Since the North American history is relatively short, in searching for the superhero, maybe you should take a look into European or Asian history. I’m pretty sure there were stories about the super-capable guys fighting for the justice long before the 1934. These stories were probably told by the word of mouth, more likely then written down or sketched.
While out web-swinging, Spider-Man sees a brilliant purple light from a distant warehouse, and investigates it to find Mysterio ranting about how he missed out on one chance to kill Spider-Man already. Although Spider-Man quickly defeats him and ties him up, when examining Mysterio's equipment, he is shot by Mysterio, causing him to fall through the rift created by the equipment. When he regains consciousness, he discovers that it is daylight. Although he interrupts a mugging, he is shocked and confused when the would-be victim informs him that, while he is grateful for the rescue, it might be disrespectful to be seen wearing Peter Parker's suit after his death. Swinging away to think about what he has just heard, Spider-Man runs into another Spider-Man on a rooftop.[3]
^ Jump up to: a b Mary Mapes Dodge, ed. (1883). St. Nicholas Magazine. Scribner & Company. p. 93. 'Soul-cakes,' which the rich gave to the poor at the Halloween season, in return for which the recipients prayed for the souls of the givers and their friends. And this custom became so favored in popular esteem that, for a long time, it was a regular observance in the country towns of England for small companies to go from parish to parish, begging soul-cakes by singing under the windows some such verse as this: 'Soul, souls, for a soul-cake; Pray you good mistress, a soul-cake!'
Alain Robert, nicknamed "Spider-Man", is a rock and urban climber who has scaled more than 70 tall buildings using his hands and feet, without using additional devices. He sometimes wears a Spider-Man suit during his climbs. In May 2003, he was paid approximately $18,000 to climb the 312-foot (95 m) Lloyd's building to promote the premiere of the movie Spider-Man on the British television channel Sky Movies.
A popular variant of trick-or-treating, known as trunk-or-treating (or Halloween tailgaiting), occurs when "children are offered treats from the trunks of cars parked in a church parking lot", or sometimes, a school parking lot.[113][152] In a trunk-or-treat event, the trunk (boot) of each automobile is decorated with a certain theme,[153] such as those of children's literature, movies, scripture, and job roles.[154] Trunk-or-treating has grown in popularity due to its perception as being more safe than going door to door, a point that resonates well with parents, as well as the fact that it "solves the rural conundrum in which homes [are] built a half-mile apart".[155][156]
These are not mere mortals but they are blessed with divine gifts. They were often agents of change bringing culture, social change or advancement to a civilization. Their stories were more than just historical lessons - there was an element of religion and cult worship. I would argue that they are part of the archetype of the superhero - even if they are foreign to our current definition.
In the 1930s, both trends came together in some of the earliest superpowered costumed heroes such as Japan's Ōgon Bat[9][10] (visualized in painted panels used by kamishibai oral storytellers in Japan since 1931), Mandrake the Magician[11][12][13] (1934), Superman in 1938 and Captain Marvel (1939) at the beginning of the Golden Age of Comic Books. The precise era of the Golden Age of Comic Books is disputed, though most agree that it was started with the launch of Superman in 1938.[14] Superman remains one of the most recognizable Superheroes to this day.[14] The success of Superman spawned a whole new genre of characters with secret identities and superhuman powers – the Superhero genre.[14]
Peter Parker, the amazing Spider-Man, has made an astonishing discovery-he has a sister! Unfortunately, a manipulative super-villain known as the Gentleman-who had a hand in the deaths of Peter's parents-has somehow brainwashed her into becoming the deadly supervilainess known as Pity! Together with Doctor Octopus, Electro, the Vulture, and Mysterio, they've formed the newest incarnation of the super-villain group dedicated to destroy Spider-Man, the Sinister Six! But there is something more than just the death of Spider-Man on the Sinister Six's agenda; something that has caused Col. Sean Morgan and his high-tech anti-espionage agents of S.A.F.E. to become involved. Spider-Man teams up with Morgan to stop the Sinister Six before they can put their world-threatening plan in motion, and to save his sister before it's too late!
