Arcade Beetle Abner Jenkins Leila Davis Janice Lincoln Big Wheel Black Tarantula Boomerang Bullseye Calypso Carrion Clash Cyclone Demogoblin Doctor Doom Doppleganger Dracula Foreigner Gibbon Gog Grey Goblin Grim Hunter Grizzly Hippo Human Fly Hypno-Hustler Jack O' Lantern Jason Macendale Jigsaw Juggernaut Kangaroo Living Brain Lobo Brothers Looter Man-Wolf Kraven the Hunter (Ana Kravinoff) Kraven the Hunter (Alyosha Kravinoff) Lady Octopus Leap-Frog Magneto Man-Bull Massacre Mephisto Menace Mister Hyde Molten Man Morlun Nightmare Overdrive Owl Red Skull Ringer Scarecrow Scorcher Scorpia Scream Screwball Shathra Shriek Sin-Eater Speed Demon Spider Queen Spot Stegron Stilt-Man Styx and Stone Swarm Tarantula Taskmaster Trapster Phil Urich Vermin Walrus White Rabbit Will o' the Wisp
In 1998 writer-artist John Byrne revamped the origin of Spider-Man in the 13-issue limited series Spider-Man: Chapter One (December 1998 – October 1999), similar to Byrne's adding details and some revisions to Superman's origin in DC Comics' The Man of Steel.[36] At the same time the original The Amazing Spider-Man was ended with issue #441 (November 1998), and The Amazing Spider-Man was restarted with vol. 2, #1 (January 1999).[37] In 2003 Marvel reintroduced the original numbering for The Amazing Spider-Man and what would have been vol. 2, #59 became issue #500 (December 2003).[37]

Spider-Man has changed his costume many times but would always return to his classic and most well known look which has varied sometimes. He has had many memorable costumes, including the Black & White symbiote suite, the Red & Gold Iron Spider suit, the Identity Crisis costumes, the Scarlet Spider costume, the White & Blue Armored Spider suit, the Bag-Man costume and recently he has started wearing a black & green costume. You can view several of Spider-Man's costumes in his costume gallery.
After Bruce Wayne was defeated and crippled by Bane, he nominated Jean-Paul Valley to take up the mantle of Batman while he recovered. While initially wearing Bruce Wayne’s uniform, Jean-Paul would eventually begin to succumb to his “programming," becoming more and more corrupted by the crime he was fighting, and replaced the suit with his own tailor-made armour with razor disks, blades and hidden weapons, becoming a more aggressive and unstable Batman, known among comic-fans as the “Azbat” ("Azrael-Batman").
In the episode "The Big Chill," when Mr. Freeze defeats the Batman in their first encounter, the latter's butler Alfred coats the Batsuit with a special white weather-proof material, that can withstand sub-zero temperatures and can be used by the Batman to camouflage himself in the snow. It covers the Batman's facial part as well, which is usually the only exposed part of his regular Batsuit. Additionally, this arctic Batsuit is shown to be armed with retractable skis in the boots and two flamethrowers attached on either side of the waist. Also, the blades on the Batman's gloves emit high electric sparks to melt any ice in his path. The arctic Batsuit reappears in the episode "Fire and Ice," and is depicted to sustain heavy amounts of damage but protects its wearer, when the villain Firefly maneuvers the Batman into a fuel tanker that is about to explode. The Batman survives but injures himself and the suit.
Catwoman has no shame about her preferred choice of action, stealing and being a top notch catburglar are at the top of her list. But when the times call for a hero, she has no problem standing side-by-side with Batman to team up and defeat the baddies. When she’s on the prowl for precious jewels, though, is sure to be the most opportune time for a quick picture. Once she takes out the vital controls of the security system, she’ll have no problem slipping into the joint and lining her pockets with a little extra cash or whatever she can find in the safety deposit box. Have her show her claws for the picture, and she can smile or look serious—either way this picture is going to be one to remember!
From at least the 16th century,[5] the festival included mumming and guising,[6] which involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food.[6] It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them.[7] It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune".[8] F. Marian McNeill suggests the ancient pagan festival included people wearing masks or costumes to represent the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire.[5] In parts of southern Ireland, a man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune.[9] In 19th century Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed.[6] In parts of Wales, men went about dressed as fearsome beings called gwrachod,[6] while in some places, young people cross-dressed.[6] Elsewhere in Europe, mumming and costumes were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers".[6] It has also been suggested that the wearing of Halloween costumes developed from the custom of souling, which was practised by Christians in parts of Western Europe from at least the 15th century.[10][11] At Allhallowtide, groups of poor people would go door-to-door, collecting soul cakes – either as representatives of the dead,[12] or in return for saying prayers for them.[13] One 19th century English writer said it "used to consist of parties of children, dressed up in fantastic costume, who went round to the farm houses and cottages, signing a song, and begging for cakes (spoken of as "Soal-cakes"), apples, money, or anything that the goodwives would give them".[14] The soulers typically asked for "mercy on all Christian souls for a soul cake".[15] The practice was mentioned by Shakespeare his play The Two Gentlemen of Verona (1593).[16][17] Christian minister Prince Sorie Conteh wrote on the wearing of costumes: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognised by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities".[18] In the Middle Ages, statues and relics of martyred saints were paraded through the streets at Allhallowtide. Some churches who could not afford these things had people dress as saints instead.[19][20] Some believers continue the practice of dressing as saints, biblical figures, and reformers in Halloween celebrations today.[21] Many Christians in continental Europe, especially in France, believed that on Halloween "the dead of the churchyards rose for one wild, hideous carnival," known as the danse macabre, which has often been depicted in church decoration.[22] An article published by Christianity Today claimed the danse macabre was enacted at village pageants and at court masques, with people "dressing up as corpses from various strata of society", and suggested this was the origin of Halloween costume parties.[23][24]
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