The updated suit has many new features, such as Karen, an artificially intelligent system to aid him, a heads-up display embedded in the eye lenses, a reconnaissance drone, a parachute, and retractable wingsuit components. The suit was monitored by the Stark Industry Training Wheels Protocol, a program designed and installed into the suit by Stark to restrict certain actions, and the Baby Monitor Protocol, which tracked and recorded everything through the eye lenses.


Like the previous game, farting is the single most important system mechanic that will come to save your ass time and time again, pun intended. As you explore and discover the true abilities of your asshole, with a little help from Morgan Freeman and some Mexican food, these abilities help you gain you advantages over enemies in combat, and assist in helping others around town. Be careful as you rip holes in space and time, as before long you may just find yourself with a fracture...

Reaction to Spider-Man's rogues gallery has been overwhelmingly positive with many journalists citing it as one of the greatest comic book rogues galleries of all time,[133][134][135] with Batman's rogues gallery being its most rivaled contender.[136][137] Although editors such as The Hollywood Reporter's Graeme McMillan felt that only Flash's rogues gallery can compete with Spider-Man's rogues.[134] Kyle Schmidlin of What Culture! described the superhero's rogues gallery as "one of the most colorful in comics" explaining that Batman could only be debated as having a great number of enemies as good as Spider-Man.[138] IGN staff editors, Joshua Yehl and Jesse Schedeen, described the Spider-Man villains as "one of the most iconic and well-balanced in comics". They opined that the scope of their schemes, how cool their powers are, and how dramatically they have affected Spider-Man's life is what makes the Spider-Man villains so great.[1] Newsarama ranked Spider-Man's rogues gallery as number one out ten as the greatest rogues gallery of all time.[137]
When primary series The Amazing Spider-Man reached issue #545 (December 2007), Marvel dropped its spin-off ongoing series and instead began publishing The Amazing Spider-Man three times monthly, beginning with #546–548 (all January 2008).[38] The three times monthly scheduling of The Amazing Spider-Man lasted until November 2010 when the comic book was increased from 22 pages to 30 pages each issue and published only twice a month, beginning with #648–649 (both November 2010).[39][40] The following year, Marvel launched Avenging Spider-Man as the first spinoff ongoing series in addition to the still twice monthly The Amazing Spider-Man since the previous ones were cancelled at the end of 2007.[38] The Amazing series temporarily ended with issue #700 in December 2012, and was replaced by The Superior Spider-Man, which had Doctor Octopus serve as the new Spider-Man, having taken over Peter Parker's body. Superior was an enormous commercial success for Marvel,[41] and ran for 31-issue before the real Peter Parker returned in a newly relaunched The Amazing Spider-Man #1 in April 2014.[42]
By 1995, the suit was eventually modified, the cloak becoming a scalloped-edged cape and the gloves becoming gauntlets with three “fins” with claws embedded in the fingers for climbing. Famously drawn by the likes of Neal Adams and Jim Aparo, he eventually created a unique fire-retardant and chemical-resistant triple-weave Kevlar thread for the suit. The material had carbon nanotube fibers that imparted it with a unique sheen and made it heavily resistant to tearing. This material would go into the creation of all following bat-suits and other suits in the Bat Family. The most notable traits of this evolution were the incorporation of the yellow ellipse around the bat emblem as well as the capsule utility belt.
However, Spider-Man's durability isn't nearly as formidable against penetrative forces. He can be hurt by knives and bullets much in the same way that normal humans can, and has been rendered unconscious by a tracking bullet which pierced his shoulder. Normal bullets also tend to cause Spider-Man problems as well. When he lost his Spider-Sense and faced a villain known as Massacre who utilized multiple weaponry and traps, Spider-Man decided to make a bulletproof suit from tech at Horizon labs. However, if injured by such forces, Spider-Man healing factor allows him to heal much faster than normal humans can.
This distraction was all the Vulture needed to equip his suit and began attacking Spider-Man and the FBI. While Spider-Man saved the agents from the arms dealer's attacks, Vulture freed his men and urged them to escape. Another fierce fight ensued between the Vulture and Spider-Man, who used his Web-Shooters' combinations to enhance his fighting ability against the winged menace.

