As different artists have taken over the responsibility of drawing the character, the details of the suit have changed considerably. The original incarnation of the cape was a wing-like structure inspired by drawings by Leonardo da Vinci. This eventually evolved into a more cape-like design of varying length. Some artists draw the cape with protrusions on the shoulders, likely representing the "thumb" part of a bat's wing, though this is not a consistent addition. The cape is occasionally depicted as bulletproof.The cape varies according to the current writer, sometimes being depicted as bulletproof and fire resistant, and other times being nothing more than simple fabric that tears easily and sustains constant damage and is continuously replaced.
Spider-Man has had a large range of supporting characters introduced in the comics that are essential in the issues and storylines that star him. After his parents died, Peter Parker was raised by his loving aunt, May Parker, and his uncle and father figure, Ben Parker. After Uncle Ben is murdered by a burglar, Aunt May is virtually Peter's only family, and she and Peter are very close.[45]

That storyline came at the behest of editor-in-chief Joe Quesada, who said, "Peter being single is an intrinsic part of the very foundation of the world of Spider-Man".[73] It caused unusual public friction between Quesada and writer J. Michael Straczynski, who "told Joe that I was going to take my name off the last two issues of the [story] arc" but was talked out of doing so.[75] At issue with Straczynski's climax to the arc, Quesada said, was
Following the "reboot", Parker's identity was no longer known to the general public; however, he revealed it to other superheroes.[76] and others have deduced it. Parker's Aunt May marries J. Jonah Jameson's father, Jay Jameson.[77] Parker became an employee of the think-tank Horizon Labs.[78] In issue #700, the dying supervillain Doctor Octopus swaps bodies with Parker, who remains as a presence in Doctor Octopus's mind,[79] prompting a two-year storyline in the series The Superior Spider-Man in which Peter Parker is absent and Doctor Octopus is Spider-Man. Peter eventually regains control of his body.[80] Following Peter Parker's return, The Amazing Spider-Man was relaunched in April 2014, with Peter Parker becoming a billionaire after the formation of Parker Industries.[81][82] In December 2014, following the Death of Wolverine comic book, Spider-Man became the new headmaster of the Jean Grey School and began appearing more prominently in X-Men stories, taking Wolverine's role in the comic Wolverine and the X-Men.[83]
Following the disappointing response to The Amazing Spider-Man 2, it was announced that Sony would be partnering with Marvel studios to incorporate the Spider-Man franchise into the Marvel Cinematic Universe. The rebooted Spider-Man debuted in Captain America: Civil War, before being spun off into his own movie in 2017, with Peter portrayed by Tom Holland.
In 2008, Marvel announced plans to release a series of educational comics the following year in partnership with the United Nations, depicting Spider-Man alongside UN Peacekeeping Forces to highlight UN peacekeeping missions.[168] A BusinessWeek article listed Spider-Man as one of the top ten most intelligent fictional characters in American comics.[169]
Three former hosts of the Uni-Power—Susan Storm-Richards, Spider-Man and X-23—are all contacted by the Enigma Force once again when the Whirldemon King, a powerful entity once defeated by the time-traveling Prince Wayfinder of Ithaca and creator of the Enigma Force itself, escapes imprisonment. When X-23 sacrifices herself to save Valeria Richards from possession by the King the Uni-Power bonds with her a second time. While trapped in the Whirldemons' prison dimension, a connection is explicitly made between a starry apparition that enabled Laura to throw off the influence of a demon attempting to coerce her into serving it,[20] when the star-shaped mark left on Laura's palm after that encounter is recognized by the Whirldemon King as associated with the Enigma Force. Laura then uses the Uni-Power to wound the Whirldemon King and seal him back in his prison dimension, before returning her to earth. During these events the Enigma Force tells Laura that she has been designated the future heir to its power.[21]
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Spider-Man's exposure to the mutated spider venom induced a mutagenic, cerebellum-wide alteration of his engrams resulting in the ability to mentally control the flux of inter-atomic attraction (electrostatic force) between molecular boundary layers. This overcomes the outer electron shell's normal behavior of mutual repulsion with other outer electron shells and permits the tremendous potential for electron attraction to prevail. The mentally controlled sub-atomic particle responsible for this has yet to be identified. This ability to affect the attraction between surfaces is so far limited to Spider-Man's body (especially concentrated in his hands and feet) and another object, with an upper limit of several tons per finger. Limits to this ability seem to be psychosomatic, and the full nature of this ability has yet to be established. Spider-man utilizes this ability in his locomotion across New-York, but also has the ability to use it offensively, in a manner resembling the Mark of Kaine. Spider-Man rarely uses this ability though, due to its brutal and disfiguring effects. It also works differently, ripping off layers of skin and muscle, rather than burning it as Kaine does via the HCL secreted through his palms.