Thank you to whoever mentioned Kavalier and Clay (I’m not going to scroll all the way back up there to find out who). Subsequent posts mentioned the “jewishness” of Superman and the Golem, both central themes in the novel. Its one of my favorite books of all time and a solid exploration of the early evolution of american superhero culture, as well as “jewishness” in america during WWII.
Jump up ^ "All Hallows Eve Service" (PDF). Duke University. 31 October 2012. Archived (PDF) from the original on 5 October 2013. Retrieved 31 May 2014. About All Hallows Eve: Tonight is the eve of All Saints Day, the festival in the Church that recalls the faith and witness of the men and women who have come before us. The service celebrates our continuing communion with them, and memorializes the recently deceased. The early church followed the Jewish custom that a new day began at sundown; thus, feasts and festivals in the church were observed beginning on the night before.
After returning from Berlin, Stark allowed Parker to keep the suit, although he advised the young hero not do anything he would or would not do and to remain on the ground, a tip which Parker accepted. Parker then asked when the next mission was, and Stark replied that if they needed him then someone would contact him, and appointed Happy Hogan to be their liaison.[2]
If he wants to bring his favorite periods of history to life, he can wear a boys historical Halloween costume such as a cave boy, pilgrim, or Union officer. If he wants to give off a more dangerous vibe, he can dress up as a gangster in a stylish black suit. He can even pair up with his friends for group costumes that play up these historical eras. These authentic looking, detailed costumes will help make him look like he could belong on the pages of his history book.
The cape and cowl of the suits are prominently displayed as Bruce Wayne's spiritual presence in proceedings after the Final Crisis. With the cape and cowl of the clone being displayed alongside the other batsuits as a memorial that Richard Grayson would constantly return to and ultimately forge his own decision to become the new Batman, while the cape and cowl of Bruce misplaced in time would become a holy relic of the Miagani Tribe from the prehistoric era onwards, enshrined in the caverns that would eventually become the Batcave.
Exhausted and injured, Spider-Man removed his mask to breathe, but this caused his senses to overwhelm him and leave him open to the Vulture's ambush. Despite the damage on his suit, the Vulture brutally attacked Spider-Man. Holding him up with his wings, Vulture prepared to kill Spider-Man before spotting a nearby crate, which he proceeded to grab instead. Spider-Man noticed that the Vulture's wings were failing and tried to save him. The Vulture's wings exploded, and Toomes crashed into the ground as his suit burst into flames. Spider-Man retrieved Toomes from the blaze and webbed him to the remaining cargo, watching from atop a rollercoaster as the police arrested the Vulture.[2]
Spider-Man found members of the Vulture's gang near an empty gas station. Using the suit's advanced function to overhear their conversation, Spider-Man learned that Vulture intended to steal confiscated technology from Damage Control storage trucks. Spider-Man went after the Damage Control truck and confronted the Vulture, who was about to leave with his loot. They fought briefly and, due to Spider-Man's carelessness, resulted in Spider-Man getting trapped inside the truck.[2]
In the 1930s, both trends came together in some of the earliest superpowered costumed heroes such as Japan's Ōgon Bat[9][10] (visualized in painted panels used by kamishibai oral storytellers in Japan since 1931), Mandrake the Magician[11][12][13] (1934), Superman in 1938 and Captain Marvel (1939) at the beginning of the Golden Age of Comic Books. The precise era of the Golden Age of Comic Books is disputed, though most agree that it was started with the launch of Superman in 1938.[14] Superman remains one of the most recognizable Superheroes to this day.[14] The success of Superman spawned a whole new genre of characters with secret identities and superhuman powers – the Superhero genre.[14]
Other features include short-distance gliding capability, limited bulletproofing, built-in fire/police/emergency scanner, audio/visual amplification (including infrared and ultraviolet), cloaking device, carbon filters to keep out airborne toxins, and a short-range GPS microwave communication system. It grants the ability to breathe under water, and can morph into different shapes due to its "'smart' liquid metal" form. It can also "more or less disappear" when not needed due to reactions to neurological impulses as Tony Stark revealed. The new costume is able to look like other styles of costumes Spider-Man has worn over the years or turn into his street clothes. Part of the costume can detach itself from Spider-Man to cover an object too dangerous to touch, such as a radioactive asteroid. All these features are controlled by a computer system in the chest piece. The suit responds to mental control.[9]
Depending on how you classify these things, it’s probably either Superman (the character who gave his name to the concept), Gilgamesh (powers beyond those of ordinary men!), or the Scarlet Pimpernel (who seems to be the first example, or at least the first that I can find, of the rich dandy who dons a mask to fight crime; Orczy’s book predates Zorro by a smidge, and Zorro was pretty clearly an influence on Batman). Tarzan, Doc Savage, Mandrake, and other pulp characters don’t seem to have some of the characteristics I’d look for.