During Grim Hunt, Peter is already weakened and exhausted from his "gauntlet". After a loud knocking at his apartment door and he opens it only to see his estranged clone Kaine, beaten and bloodied. Before passing out, Kaine reveals to Peter that the "Spiders" are being hunted. A loud explosion is heard nearby his apartment and Peter goes to check it out only to see Arachne fighting off Ana and Alyosha Kravinoff. Peter, being weakened by the swine flu, struggles to put up a fight and manages to impale Alyosha on a broken pipe, gaining him time to retrieve Arachne and to escape. After retreating to Mattie Franklin's apartment, they are approached by a dead Ezekiel. He then tells Spider-Man and Arachne that they have to save Arana from the clutches of the Kravinoff's. As they finally reach her, they become outnumbered and defeated and Arachne and Arana are captured. Kaine eventually arrives to help out but was too late to make a difference. He tries to warn Peter from following Ezekiel but Peter lashes out in anger and the two set off to find Kraven's base.
See also: Ethnic stereotypes in comics, African characters in comics, List of black superheroes, List of Asian superheroes, List of Latino superheroes, List of Native American superheroes, List of Jewish superheroes, List of Filipino superheroes, List of Middle Eastern superheroes, List of Russian superheroes, and List of Italian and Italian-American superheroes and villains
In Marvel Zombies 2, he notices that his hunger is starting to fade and, as a result, is the first of the Galacti to turn against his fellow zombies.[15] Eventually with the aid of Forge, Malcom, and the Acolytes, the zombies retaining their hunger are defeated. Spider-Man is one of the zombies that remain and continue work to rebuild New Wakanda, and bury the dead.[volume & issue needed]

Born to Richard and Mary Parker in Queens, New York, Peter Parker lost his parents at a very young age when their plane went down overseas while they were on a mission as government spies. He was raised by his aunt and uncle (May and Ben Parker) who, along with his teachers at Midtown High School, thought he had a bright future due to his affinity for science. However, Peter struggled with bullies and being teased for his introverted nature (sometimes referring to him as a "professional wallflower") and interest in science that pegged him as a teacher's pet.
His rescue attempt caught local authorities' attention. Spider-Man tried to explain the situation to them, but they threatened to shoot him if he did not leave the monument. Despite the threats, Spider-Man ignored them and broke into the monument, barely catching the elevator and its occupants — his schoolmates and Roger Harrington — with a ricochet web.[2]
From at least the 16th century,[5] the festival included mumming and guising,[6] which involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food.[6] It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them.[7] It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune".[8] F. Marian McNeill suggests the ancient pagan festival included people wearing masks or costumes to represent the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire.[5] In parts of southern Ireland, a man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune.[9] In 19th century Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed.[6] In parts of Wales, men went about dressed as fearsome beings called gwrachod,[6] while in some places, young people cross-dressed.[6] Elsewhere in Europe, mumming and costumes were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers".[6] It has also been suggested that the wearing of Halloween costumes developed from the custom of souling, which was practised by Christians in parts of Western Europe from at least the 15th century.[10][11] At Allhallowtide, groups of poor people would go door-to-door, collecting soul cakes – either as representatives of the dead,[12] or in return for saying prayers for them.[13] One 19th century English writer said it "used to consist of parties of children, dressed up in fantastic costume, who went round to the farm houses and cottages, signing a song, and begging for cakes (spoken of as "Soal-cakes"), apples, money, or anything that the goodwives would give them".[14] The soulers typically asked for "mercy on all Christian souls for a soul cake".[15] The practice was mentioned by Shakespeare his play The Two Gentlemen of Verona (1593).[16][17] Christian minister Prince Sorie Conteh wrote on the wearing of costumes: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognised by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities".[18] In the Middle Ages, statues and relics of martyred saints were paraded through the streets at Allhallowtide. Some churches who could not afford these things had people dress as saints instead.[19][20] Some believers continue the practice of dressing as saints, biblical figures, and reformers in Halloween celebrations today.[21] Many Christians in continental Europe, especially in France, believed that on Halloween "the dead of the churchyards rose for one wild, hideous carnival," known as the danse macabre, which has often been depicted in church decoration.[22] An article published by Christianity Today claimed the danse macabre was enacted at village pageants and at court masques, with people "dressing up as corpses from various strata of society", and suggested this was the origin of Halloween costume parties.[23][24]
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