In this Batsuit, the fins on the sides of Batman's gauntlets are now retractable and are capable of firing outwards as projectiles. The chest emblem is smaller than the original, and separated in half across the pectorals. Furthermore, this suit also has a built-in retractable 'memory cloth' cape that can be stored in compartments behind the shoulder blades. Though this function was only ever used once when scaled a vantage point in China.
The Post-Crisis version of the bodysuit is not constructed from simple fabric but from Kevlar thread and carbon nanotube fibers. This imparts it with a unique sheen and makes it heavily resistant to tearing. In addition, the suit also is constructed with a full body electric shock delivery system, which is also layered into the suit's fabric. The basic version of the Batsuit is insulated against electricity and is mildly fire resistant. Batman utilizes many different body armor designs, some of which are constructed into his Batsuits, and others which are separate. In its most basic version, the suit is bulletproof around the upper torso and back and can withstand a point-blank range blast from a 12-gauge shotgun. Other versions are entirely bulletproof to small arms fire and have advanced flexible armor plating made from Carbon composites and lightweight metal polymers.

^ Although she is listed with the supervillains as she sometimes is depicted in certain portrayals. The Black Cat is more regarded as a anti-heroine than fully supervillain. A character that struggles in between deciding good and bad...and the major femme fatale romantic interest for Spider-Man. Her key role of deciding between crime and having complicated relationships of Spider-Man makes her sometimes labeled as part with the rest of the major rogues gallery of Spider-Man. Nonetheless she has been a staple supporting Spider-Man character during her debut.[1]
Spider-Man crashed into the lake, got tangled in his parachute underwater, and nearly drowned. Iron Man retrieved him with a remotely controlled armor, and explained that he installed a tracker into Parker's suit, allowing Stark to observe Parker. Parker explained the situation to him, but Stark urged Parker to forget the Vulture and let more experienced people handle the Vulture's activity.[2]
His rescue attempt caught local authorities' attention. Spider-Man tried to explain the situation to them, but they threatened to shoot him if he did not leave the monument. Despite the threats, Spider-Man ignored them and broke into the monument, barely catching the elevator and its occupants — his schoolmates and Roger Harrington — with a ricochet web.[2]

Jump up ^ Jack Kirby in "Shop Talk: Jack Kirby", Will Eisner's Spirit Magazine #39 (February 1982): "Spider-Man was discussed between Joe Simon and myself. It was the last thing Joe and I had discussed. We had a strip called 'The Silver Spider.' The Silver Spider was going into a magazine called Black Magic. Black Magic folded with Crestwood (Simon & Kirby's 1950s comics company) and we were left with the script. I believe I said this could become a thing called Spider-Man, see, a superhero character. I had a lot of faith in the superhero character that they could be brought back... and I said Spider-Man would be a fine character to start with. But Joe had already moved on. So the idea was already there when I talked to Stan".
But none of that excuses the Yale activists who’ve bullied these particular faculty in recent days. They’re behaving more like Reddit parodies of “social-justice warriors” than coherent activists, and I suspect they will look back on their behavior with chagrin. The purpose of writing about their missteps now is not to condemn these students. Their young lives are tremendously impressive by any reasonable measure. They are unfortunate to live in an era in which the normal mistakes of youth are unusually visible. To keep the focus where it belongs I won’t be naming any of them here.
In Bhutan there is a traditional national dress prescribed for men and women, including the monarchy. These have been in vogue for thousands of years and have developed into a distinctive dress style. The dress worn by men is known as Gho which is a robe worn up to knee-length and is fastened at the waist by a band called the Kera. The front part of the dress which is formed like a pouch, in olden days was used to hold baskets of food and short dagger, but now it is used to keep cell phone, purse and the betel nut called Doma. The dress worn by women consist of three pieces known as Kira, Tego and Wonju. The long dress which extends up to the ankle is Kira. The jacket worn above this is Tego which is provided with Wonju, the inner jacket. However, while visiting the Dzong or monastery a long scarf or stoll, called Kabney is worn by men across the shoulder, in colours appropriate to their ranks. Women also wear scarfs or stolls called Rachus, made of raw silk with embroidery, over their shoulder but not indicative of their rank.[6]
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Spider-Man also has incredible durability to blunt trauma as his body is much tougher than that of a normal person. He can withstand such levels of damage and punishment that would kill non-super powered individuals. For example he has frequently taken blows from characters with high levels of superhuman strength (Hulk, Venom, Rhino, Puma, Green Goblin etc) without sustaining significant injury. He has also survived the force of having a building collapse on him multiple times. This durability extends to falling from great heights. For example, he was once knocked through three buildings by Mr Negative before falling multiple stories to the ground, yet still remained conscious. His durability to blunt trauma also extends to explosive forces, and he has taken explosions with the force of a hand grenade and recovered nearly instantly in a recent fight with the Juggernaut. In the Sins Past Storyline he tanked a building destroying explosion, but was significantly weakened afterwards. The toughness of Spider-Man is such that he often rolls with the blows of punches thrown by non-powered foes to avoid injuring them- when he once decided to tense his abdominal muscles against the blows of a trained boxer, the boxer broke his wrists. Scorpion once described Spider-Man's body "as being as hard as concrete".
Author and Ditko scholar Blake Bell writes that it was Ditko who noted the similarities to the Fly. Ditko recalled that "Stan called Jack about the Fly", adding that "[d]ays later, Stan told me I would be penciling the story panel breakdowns from Stan's synopsis". It was at this point that the nature of the strip changed. "Out went the magic ring, adult Spider-Man and whatever legend ideas that Spider-Man story would have contained". Lee gave Ditko the premise of a teenager bitten by a spider and developing powers, a premise Ditko would expand upon to the point he became what Bell describes as "the first work for hire artist of his generation to create and control the narrative arc of his series". On the issue of the initial creation, Ditko states, "I still don't know whose idea was Spider-Man".[26] Kirby noted in a 1971 interview that it was Ditko who "got Spider-Man to roll, and the thing caught on because of what he did".[27] Lee, while claiming credit for the initial idea, has acknowledged Ditko's role, stating, "If Steve wants to be called co-creator, I think he deserves [it]".[28] He has further commented that Ditko's costume design was key to the character's success; since the costume completely covers Spider-Man's body, people of all races could visualize themselves inside the costume and thus more easily identify with the character.[17]