A few months after Spider-Man's introduction, publisher Goodman reviewed the sales figures for that issue and was shocked to find it was one of the nascent Marvel's highest-selling comics.[29]:97 A solo ongoing series followed, beginning with The Amazing Spider-Man #1 (cover-dated March 1963). The title eventually became Marvel's top-selling series[9]:211 with the character swiftly becoming a cultural icon; a 1965 Esquire poll of college campuses found that college students ranked Spider-Man and fellow Marvel hero the Hulk alongside Bob Dylan and Che Guevara as their favorite revolutionary icons. One interviewee selected Spider-Man because he was "beset by woes, money problems, and the question of existence. In short, he is one of us."[9]:223 Following Ditko's departure after issue #38 (July 1966), John Romita, Sr. replaced him as penciler and would draw the series for the next several years. In 1968, Romita would also draw the character's extra-length stories in the comics magazine The Spectacular Spider-Man, a proto-graphic novel designed to appeal to older readers. It only lasted for two issues, but it represented the first Spider-Man spin-off publication, aside from the original series' summer annuals that began in 1964.[30]
A previously unknown translation of an ancient grimoire, the Darkhold, has been unearthed by archaeologists in South America. But this chilling discovery will have far-reaching effects. Halfway across the globe, the Darkhold is relentlessly pursued by the Cabal of Scrier, an organization devoted to achieving ultimate power through whatever means necessary. And it is through their actions that a darkness from beyond the grave will return to haunt the Spectacular Spider-Man in the form of one of the most frightening and dangerous foes he's ever encountered....
There are several trading cards depicting either Captain Universe himself or Spider-Man as Captain Universe, these trading card sets include Marvel VS., Marvel Overpower, the Fleer Mark Bagley Spider-Man Card Set and Fleer Ultra 1994. There was also a special Captain Universe trading card included with the personalized X-Men/Captain Universe comic depicting the comic book owner's personal stats as Captain Universe.[31]
We found out in a hurry after the hit films, Iron Man and Captain America: The First Avenger, that our brand new cinematic heroes were going to need a little help saving the world. That’s why fans were prepared when The Avengers took the world by storm! With a bevy of films under the Marvel Cinematic Universe, this group has become a fan favorite for those watching and wanting to pay homage to them by going in costume. When you can find a friend to go in a Hulk costume or Thor costume we think you’re going to find that your group has the chops to get the job done. And if you have a femme fatale to be the Black Widow? Well, then you’re going to be downright unstoppable in your Marvel costumes!
The Iron Spider armor appears in the Ultimate Spider-Man animated series. It is initially used by Peter Parker in the episodes "Flight of the Iron Spider", "The Iron Octopus" and "Venom Bomb". Subsequent seasons depict the armor in the hands of Amadeus Cho under the Iron Spider mantle. Additionally the episode "Rampaging Rhino" features a variant Iron Spider Hulkbuster created by Curt Connors at the time when the Hulk fights with the Rhino.

