This suit is based upon a reality in which Peter Parker's uncle Ben did not die, and eventually learned how to bring other Spider-Men into his universe to absorb their powers. After trying to absorb Spider-Man from Earth-616 (our universe), things backfired and this version of Peter Parker was put into a coma, while his spirit was trapped in Hell. It wasn't until later that his spirit was freed, giving him a second chance at life as the Ghost Spider - bearing the flaming skull head
Jump up ^ Portaro, Sam (25 January 1998). A Companion to the Lesser Feasts and Fasts. Cowley Publications. p. 199. ISBN 1461660513. All Saints' Day is the centerpiece of an autumn triduum. In the carnival celebrations of All Hallows' Eve our ancestors used the most powerful weapon in the human arsenal, the power of humor and ridicule to confront the power of death. The following day, in the commemoration of All Saints, we gave witness to the victory of incarnate goodness embodied in remarkable deeds and doers triumphing over the misanthropy of darkness and devils. And in the commemoration of All Souls we proclaimed the hope of common mortality expressed in our aspirations and expectations of a shared eternity.
Spider-Man Noir appears as a playable character in Spider-Man: Shattered Dimensions, voiced by Christopher Daniel Barnes. His reality is one of four alternate dimensions that is seeded by pieces of the Tablet of Order and Chaos. Spider-Man Noir can blend into the shadows to do sneak attacks on enemies. After the defeats of the Noir versions of Hammerhead, Vulture and Green Goblin, and claims his tablet fragments, he, together with the other three Spider-Men, is teleported to their location by Madame Web to fight Mysterio, who had absorbed the Tablet and effectively became a god. After the defeat of Mysterio, the Noir and other Spider-Men return to their own realities.
Spider-Man has been featured numerous times in Hasbro's Marvel Legends series. He first appeared in the Movie Sandman Build-a-Figure wave in both his outfit from the first movie and his black costume from Spider-Man 3. He was next featured in the Arnim Zola Build-a-Figure series, this time sporting his Big Time costume. The movie version of Spider-Man from The Amazing Spider-Man 2 was then featured in the Ultimate Green Goblin Build-a-Figure wave. A classic version of Spider-Man was later featured in the Hobgoblin Build-a-Figure wave, nicknamed "Pizza Spidey" by fans due to the presence of a slice of pizza. The Ultimate version of Spider-Man was then featured in the Space Venom Build-a-Figure series. The Symbiote version of Spider-Man then appeared in the Sandman Build-a-Figure wave. A Spider-Man: Homecoming-themed wave was then launched, with Vulture's wings as the "Build-a-Vehicle" this time. The line featured the movie version of Spider-Man in his costume and his homemade suit, as well as Cosmic Spider-Man. Spider-Man has also been featured in several two-packs and box sets, including a Captain America: Civil War-themed set that included Iron Man and Captain America, and a two-pack with Ultimate Vulture.
In parts of Britain, these customs came under attack during the Reformation as some Protestants berated purgatory as a "popish" doctrine incompatible with their notion of predestination. Thus, for some Nonconformist Protestants, the theology of All Hallows' Eve was redefined; without the doctrine of purgatory, "the returning souls cannot be journeying from Purgatory on their way to Heaven, as Catholics frequently believe and assert. Instead, the so-called ghosts are thought to be in actuality evil spirits. As such they are threatening." Other Protestants maintained belief in an intermediate state, known as Hades (Bosom of Abraham), and continued to observe the original customs, especially souling, candlelit processions and the ringing of church bells in memory of the dead. Mark Donnelly, a professor of medieval archæology, and historian Daniel Diehl, with regard to the evil spirits, on Halloween, write that "barns and homes were blessed to protect people and livestock from the effect of witches, who were believed to accompany the malignant spirits as they traveled the earth." In the 19th century, in some rural parts of England, families gathered on hills on the night of All Hallows' Eve. One held a bunch of burning straw on a pitchfork while the rest knelt around him in a circle, praying for the souls of relatives and friends until the flames went out. This was known as teen'lay. The rising popularity of Guy Fawkes Night (5 November) from 1605 onward, saw many Halloween traditions appropriated by that holiday instead, and Halloween's popularity waned in Britain, with the noteworthy exception of Scotland. There and in Ireland, they had been celebrating Samhain and Halloween since at least the early Middle Ages, and the Scottish kirk took a more pragmatic approach to Halloween, seeing it as important to the life cycle and rites of passage of communities and thus ensuring its survival in the country.
From at least the 16th century, the festival included mumming and guising, which involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food. It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them. It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune". F. Marian McNeill suggests the ancient pagan festival included people wearing masks or costumes to represent the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire. In parts of southern Ireland, a man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune. In 19th century Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed. In parts of Wales, men went about dressed as fearsome beings called gwrachod, while in some places, young people cross-dressed. Elsewhere in Europe, mumming and costumes were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers". It has also been suggested that the wearing of Halloween costumes developed from the custom of souling, which was practised by Christians in parts of Western Europe from at least the 15th century. At Allhallowtide, groups of poor people would go door-to-door, collecting soul cakes – either as representatives of the dead, or in return for saying prayers for them. One 19th century English writer said it "used to consist of parties of children, dressed up in fantastic costume, who went round to the farm houses and cottages, signing a song, and begging for cakes (spoken of as "Soal-cakes"), apples, money, or anything that the goodwives would give them". The soulers typically asked for "mercy on all Christian souls for a soul cake". The practice was mentioned by Shakespeare his play The Two Gentlemen of Verona (1593). Christian minister Prince Sorie Conteh wrote on the wearing of costumes: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognised by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities". In the Middle Ages, statues and relics of martyred saints were paraded through the streets at Allhallowtide. Some churches who could not afford these things had people dress as saints instead. Some believers continue the practice of dressing as saints, biblical figures, and reformers in Halloween celebrations today. Many Christians in continental Europe, especially in France, believed that on Halloween "the dead of the churchyards rose for one wild, hideous carnival," known as the danse macabre, which has often been depicted in church decoration. An article published by Christianity Today claimed the danse macabre was enacted at village pageants and at court masques, with people "dressing up as corpses from various strata of society", and suggested this was the origin of Halloween costume parties.