In this example, the objects or instances are the individual superheroes described by the class Superhero. There could be an Ironman object, a Wonder Woman object, a Batman object, or a Spiderman object. The class Superhero associates certain attributes and methods with the superhero objects. For this example, each superhero will have the following attributes: strength, superpower, costume color, secret identity, points, and health. Additionally, each superhero will have the following methods (or actions): attack and heal.
Peter is shown to be learning the 'Way of the Spider', from Shang-Chi, and also seen neutralizing a couple of robberies. Jackal is revealed to be working on a scheme, recruiting several spider-powered criminals for some kind of project. Later, Peter and Carlie Cooper are talking when Carlie reveals she has spider-powers. When news of several hundreds of New Yorkers having manifested spider-powers reaches them, Carlie web swings away to help. Peter then pretends to be another random spider-powered New Yorker and defends New York against the spider-powered villains, along with the Avengers. Anti-Venom is seen curing people of their spider-powers, as he showed the ability to do so in New Ways to Die. Jackal is seen working on the Spider-King, filled with tiny embryos. Horizon Labs and Mr Fantastic work on finding a cure while the Avengers keep Manhattan quarantined to stop the virus from spreading. While at an lab, Peter and Carlie are attacked by Chance, Scorcher, and White Rabbit, who also have spider-powers. Peter manages to defeat them using his training from Shang-Chi. Jackal has the battle taped and gives it to Tarantula to study, as he will soon be 'tested'. Reed Richards finally develops a vaccine that stops people from gaining spider-powers, but cannot cure those already infected. J. Jonah Jameson discovers that he, too, has gained spider powers. Anti-Venom continues curing people, however Madame Web faints from the massive excess of spiders accessing the 'web of life'. Carlie meets up with Spider-Man, when they attempt to take down Shocker, who has grown 6 extra arms. After taking off his mask, they find that his face is slowly mutating into a spider's face, and his body is doing the same. Carlie starts to mutate as well.The Spider-Queen tells Jackal that the people of New York will soon become spiders, and she will own New York.
Spider-Man Noir: Eyes Without a Face is a sequel to Spider-Man Noir, which takes place a few months after the Goblin's death. In 1934, Peter Parker, Spider-Man, has a new problem: The Crime Master is a masked criminal who has taken over as the city’s crime boss. As he investigates, his relationship with Felicia Hardy, owner of The Black Cat speakeasy, develops. He returns home to find Joe and Robbie Robertson talking with Aunt May. As a struggling black reporter, Robbie asks Peter to set up a meeting with Doctor Otto Octavius who is experimenting on Ellis Island. A few days later they meet with him and learn that he is experimenting on monkeys to understand more about the human mind. Octavius himself is wheelchair bound but employs controlled robotic arms, attached to the back of his chair, to help him. After they leave, Robbie suggests the story is deeper. That night a delivery of black slaves are delivered to Ellis Island.[5]

Silk a.k.a. Cindy Moon: In the Original Sin storyline, When Spider-Man was exposed to the energies of the Watcher's eye, he recalled the first time the spider that bit him, but not before the radioactive spider that bit him managed to bite another before it died, Cindy Moon. Cindy shows remarkable abilities that are quicker and faster than Peter's. She felt a primal connection to Peter as they show an animalistic attraction to one another, and that bond was seen in a more tender, caring way throughout the Spider-Verse series. However, Cindy seems determined to keep Peter at a distance, as though attempting to come to terms with her own identity without the input of her famous ally.


Spider-Man later tracked down and confronts Osborn, having dispatched all of his henchmen in turn. During their fight, it is revealed that Osborn is a former circus freak himself who hides his goblin-like visage behind one of the Chameleon’s masks. After Spider-Man refuses to kill Osborn, the spider-infested and barely still alive body of Kraven appears and attacks the Goblin, killing him.[4]
Even if your kid isn’t a skate pro just yet they will have everyone fooled while decked out in our Zombie Sk8r Costume. You’re probably pretty pumped that the grunge look is coming back in style but don’t worry that doesn’t mean you have to lend your old threads to you kid. We got you covered! This costume comes with a 90’s approved short sleeved jagged edges t-shirt that is totally rad. If all those skateboard tricks doesn’t scare you enough the zombie mask with the hanging eyeball is sure to do the trick!