Joey Esposito of IGN, who gave the first issue an 8.5 out of 10, praised the creative team, singling out the strong thematic elements set up by Bendis, and the graceful line work, cityscapes, action and comedic timing of Pichelli's art. Esposito also complimented Cory Petit's lettering, comparing his use of different fonts when Spider-Man arrives in the Ultimate Universe to the use of color that characterizes Dorothy's arrival in Oz in the 1939 film The Wizard of Oz.[12] James Hunt of Comic Book Resources, who gave the issue four and a half out of five stars, called it "one of the most momentous Spider-Man stories to be published in years", praising the issue's pace and tone, and Pichelli's art.[13]
The Utility Belt is a specialized belt Batman wears to equip his crime-fighting gear. The utility belt is a modified climbing harness, with magnetized impact-resistant pouches, and canisters attached to the belt at ergonomic points for ease of reach. It carries a magnetic gas-powered grapple gun, an encrypted cell phone, Batarangs, a medical kit, smoke bombs, mini explosives, periscope, remote control for the Tumbler, mini-cam, money, and other unspecified equipment. Batman removed the belt's shoulder and chest straps because they constricted his movements.
Following Bruce's seeming death at the hands of Darkseid, Dick Grayson reluctantly took up the mantle despite instructions Bruce left for him not to do so. Grayson made some modifications to the Batsuit to better suit his combat style. Having always hated capes, the first thing he disposed of when creating his Nightwing identity, he has substantially reduced its weight, presumably sacrificing the semi-established bullet- and fire-proof nature. A further modification was made, making it what Grayson calls a "paracape" acting like a parachute and able to slow down a rapid descent. The other noticeable change is made to the utility belt, which now sports a bat-shaped belt buckle and has mechanical compartments, as opposed to the fabric pouches Bruce had last been seen using.

This series debuted on MTV and aired from July 11, 2003 through September 12, 2003. The series would continue where the successful live action feature film left off. The series starts with Peter already having his spider powers and follows his superhero adventures and his friends, Harry Osborn and Mary Jane Watson during their first year of college at Empire State University.


In Scotland, Midnight and Glaive ambush Scarlet Witch and the Vision in an attempt to forcibly remove the Mind Stone located in the Vision's head. Since removing the stone would also kill the Vision, the two heroes attempt to resist, but are overwhelmed by Thanos' children. When it looks like that they will succeeded in taking the Mind Stone; Steve, Black Widow and Falcon swoop in and resuce their comrades from Midnight and Glaive before regrouping with War Machine and Bruce at the New Avengers Facility in upstate New York. Realizing that their assailants won't rest till they have the stone and not wanting to see any of his friends or loved ones get hurt trying to stop them, the Vision offers to sacrifice himself by having Scarlet Witch destroy the Mind Stone to keep it out of the hands of Thanos' children. Rather then sacrifice his friend, Steve suggests that they go to Black Panther for help citing that Wakandan science might have a way to remove the stone without killing the Vision.

Some superheroes use their powers to counter daily crime while also combating threats against humanity from supervillains, who are their criminal counterparts. Often at least one of these supervillains will be the superhero's archenemy. Some long-running superheroes and superheroines such as Superman, Spider-Man, Batman, Wonder Woman, Hulk, Green Lantern, the Flash, Captain America, Thor, Wolverine, Iron Man and the X-Men have a rogues gallery of many villains. There are movies and TV shows featuring various super heroes.
Raimi was also initially slated to direct a fourth Spider-Man film, with a release date of May 6, 2011. The ill-fated movie was intended to continue with the same cast and crew with plot-lines established in the first three films. Disagreement between Raimi and producers Laura Ziskin and Avi Arad over the script -- and over the choice of villains in particular -- as well as concerns with the rising cost of production (Raimi and series star Tobey Maguire would have claimed a large portion of any film royalties) led to a cancellation of that film's production. Instead, the Sony owned Columbia Pictures decided on a reboot of the franchise.