Comic-book companies were in the early stages of cultural expansion and many of these characters played to specific stereotypes; Cage and many of his contemporaries often employed lingo similar to that of blaxploitation films, Native Americans were often associated with shamanism and wild animals, and Asian Americans were often portrayed as kung fu martial artists. Subsequent minority heroes, such as the X-Men's Storm and the Teen Titans' Cyborg avoided such conventions; they were both part of ensemble teams, which became increasingly diverse in subsequent years. The X-Men, in particular, were revived in 1975 with a line-up of characters culled from several nations, including the Kenyan Storm, German Nightcrawler, Russian Colossus, Irish Banshee, and Japanese Sunfire. In 1993, Milestone Comics, an African-American-owned media/publishing company entered into a publishing agreement with DC Comics that allowed them to introduce a line of comics that included characters of many ethnic minorities. Milestone's initial run lasted four years, during which it introduced Static, a character adapted into the WB Network animated series Static Shock.
Comic-book companies were in the early stages of cultural expansion and many of these characters played to specific stereotypes; Cage and many of his contemporaries often employed lingo similar to that of blaxploitation films, Native Americans were often associated with shamanism and wild animals, and Asian Americans were often portrayed as kung fu martial artists. Subsequent minority heroes, such as the X-Men's Storm and the Teen Titans' Cyborg avoided such conventions; they were both part of ensemble teams, which became increasingly diverse in subsequent years. The X-Men, in particular, were revived in 1975 with a line-up of characters culled from several nations, including the Kenyan Storm, German Nightcrawler, Russian Colossus, Irish Banshee, and Japanese Sunfire. In 1993, Milestone Comics, an African-American-owned media/publishing company entered into a publishing agreement with DC Comics that allowed them to introduce a line of comics that included characters of many ethnic minorities. Milestone's initial run lasted four years, during which it introduced Static, a character adapted into the WB Network animated series Static Shock.

Reaction to Spider-Man's rogues gallery has been overwhelmingly positive with many journalists citing it as one of the greatest comic book rogues galleries of all time,[133][134][135] with Batman's rogues gallery being its most rivaled contender.[136][137] Although editors such as The Hollywood Reporter's Graeme McMillan felt that only Flash's rogues gallery can compete with Spider-Man's rogues.[134] Kyle Schmidlin of What Culture! described the superhero's rogues gallery as "one of the most colorful in comics" explaining that Batman could only be debated as having a great number of enemies as good as Spider-Man.[138] IGN staff editors, Joshua Yehl and Jesse Schedeen, described the Spider-Man villains as "one of the most iconic and well-balanced in comics". They opined that the scope of their schemes, how cool their powers are, and how dramatically they have affected Spider-Man's life is what makes the Spider-Man villains so great.[1] Newsarama ranked Spider-Man's rogues gallery as number one out ten as the greatest rogues gallery of all time.[137]

Jump up ^ DeFalco "1960s" in Gilbert (2008), p. 93: "Dr. Octopus shared many traits with Peter Parker. They were both shy, both interested in science, and both had trouble relating to women...Otto Octavius even looked like a grown-up Peter Parker. Lee and Ditko intended Otto to be the man Peter might have become if he hadn't been raised with a sense of responsibility.


Jump up ^ Simon, Joe, with Jim Simon. The Comic Book Makers (Crestwood/II, 1990) ISBN 1-887591-35-4. "There were a few holes in Jack's never-dependable memory. For instance, there was no Black Magic involved at all. ... Jack brought in the Spider-Man logo that I had loaned to him before we changed the name to The Silver Spider. Kirby laid out the story to Lee about the kid who finds a ring in a spiderweb, gets his powers from the ring, and goes forth to fight crime armed with The Silver Spider's old web-spinning pistol. Stan Lee said, 'Perfect, just what I want.' After obtaining permission from publisher Martin Goodman, Lee told Kirby to pencil-up an origin story. Kirby... using parts of an old rejected superhero named Night Fighter... revamped the old Silver Spider script, including revisions suggested by Lee. But when Kirby showed Lee the sample pages, it was Lee's turn to gripe. He had been expecting a skinny young kid who is transformed into a skinny young kid with spider powers. Kirby had him turn into... Captain America with cobwebs. He turned Spider-Man over to Steve Ditko, who... ignored Kirby's pages, tossed the character's magic ring, web-pistol and goggles... and completely redesigned Spider-Man's costume and equipment. In this life, he became high-school student Peter Parker, who gets his spider powers after being bitten by a radioactive spider. ... Lastly, the Spider-Man logo was redone and a dashing hyphen added".

