient grimoire, the Darkhold, has been unearthed by archaeologists in South America. But this chilling discovery will have far-reaching effects. Halfway across the globe, the Darkhold is relentlessly pursued by the Cabal of Scrier, an organization devoted to achieving ultimate power through whatever means necessary. And it is through their actions that a darkness from beyond the grave will return to haunt the Spectacular Spider-Man in the form of one of the most frightening and dangerous foes he's ever encountered....
Using a modified Octo-bot, Octavius successfully transfers his consciousnesses into Spider-Man, leaving him with Peter's memories and body and Peter Parker in Doctor Octopus's dying one. After leaving Peter for dead Otto begins to take on Spider-Man's life as his own. Peter eventually took control of the golden Octo-bot and using one of Doc Ock's own contingency plans had Scorpion, Hydro-Man and Trapster free himself from the S.H.I.E.L.D. prison The Raft. It was then that Peter tried to redo the body switch with Ock who had taken precautions to keep that from happening. Peter instead had Otto relive all of Peter's memories showing Dr. Octopus how much he had wasted his life. As a result of Peter's personality grafted to his own, Dr. Octopus decided to continue on as Spider-Man and make up for his past mistakes as the Superior Spider-man.
First, many of the original superhero creators were immigrants or children of immigrants — Americans but not quite like other Americans. Much has been made of the “Jewishness” of Superman — an immigrant from an Old World whose geeky, mild-mannered, weakling exterior hides his inner superiority to everyone around him, who even chose an American name to hide his secret foreign-sounding one.
As with Spider-Man, the villains' powers originate with scientific accidents or the misuse of scientific technology and also tend to have animal-themed costumes or powers (Vulture, Doctor Octopus, Beetle, Lizard, Rhino, Scorpion, Jackal and Black Cat). There also are supervillains with the powers over the elements (Sandman, Shocker, Electro, Molten Man and Hydro-Man), some that are horror-themed (the Goblins, Morbius, Morlun, and the Symbiotes) some that are crime lords (Kingpin, Tinkerer, Tombstone, Hammerhead, Silvermane and Mister Negative),[1] and some that are masters of trickery (Chameleon and Mysterio).[2] These villains oftentimes form teams such as the Sinister Six to oppose the superhero.
A teen outcast Andy Maguire went on a trip from his school to Horizon Labs, where Peter Parker was holding an experiment. Tiberius Stone, not liking Peter, sabotages the experiment, and Andy is hit with a ray of Peter Particles. Soon after he discovers he has super-powers. When he is examined by top greatest superhuman specialists, Reed Richards, Tony Stark, Henry Pym and Hank McCoy, they discover that he has energy projection, flight, super speed, super strength and force field, but his limitation is he can control only one power at a time. Reed tells Peter that he had discovered these particles, but didn't publish his work, because he considered the particles too powerful and dangerous. He then assigns Alpha as Spider-Man's sidekick. Alpha is however very careless and eventually quits working with Spider-Man and goes solo. Spider-Man decides then that there should be Alpha no more! Soon when earth is under attack from Terminus, Alpha is called from Captain America to fight him. During the fight Alpha behaves most irresponsible and almost destroys planes flying in the air. Though Alpha defeats Terminus, Peter observes that Terminus' staff can redirect Alpha energy. Then Spider-Man calls Alpha for another "analysis" and uses the tech acquired from the Terminus to strip Andy of his Alpha power, leaving him as nobody again.
A similar system for augmenting your superhero abilities is 'DNA', allowing you to genetically augment yourself with the remains of fallen enemies. Of course, there always has to be balance i science, so strength comes at the cost of health and speed and vice versa. No, this system isn't the work of Dr. Alphonse Mephesto - it's actually Jimmy Valmer's latest side project.