A Broadway musical, Spider-Man: Turn Off the Dark, began previews on November 14, 2010, at the Foxwoods Theatre on Broadway, with the official opening night on June 14, 2011.[199][200] The music and lyrics were written by Bono and The Edge of the rock group U2, with a book by Julie Taymor, Glen Berger, Roberto Aguirre-Sacasa.[201] Turn Off the Dark is currently the most expensive musical in Broadway history, costing an estimated $70 million.[202] In addition, the show's unusually high running costs are reported to have been about $1.2 million per week.[203]
At the behest of a deadly benefactor known only as the Gentleman, the Chameleon must assemble a new Sinister Six: Dr. Octopus, the Vulture, Electro, Mysterio, and the Gentleman's mysterious ward, Pity. But Mysterio, the master of illusion, has a plan of his own! A number of Hollywood people has been targeted for murder, and the Webhead must halt Mysterio's deadly rampage before more lives are claimed.
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Despite his superpowers, Parker struggles to help his widowed aunt pay rent, is taunted by his peers—particularly football star Flash Thompson—and, as Spider-Man, engenders the editorial wrath of newspaper publisher J. Jonah Jameson.[47][48] As he battles his enemies for the first time,[49] Parker finds juggling his personal life and costumed adventures difficult. In time, Peter graduates from high school,[50] and enrolls at Empire State University (a fictional institution evoking the real-life Columbia University and New York University),[51] where he meets roommate and best friend Harry Osborn, and girlfriend Gwen Stacy,[52] and Aunt May introduces him to Mary Jane Watson.[49][53][54] As Peter deals with Harry's drug problems, and Harry's father is revealed to be Spider-Man's nemesis the Green Goblin, Peter even attempts to give up his costumed identity for a while.[55][56] Gwen Stacy's father, New York City Police detective captain George Stacy is accidentally killed during a battle between Spider-Man and Doctor Octopus (#90, November 1970).[57]

The bringer of destruction and maker of doom, the feeble powers of any superhero are no match for the mighty Professor Chaos. A veteran of supervillainy with many foiled schemes behind him, few realize that he was once the lonely Butters Stotch, outcasted by society. Seeking vengeance on those who once wronged him, ten thousand dollars from a generous donor may be all he needs to defeat Coon and Friends once and for all...


^ Jump up to: a b c Manning, Matthew K.; Gilbert, Laura, ed. (2012). "1960s". Spider-Man Chronicle Celebrating 50 Years of Web-Slinging. Dorling Kindersley. p. 36. ISBN 978-0756692360. Now it was time for [John Romita, Sr.] to introduce a new Spidey villain with the help of [Stan] Lee. Out of their pooled creative energies was born the Rhino, a monstrous behemoth trapped in a durable rhinoceros suit.
During the Big Time storyline, in an attempt to defeat the new and improved Hobgoblin, Peter creates a stealth suit. He is able to do this through his new job at Horizon Labs. The Stealth Suit warps light and sound to become invisible and totally silent, it is also impervious to sonic attacks. He also created special lenses so that he can be seen by people if needs be. The lighting on the suit can change between green, orange and blue. Orange is for the secondary mode which disrupts sonic frequencies from infrasonic to ultrasonic but is visible. Blue is it in normal mode which can be seen and heard. However, a side effect of this costume is that while he can be impervious to sonic attacks, it also prevents him from hearing others. For example, while fighting the Hobgoblin and the Kingpin, Spider-Man was unable to hear the Cat's cries for help.
Another Silliman resident declared in a campus publication, “I have had to watch my friends defend their right to this institution. This email and the subsequent reaction to it have interrupted their lives. I have friends who are not going to class, who are not doing their homework, who are losing sleep, who are skipping meals, and who are having breakdowns.” One feels for these students. But if an email about Halloween costumes has them skipping class and suffering breakdowns, either they need help from mental-health professionals or they’ve been grievously ill-served by debilitating ideological notions they’ve acquired about what ought to cause them pain.