In a controversial storyline, Peter becomes convinced that Ben Reilly, the Scarlet Spider (a clone of Peter created by his college professor Miles Warren) is the real Peter Parker, and that he, Peter, is the clone. Peter gives up the Spider-Man identity to Reilly for a time, until Reilly is killed by the returning Green Goblin and revealed to be the clone after all.[71] In stories published in 2005 and 2006 (such as "The Other"), he develops additional spider-like abilities including biological web-shooters, toxic stingers that extend from his forearms, the ability to stick individuals to his back, enhanced Spider-sense and night vision, and increased strength and speed. Peter later becomes a member of the New Avengers, and reveals his civilian identity to the world,[72] increasing his already numerous problems. His marriage to Mary Jane and public unmasking are later erased in another controversial[73] storyline "One More Day", in a Faustian bargain with the demon Mephisto that results in several other adjustments to the timeline, including the resurrection of Harry Osborn and the return of Spider-Man's traditional tools and powers.[74]
^ Jump up to: a b Morrow, Ed (2001). The Halloween Handbook. Kensington Publishing Corporation. p. 19. ISBN 9780806522272. Another contributor to the custom of dressing up at Halloween was the old Irish practice of marking All Hallows' Day with religious pageants that recounted biblical events. These were common during the Middle Ages all across Europe. The featured players dressed as saints and angels, but there were also plenty of roles for demons who had more fun, capering, acting devilish, and playing to the crows. The pageant began inside the church, then moved by procession to the churchyard, where it continued long into the night.
From at least the 16th century,[5] the festival included mumming and guising,[6] which involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food.[6] It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them.[7] It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune".[8] F. Marian McNeill suggests the ancient pagan festival included people wearing masks or costumes to represent the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire.[5] In parts of southern Ireland, a man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune.[9] In 19th century Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed.[6] In parts of Wales, men went about dressed as fearsome beings called gwrachod,[6] while in some places, young people cross-dressed.[6] Elsewhere in Europe, mumming and costumes were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers".[6] It has also been suggested that the wearing of Halloween costumes developed from the custom of souling, which was practised by Christians in parts of Western Europe from at least the 15th century.[10][11] At Allhallowtide, groups of poor people would go door-to-door, collecting soul cakes – either as representatives of the dead,[12] or in return for saying prayers for them.[13] One 19th century English writer said it "used to consist of parties of children, dressed up in fantastic costume, who went round to the farm houses and cottages, signing a song, and begging for cakes (spoken of as "Soal-cakes"), apples, money, or anything that the goodwives would give them".[14] The soulers typically asked for "mercy on all Christian souls for a soul cake".[15] The practice was mentioned by Shakespeare his play The Two Gentlemen of Verona (1593).[16][17] Christian minister Prince Sorie Conteh wrote on the wearing of costumes: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognised by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities".[18] In the Middle Ages, statues and relics of martyred saints were paraded through the streets at Allhallowtide. Some churches who could not afford these things had people dress as saints instead.[19][20] Some believers continue the practice of dressing as saints, biblical figures, and reformers in Halloween celebrations today.[21] Many Christians in continental Europe, especially in France, believed that on Halloween "the dead of the churchyards rose for one wild, hideous carnival," known as the danse macabre, which has often been depicted in church decoration.[22] An article published by Christianity Today claimed the danse macabre was enacted at village pageants and at court masques, with people "dressing up as corpses from various strata of society", and suggested this was the origin of Halloween costume parties.[23][24]
×