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I wonder, and I am not trying to be provocative: Is there no room anymore for a child or young person to be a little bit obnoxious... a little bit inappropriate or provocative or, yes, offensive? American universities were once a safe space not only for maturation but also for a certain regressive, or even transgressive, experience; increasingly, it seems, they have become places of censure and prohibition. And the censure and prohibition come from above, not from yourselves! Are we all okay with this transfer of power? Have we lost faith in young people's capacity—in your capacity ­ to exercise self­censure, through social norming, and also in your capacity to ignore or reject things that trouble you?
In 1963, Astro Boy was adapted into a highly influential anime television series. Phantom Agents in 1964 focused on ninjas working for the Japanese government and would be the foundation for Sentai-type series. 1966 saw the debut of sci-fi/horror series Ultra Q created by Eiji Tsuburaya this would eventually lead on to the sequel Ultraman, spawning a successful franchise focused upon the Giant Hero subgenre where the Superheroes would be as big as giant monsters (Kaiju) that they fought.
Unlike well known rivalries in comics book depictions where heroes always still have more than one enemy but usually one archenemy (e.g., Joker, to Batman in DC Comics, Red Skull to Captain America, Doctor Doom to the Fantastic Four and the Brotherhood of Mutants to the X-Men in Marvel Comics etc.), Spider-Man is known to have three archenemies and it can be debated or disputed as to which one is worse:[123]
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In this new series Spider-Man is voiced by Drake Bell (who played a spoof of the character in the parody film "Superhero Movie"). At the start of the show, Peter is recruited by Nick Fury to join the SHIELD organization in order to learn how to become a better hero. The series highlights the more technological side of the character, and showcases various gadgets and vehicles such as the Iron Spider suit. He leads a team of teenage heroes consisting of Nova, White Tiger, Power Man and Iron Fist, while other characters like Amadeus Cho, Agent Venom and Ka-Zar appear as the series progressies. Alternate versions of Spider-Man like Miles Morales, Spider-Ham, and Spider-Man 2099 all made their animated debuts in the third season.

However, Spider-Man's durability isn't nearly as formidable against penetrative forces. He can be hurt by knives and bullets much in the same way that normal humans can, and has been rendered unconscious by a tracking bullet which pierced his shoulder. Normal bullets also tend to cause Spider-Man problems as well. When he lost his Spider-Sense and faced a villain known as Massacre who utilized multiple weaponry and traps, Spider-Man decided to make a bulletproof suit from tech at Horizon labs. However, if injured by such forces, Spider-Man healing factor allows him to heal much faster than normal humans can.


In keeping with their origins as representing the archetypical hero stock character in 1930s American comics, superheroes are predominantly depicted as white Anglo-Saxon American middle- or upper-class heterosexual young adult males who are typically tall, athletic, educated, physically attractive and in perfect health. Beginning in the 1960s with the civil rights movement in the United States, and increasingly with the rising concern over political correctness in the 1980s, superhero fiction centered on cultural, ethnic, national, racial and language minority groups (from the perspective of US demographics) began to be produced. This began with depiction of black superheroes in the 1960s, followed in the 1970s with a number of other ethnic superheroes.[51] In keeping with the political mood of the time, cultural diversity and inclusivism would be an important part of superhero groups starting from the 1980s. In the 1990s, this was further augmented by the first depictions of superheroes as homosexual. In 2017, Sign Gene emerged, the first group of deaf superheroes with superpowers through the use of sign language.[52]

You don’t have to be a feminist to understand that the superhero game isn’t exclusively for men. Ladies have been busting up the bad guys for years in the pages of the comics, and they’ve started making a splash on the screen in a big way. If you have your eye on women’s superhero costumes , we’re sure you’ll be amazed with our selection. Check out some of these top picks and see if they give you inspiration in making your choice!
‘We hebben inmiddels vijf jaar op rij het topniveau behaald in de Champions League van de internationale klantenservices’, kon Cindy Kroon (vice president Customers & Solutions regio NL/UK bij Nuon/Vattenfall) een tijdje terug wel van de daken schreeuwen na het binnenslepen van het COPC CX 6.0-certificaat. ‘En toch blijft dit voor ons iets heel bijzonders.’ Achterover leunen is er dan ook niet bij voor de energiespeler: samen met Bernard Steenbergen (director Customer Service Operations) daagt Kroon de organisatie continu uit dit niveau vast te houden. Minimaal.
Someone was probably smoking spinach when they suggested that Popeye was the first superhero. As the “Men of Tomorrow” book makes clear, the precursors to Superman and Batman were Doc Savage and The Shadow, created in the Street and Smith pulp magazines of the early ’30s. It is interesting to note that DC Comics currently plans to return its universe to its early roots and purge all magical powers from their characters, leaving Wonder Woman in limbo it would seem.

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[32] Researchers conducted a survey for the National Retail Federation in the United States and found that 53.3 percent of consumers planned to buy a costume for Halloween 2005, spending $38.11 on average (up $10 from the year before). They were also expected to spend $4.96 billion in 2006, up significantly from just $3.3 billion the previous year.[33] The troubled economy has caused many Americans to cut back on Halloween spending. In 2009, the National Retail Federation anticipated that American households would decrease Halloween spending by as much as 15% to $56.31.[34] In 2013, Americans spent an estimated $6.9 billion to celebrate Halloween, including a predicted $2.6 billion on costumes (with more spent on adult costumes than for children's costumes) and $330 million on pet costumes.[35][36] In 2017 it was estimated that Americans would spend $9.1 billion on Halloween merchandise with $3.4 billion of that being on spend on Halloween costumes.[37]
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