That's where we come in. We can help you to look like almost any kind of superhero you want to be. If you have a particular favorite character, chances are we have a costume for him/her. We have officially licensed costumes for most of the major DC and Marvel Comics characters. Plus, we have independent or spoof characters such as Ace & Gary, Kick-Ass, Duffman, Hellboy and the Watchmen.
As Nick Fury and Tony Stark analyze Mysterio's equipment, Fury notes that he is allowing this Peter so much leeway as a way to make up for his failure to protect the Peter he knew. Peter attempts to explain himself to Gwen and May, but it takes Miles arriving to back up his story and convincing them that he is not an impostor or out to play a sick joke on them. Talking with Gwen and Miles in his attic, Peter confirms that Gwen exists in his world without mentioning that her counterpart is dead and also mentions his relationship with Mary Jane, while he in turn is shocked to hear that his counterpart dated Kitty Pryde, although Miles is left curious whether he has a counterpart in Peter's world. As Fury arrives to pick Peter up, Peter sees Mary Jane watching him in the street, but she runs away before he can talk to her. Returning to the Helicarrier, Peter learns that Stark is having trouble determining how he can identify Peter's world of origin amid the multitude of alternate universes in existence. With Miles' help, the Ultimates determine the location of Mysterio's headquarters based on the energy generated by his equipment, prompting the heroes led by Peter to suit up and head for the base.
In 2008, Art Asylum/Diamond Select Toys released their 24th set of Marvel Minimates figures which included Captain Universe/Cosmic Spider-Man. The figure came bundled in a two-pack with a Venom figure. It featured a removable mask and the face of a very determined-looking and angry Peter Parker with a non-removable reused hairpiece from Set 18's "Black Unmasked Spidey" figure.
The Yale student appears to believe that creating an intellectual space and a home are at odds with one another. But the entire model of a residential college is premised on the notion that it’s worthwhile for students to reside in a campus home infused with intellectualism, even though creating it requires lavishing extraordinary resources on youngsters who are already among the world’s most advantaged. It is no accident that masters are drawn from the ranks of the faculty.
When night falls in South Park, Cartman takes up the call and dons the Coon costume. This fearless crime fighter is the only one who can sort through the trash can of society. As the founder of Coon and Friends, the Coon is the mastermind behind the greatest superhero franchise of all time and will stop at nothing to see it realized. Thinks Eric Cartman is handsome and cool.
From at least the 16th century, the festival included mumming and guising, which involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food. It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them. It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune". F. Marian McNeill suggests the ancient pagan festival included people wearing masks or costumes to represent the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire. In parts of southern Ireland, a man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune. In 19th century Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed. In parts of Wales, men went about dressed as fearsome beings called gwrachod, while in some places, young people cross-dressed. Elsewhere in Europe, mumming and costumes were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers". It has also been suggested that the wearing of Halloween costumes developed from the custom of souling, which was practised by Christians in parts of Western Europe from at least the 15th century. At Allhallowtide, groups of poor people would go door-to-door, collecting soul cakes – either as representatives of the dead, or in return for saying prayers for them. One 19th century English writer said it "used to consist of parties of children, dressed up in fantastic costume, who went round to the farm houses and cottages, signing a song, and begging for cakes (spoken of as "Soal-cakes"), apples, money, or anything that the goodwives would give them". The soulers typically asked for "mercy on all Christian souls for a soul cake". The practice was mentioned by Shakespeare his play The Two Gentlemen of Verona (1593). Christian minister Prince Sorie Conteh wrote on the wearing of costumes: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognised by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities". In the Middle Ages, statues and relics of martyred saints were paraded through the streets at Allhallowtide. Some churches who could not afford these things had people dress as saints instead. Some believers continue the practice of dressing as saints, biblical figures, and reformers in Halloween celebrations today. Many Christians in continental Europe, especially in France, believed that on Halloween "the dead of the churchyards rose for one wild, hideous carnival," known as the danse macabre, which has often been depicted in church decoration. An article published by Christianity Today claimed the danse macabre was enacted at village pageants and at court masques, with people "dressing up as corpses from various strata of society", and suggested this was the origin of Halloween costume parties.