This version of Spider-Man appeared in a 4 issue miniseries (Feb-May 2009). He exists in the Great Depression Era of New York in the 1930s. Aunt May is a speaker of equality and spends time standing on a soap box shouting her beliefs. Uncle Ben was killed by a crime syndicate run by Norman Osborn, aka The Goblin. Shortly afterward, Peter is bitten by a strange spider and endowed with mystical spider-powers. Though he has a wall-crawling ability, he has increased agility, strength, a form of spider-sense, and can spray nets of webbing from his hand. He then dons a black mask, gloves, and a trenchcoat and sets out to stop Norman and his gang!
In an alternate future Spider-Man is a old man who got paralyzed from a LMD(Life Model Decoy) Deadpool doppelganger and lives in a retirement home with a old man Deadpool. Unknown to Spider-Man, Oldpool was giving his blood to Peter so he wouldn't die. In a battle between LMD Deadpools, Oldpool uses a time machine and mistakenly switches places with the mainstream Deadpool. After they got to the main timeline they are reunited with the main Spider-Man and Oldpool. Then after stoping Master Matrix (the LMD master created from Peter's parents), Old Man Peter and Oldpool fade away to their timeline.
^ Another character commonly described as an archenemy is Venom. Eddie Brock as Venom is commonly described as the mirror version or the evil version of Spider-Man in many ways.[90][132][140] Venom's goals is usually depicted as trying to ruin Spider-Man's life and mess with Spider-Man's head when it comes to targeting enemies.[135] Venom is cited as being one of the most popular Spider-Man villains.[147] This popularity has led him to be an established iconic character of his own with own comic book stories.[132][148]
'What if Spider-Man Had Kept His Six Arms?' explores what would have happened if Morbius was eaten by sharks and never made it to Connors Lab with a cure. Ultimately the arm mutation is irreversible, but it proves an advantage and he defeats most of his villains easily. Spider-Man even becomes a spokesman for the physically challenged, and inspires all to rise to their true potential. This Spider-Man appears in Spider-Verse and is killed by Daemos.[citation needed]
Jump up ^ Manning, Matthew K.; Gilbert, Laura, ed. (2012). "1960s". Spider-Man Chronicle Celebrating 50 Years of Web-Slinging. Dorling Kindersley. p. 29. ISBN 978-0756692360. While he wouldn't have the same staying power as many other Stan Lee/Steve Ditko creations, the Crime Master gave villainy a good shot in this first half of a two-part Spider-Man adventure.
Samhain/Calan Gaeaf marked the end of the harvest season and beginning of winter or the 'darker half' of the year.[43][44] Like Beltane/Calan Mai, it was seen as a liminal time, when the boundary between this world and the Otherworld thinned. This meant the Aos Sí (/iːsˈʃiː/ eess-SHEE), the 'spirits' or 'fairies', could more easily come into this world and were particularly active.[45][46] Most scholars see the Aos Sí as "degraded versions of ancient gods [...] whose power remained active in the people's minds even after they had been officially replaced by later religious beliefs".[47] The Aos Sí were both respected and feared, with individuals often invoking the protection of God when approaching their dwellings.[48][49] At Samhain, it was believed that the Aos Sí needed to be propitiated to ensure that the people and their livestock survived the winter. Offerings of food and drink, or portions of the crops, were left outside for the Aos Sí.[50][51][52] The souls of the dead were also said to revisit their homes seeking hospitality.[53] Places were set at the dinner table and by the fire to welcome them.[54] The belief that the souls of the dead return home on one night of the year and must be appeased seems to have ancient origins and is found in many cultures throughout the world.[55] In 19th century Ireland, "candles would be lit and prayers formally offered for the souls of the dead. After this the eating, drinking, and games would begin".[56]
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