There also contain many other versions of Spider-Man outside of comic books. Some in film, in television or in video games among countless other media. Some characters have crossed over in the comic book canon as one of the separate incarnations such as the Ultimate Spider-Man animated series version and the live-action Japanese show version appearing in "Spider-Verse". Also, one of the alternate Spider-Men from the series final of the 90s TV Show appeared in Spider-Verse as a background character, and the two live-action versions from the original trilogy and Amazing Spider-Man series are mentioned.
The Marvel Zombies universe features a Spider-Man who has been turned into a flesh-eating zombie after being infected by Zombie Captain America. Although Spider-Man is just as ravenous as the other zombies when hungry, when he has eaten, Spider-Man is racked with guilt at what he has done, especially for having eaten Mary Jane and Aunt May, but unable to change his nature. At the conclusion of the original series, Spider-Man is one of the heroes who become The Galacti, having consumed the original Galactus and subsequently acquiring his cosmic powers.
Spider-Man is a fictional superhero created by writer-editor Stan Lee and writer-artist Steve Ditko. He first appeared in the anthology comic book Amazing Fantasy #15 (August 1962) in the Silver Age of Comic Books. He appears in American comic books published by Marvel Comics, as well as in a number of movies, television shows, and video game adaptations set in the Marvel Universe. In the stories, Spider-Man is the alias of Peter Parker, an orphan raised by his Aunt May and Uncle Ben in New York City after his parents Richard and Mary Parker were killed in a plane crash. Lee and Ditko had the character deal with the struggles of adolescence and financial issues, and accompanied him with many supporting characters, such as J. Jonah Jameson, Flash Thompson, Harry Osborn, romantic interests Gwen Stacy and Mary Jane Watson, and foes such as Doctor Octopus, Green Goblin and Venom. His origin story has him acquiring spider-related abilities after a bite from a radioactive spider; these include clinging to surfaces, shooting spider-webs from wrist-mounted devices, and detecting danger with his "spider-sense".
Captain Universe generally possesses superhuman strength, flight, Uni-Vision (microscopic vision, X-ray vision, and telescopic vision), telekinesis, enhanced senses, and a psychic awareness of imminent danger; when a person already possessing one or more of these abilities was transformed into Captain Universe, those abilities were amplified by vast amounts. Some manifestations of the Uni-Power have demonstrated other, less common abilities as well as failing to exhibit some of the more 'usual' powers, which vary in intensity with each wielder according to the strength and imagination of each. Captain Universe usually possesses the ability of molecular rearrangement of organic and inorganic matter, transmutation of elements, the ability to fire bursts of energy and concussive force, and hypnosis (using the Uni-Vision energy). Possessing its own sentience, the Uni-Power can and will abandon a host if necessary, or if said host uses or intends to use the granted abilities in a detrimental or criminal fashion.
Born to Richard and Mary Parker in Queens, New York, Peter Parker lost his parents at a very young age when their plane went down overseas while they were on a mission as government spies. He was raised by his aunt and uncle (May and Ben Parker) who, along with his teachers at Midtown High School, thought he had a bright future due to his affinity for science. However, Peter struggled with bullies and being teased for his introverted nature (sometimes referring to him as a "professional wallflower") and interest in science that pegged him as a teacher's pet.
One superpowered character was portrayed as an antiheroine, a rarity for its time: the Black Widow, a costumed emissary of Satan who killed evildoers in order to send them to Hell—debuted in Mystic Comics #4 (Aug. 1940), from Timely Comics, the 1940s predecessor of Marvel Comics. Most of the other female costumed crime-fighters during this era lacked superpowers. Notable characters include The Woman in Red, introduced in Standard Comics' Thrilling Comics #2 (March 1940); Lady Luck, debuting in the Sunday-newspaper comic-book insert The Spirit Section June 2, 1940; the comedic character Red Tornado, debuting in All-American Comics #20 (Nov 1940); Miss Fury, debuting in the eponymous comic strip by female cartoonist Tarpé Mills on April 6, 1941; the Phantom Lady, introduced in Quality Comics Police Comics #1 (Aug. 1941); the Black Cat, introduced in Harvey Comics' Pocket Comics #1 (also Aug. 1941); and the Black Canary, introduced in Flash Comics #86 (Aug. 1947) as a supporting character. The most iconic comic book superheroine, who debuted during the Golden Age, is Wonder Woman. Modeled from the myth of the Amazons of Greek mythology, she was created by psychologist William Moulton Marston, with help and inspiration from his wife Elizabeth and their mutual lover Olive Byrne. Wonder Woman's first appearance was in All Star Comics #8 (Dec. 1941), published by All-American Publications, one of two companies that would merge to form DC Comics in 1944.
 Researchers conducted a survey for the National Retail Federation in the United States and found that 53.3 percent of consumers planned to buy a costume for Halloween 2005, spending $38.11 on average (up $10 from the year before). They were also expected to spend $4.96 billion in 2006, up significantly from just $3.3 billion the previous year. The troubled economy has caused many Americans to cut back on Halloween spending. In 2009, the National Retail Federation anticipated that American households would decrease Halloween spending by as much as 15% to $56.31. In 2013, Americans spent an estimated $6.9 billion to celebrate Halloween, including a predicted $2.6 billion on costumes (with more spent on adult costumes than for children's costumes) and $330 million on pet costumes. In 2017 it was estimated that Americans would spend $9.1 billion on Halloween merchandise with $3.4 billion of that being on spend on Halloween costumes.