Ultimate Spider-Man is a modernized reboot of the Spider-Man story, starting from the very beginning, with a plot that is inspired by, but very different from, the original continuity, and thus is a parallel universe counterpart to the mainstream version of Spider-Man. The main purpose of the series is to be accessible to new and young readers, as it is free from the decades of history of the original, but it has been embraced by many longtime fans as well.
Some superheroes use their powers to counter daily crime while also combating threats against humanity from supervillains, who are their criminal counterparts. Often at least one of these supervillains will be the superhero's archenemy. Some long-running superheroes and superheroines such as Superman, Spider-Man, Batman, Wonder Woman, Hulk, Green Lantern, the Flash, Captain America, Thor, Wolverine, Iron Man and the X-Men have a rogues gallery of many villains. There are movies and TV shows featuring various super heroes.
A bite from a radioactive spider on a school field trip causes a variety of changes in the body of Peter Parker and gives him superpowers. In the original Lee-Ditko stories, Spider-Man has the ability to cling to walls, superhuman strength, a sixth sense ("spider-sense") that alerts him of danger, perfect balance and equilibrium, as well as superhuman speed and agility. Some of his comic series have him shooting webs from his wrists. Academically brilliant, Parker has expertise in the fields of applied, chemistry, physics, biology, engineering, mathematics, and mechanics. The character was originally conceived by Stan Lee and Steve Ditko as intellectually gifted, but not a genius; however, later writers have depicted the character as a genius. With his talents, he sews his own costume to conceal his identity, and constructs many devices that complement his powers, most notably mechanical web-shooters. This mechanism ejects an advanced adhesive, releasing web-fluid in a variety of configurations, including a single rope-like strand to swing from, a net to bind enemies, and a simple glob to foul machinery or blind an opponent. He can also weave the web material into simple forms like a shield, a spherical protection or hemispherical barrier, a club, or a hang-glider wing. Other equipment include spider-tracers (spider-shaped adhesive homing beacons keyed to his own spider-sense), a light beacon which can either be used as a flashlight or project a "Spider-Signal" design, and a specially modified camera that can take pictures automatically.
Spider-Man takes the fight to The Crime Master and busts up an operation of drinking, girls and drugs. In a back room he discovers a soundproof torture chamber. He goes to visit Felicia, but she is with someone else. Returning home, he is told that Robbie has disappeared. On Ellis Island, Octavius inspects the new test subjects, and Robbie is among them. Octavius, working for The Friends of New Germany (TFONG), intends to use them to prove that inferior races can be controlled by removing their willpower surgically. Spider-Man revisits the chamber for more information, but he is ambushed by The Crime Master and his men. With them is The Sandman who slams Spider-Man to the ground with ease.[6]

The Yale student appears to believe that creating an intellectual space and a home are at odds with one another. But the entire model of a residential college is premised on the notion that it’s worthwhile for students to reside in a campus home infused with intellectualism, even though creating it requires lavishing extraordinary resources on youngsters who are already among the world’s most advantaged. It is no accident that masters are drawn from the ranks of the faculty.
As different artists have taken over the responsibility of drawing the character, the details of the suit have changed considerably. The original incarnation of the cape was a wing-like structure inspired by drawings by Leonardo da Vinci. This eventually evolved into a more cape-like design of varying length. Some artists draw the cape with protrusions on the shoulders, likely representing the "thumb" part of a bat's wing, though this is not a consistent addition. The cape is occasionally depicted as bulletproof.The cape varies according to the current writer, sometimes being depicted as bulletproof and fire resistant, and other times being nothing more than simple fabric that tears easily and sustains constant damage and is continuously replaced.
There are several trading cards depicting either Captain Universe himself or Spider-Man as Captain Universe, these trading card sets include Marvel VS., Marvel Overpower, the Fleer Mark Bagley Spider-Man Card Set and Fleer Ultra 1994. There was also a special Captain Universe trading card included with the personalized X-Men/Captain Universe comic depicting the comic book owner's personal stats as Captain Universe.[31]

From at least the 16th century,[5] the festival included mumming and guising,[6] which involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food.[6] It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them.[7] It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune".[8] F. Marian McNeill suggests the ancient pagan festival included people wearing masks or costumes to represent the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire.[5] In parts of southern Ireland, a man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune.[9] In 19th century Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed.[6] In parts of Wales, men went about dressed as fearsome beings called gwrachod,[6] while in some places, young people cross-dressed.[6] Elsewhere in Europe, mumming and costumes were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers".[6] It has also been suggested that the wearing of Halloween costumes developed from the custom of souling, which was practised by Christians in parts of Western Europe from at least the 15th century.[10][11] At Allhallowtide, groups of poor people would go door-to-door, collecting soul cakes – either as representatives of the dead,[12] or in return for saying prayers for them.[13] One 19th century English writer said it "used to consist of parties of children, dressed up in fantastic costume, who went round to the farm houses and cottages, signing a song, and begging for cakes (spoken of as "Soal-cakes"), apples, money, or anything that the goodwives would give them".[14] The soulers typically asked for "mercy on all Christian souls for a soul cake".[15] The practice was mentioned by Shakespeare his play The Two Gentlemen of Verona (1593).[16][17] Christian minister Prince Sorie Conteh wrote on the wearing of costumes: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognised by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities".[18] In the Middle Ages, statues and relics of martyred saints were paraded through the streets at Allhallowtide. Some churches who could not afford these things had people dress as saints instead.[19][20] Some believers continue the practice of dressing as saints, biblical figures, and reformers in Halloween celebrations today.[21] Many Christians in continental Europe, especially in France, believed that on Halloween "the dead of the churchyards rose for one wild, hideous carnival," known as the danse macabre, which has often been depicted in church decoration.[22] An article published by Christianity Today claimed the danse macabre was enacted at village pageants and at court masques, with people "dressing up as corpses from various strata of society", and suggested this was the origin of Halloween costume parties.[23][24]

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