In an early recollection of the character's creation, Ditko described his and Lee's contributions in a mail interview with Gary Martin published in Comic Fan #2 (Summer 1965): "Stan Lee thought the name up. I did costume, web gimmick on wrist & spider signal."[23] At the time, Ditko shared a Manhattan studio with noted fetish artist Eric Stanton, an art-school classmate who, in a 1988 interview with Theakston, recalled that although his contribution to Spider-Man was "almost nil", he and Ditko had "worked on storyboards together and I added a few ideas. But the whole thing was created by Steve on his own... I think I added the business about the webs coming out of his hands."[20]:14


The Iron Spider armor costume has been duplicated and used by MVP's three genetic clones in the Initiative who identify themselves as Red Team and also labeled the Scarlet Spiders. It is unknown what new powers the team possesses, but they have been shown to be using some of the built-in powers such as the cloaking device, communications, and waldoes which the original costume possessed.[4] One change is that there are now four waldoes, as opposed to three. These suits have the original's morphing ability,[5] as well as web-shooters, and wall-crawling capability.[6]
In Justice League (2001-2004) the Batsuit is once again redesigned, but combining elements from previous costumes, the design of The New Batman Adventures is retained, but with the blue highlights of the Batman: The Animated Series costume and the long ears of the Batman Beyond costume. It is also used again in Justice League: Unlimited (2004-2006).
Jump up ^ Cowsill, Alan; Gilbert, Laura, ed. (2012). "1990s". Spider-Man Chronicle Celebrating 50 Years of Web-Slinging. Dorling Kindersley. p. 184. ISBN 978-0756692360. Todd McFarlane was at the top of his game as an artist, and with Marvel's release of this new Spidey series he also got the chance to take on the writing duties. The sales of this series were nothing short of phenomenal, with approx. 2.5 million copies eventually printing, including special bagged editions and a number of variant covers.

Vacuum Seal: By pressing the emblem on the chest, Parker can expand the suit several sizes larger, allowing him to slip out of the suit easily. He can still wear undergarments under the suit because of its vacuum seal, which can also compress the suit to appear as though he is wearing nothing underneath.[2] Once the vacuum seal compresses the suit properly, the suit's A.I. initiates and performs a diagnostics check.

Superman soon had lots of company, and lots of competition! What do they have in common? All superheroes have some type of extraordinary power or ability. Their "super power" can be something they're born with: Superman, Wonder Woman, Thor. It can be the result of an accident or mutation: Spider-Man, The Incredible Hulk, Wolverine. Or, it can be simply a skill they have learned, honed and perfected beyond the average: Batman, Hawkeye. They all have a strong moral code and a motivation to rid the world of some menace.  
Some boys want to grow up to be a big and strong man, and well, some boys just want to grow up to be a macho, macho man. If you've always found yourself in the latter category, then the easiest way to show off your sex appeal is by going in one of our officially licensed Village People Costumes! They're made and designed by us, and by far the most popular and instantly recognizable character is the Biker. This jacket and chaps set comes with the hat, thick manly mustache, and a fun chest chain to transform you into the iconic performer with some sizzling sex appeal.
I wonder, and I am not trying to be provocative: Is there no room anymore for a child or young person to be a little bit obnoxious... a little bit inappropriate or provocative or, yes, offensive? American universities were once a safe space not only for maturation but also for a certain regressive, or even transgressive, experience; increasingly, it seems, they have become places of censure and prohibition. And the censure and prohibition come from above, not from yourselves! Are we all okay with this transfer of power? Have we lost faith in young people's capacity—in your capacity ­ to exercise self­censure, through social norming, and also in your capacity to ignore or reject things that trouble you?
Eddie J. Smith, in his book Halloween, Hallowed is Thy Name, offers a religious perspective to the wearing of costumes on All Hallows' Eve, suggesting that by dressing up as creatures "who at one time caused us to fear and tremble", people are able to poke fun at Satan "whose kingdom has been plundered by our Saviour". Images of skeletons and the dead are traditional decorations used as memento mori.[159][160]