Jump up ^ Marvel Characters, Inc.; DC Comics; United States Patent and Trademark Office (November 16, 2004). "Trademark Status & Document Retrieval". United States Patent and Trademark Office. Retrieved October 30, 2013. US Serial Number: 78356610 [...] Standard Character Claim: Yes. The mark consists of standard characters without claim to any particular font style, size, or color.
^ Jump up to: a b c d e f Manning, Matthew K.; Gilbert, Laura, ed. (2012). "1970s". Spider-Man Chronicle Celebrating 50 Years of Web-Slinging. Dorling Kindersley. p. 72. ISBN 978-0756692360. Writer Gerry Conway and artist Ross Andru introduced two major new characters to Spider-Man's world and the Marvel Universe in this self-contained issue. Not only would the vigilante known as the Punisher go on to be one of the most important and iconic Marvel creations of the 1970s, but his instigator, the Jackal, would become the next big threat in Spider-Man's life.
If you're a gym rat and you've got the six pack to show it, then we ALL know there's only one costume for you—a Greek Spartan warrior! You could be just like King Leonidas in The 300 and vanquish your opponents on the battlefield...or even defeat them on the dance floor if you know a move or two. And it won't matter if you're looking for admiration from goddesses, kings and queens, or your fellow warriors. Because when you're dressed in this costume, you're not going to be leaving a whole lot to the imagination!
“Springing unheralded out of working-class Jewish immigrant neighborhoods in the depths of the Depression, these young men transformed an odd mix of geekdom, science fiction, and outsider yearnings into blue-eyed, chisel-nosed crime-fighters and adventurers who quickly captured the mainstream imagination. Within a few years their inventions were being read by 90% of American children and had spawned a new genre in movies, radio and TV that still dominates youth entertainment seventy years later.”
Jump up ^ "Here's to the Soulcakers going about their mysterious mummery". The Telegraph. Archived from the original on 3 April 2013. Retrieved 6 November 2012. One that has grown over the past decade is the so-called Night of Light, on All Hallows' Eve, October 31. It was invented in 2000, in leafy Chertsey, Surrey, when perhaps 1,000 people took part. Now it is a worldwide movement, popular in Africa and the United States.
As a former preschool teacher... it is hard for me to give credence to a claim that there is something objectionably “appropriative” about a blonde haired child’s wanting to be Mulan for a day. Pretend play is the foundation of most cognitive tasks, and it seems to me that we want to be in the business of encouraging the exercise of imagination, not constraining it.
Jump up ^ Claremont, Chris; David,, Peter (2014). Wolverine Epic Collection: Madripoor Nights. ISBN 0785189033. Issue #309 will culimate the Mary Jane storyline. I am introducing a new duo of bad guys called Styx and Stones. Styx is a mastermind who loves death, adores death, and he's got these plans to bring death in all of its wonderful forms. Stones is his partner who actually carries out these things.
Watching footage of that meeting, a fundamental disagreement is revealed between professor and undergrads. Christakis believes that he has an obligation to listen to the views of the students, to reflect upon them, and to either respond that he is persuaded or to articulate why he has a different view. Put another way, he believes that one respects students by engaging them in earnest dialogue. But many of the students believe that his responsibility is to hear their demands for an apology and to issue it. They see anything short of a confession of wrongdoing as unacceptable. In their view, one respects students by validating their subjective feelings.
When Classi reaches the back door of Buca de Faggoncini to hide, a mobster kills Captain Diabetes, who is only revived by a sudden "glitch" in time initiated by the New Kid. Calling in backup, they are joined by their allies in fighting the chefs of the restaurant, soon discovering a room full of cats in cat carriers and another group of mobsters, who are only taken out by Red Wine Drunk Randy Marsh, desperately looking for his keys. As Randy is defeated, Coon and Friends manages to capture Classi.
Two years later, during his final battle against the Green Goblin, rather than survive unscathed, Peter loses a leg to his arch-enemy and Osborn is killed.[volume & issue needed] Peter finally realizes the price he has paid for being Spider-Man, and ends his career to raise a family with Mary Jane and May. Over the years, he overcomes his physical handicap and ultimately joins the NYPD in a scientific capacity. However, after saving him from an insane Normie Osborn, his daughter May "Mayday" Parker begins a career as Spider-Girl behind his back, a decision Peter begrudgingly is forced to accept and deal with, made difficult by his love for May.[volume & issue needed]
Robert Downey, Jr., Josh Brolin, Mark Ruffalo, Tom Hiddleston, Chris Hemsworth, Chris Evans, Chris Pratt, Elizabeth Olsen, Zoe Saldana, Karen Gillan, Sebastian Stan, Benedict Cumberbatch, Benedict Wong, Tom Holland, Paul Bettany, Vin Diesel, Terry Notary, Dave Bautista, Bradley Cooper, Sean Gunn, Pom Klementieff, Benicio del Toro, Anthony Mackie, Scarlett Johansson, Chadwick Boseman, Danai Gurira, Don Cheadle, Tom Vaughan-Lawlor, Letitia Wright, Winston Duke, Cobie Smulders, Gwyneth Paltrow , Ethan Dizon, Tiffany Espensen, Jacob Batalon, Isabella Amara, Florence Kasumba, Terry Notary, Carrie Coon, Michael James Shaw, Peter Dinklage, Idris Elba, William Hurt, Samuel L. Jackson, Kerry Condon, Ross Marquand, Stan Lee, Stephen McFeely
The Spider-Girl comic book series, originally published under the MC2 imprint, features May "Mayday" Parker, Peter's daughter in an alternative continuity. This timeline diverged from regular continuity when Peter and Mary Jane's daughter is returned to them by Kaine. In Spider-Girl, Peter has been retired from crime fighting since his final battle with the Green Goblin, which cost him a leg. Peter has settled down to family life and works for the New York City Police Department as a forensic scientist. His teen daughter May follows in his footsteps against his wishes, but Peter eventually helps her train for her calling. Peter appears in costume several times in Spider-Girl, either to restrain and protect May, or to assist her. Peter is among the superheroes kidnapped by Loki in the spin-off Last Hero Standing.[volume & issue needed]
After Octavius tries to retrieve some of Parker’s memories in an attempt to solve a revirbium related problem, Peter's consciousness begins to re-emerge, having somehow escaped the mind-purge. When Otto is possessed by the Venom Symbiote and is unable to free himself of it, Peter's consciousness again emerges and breaks the Symbiote's hold over Dr. Octopus, enabling Flash Thompson to call it back to him.
The cowl's basic design has remained unchanged; however, it has been frequently updated to advance Batman's crusade. The one aspect of the cowl that does undergo variations is the ears, although the length and pointiness of the ears are supposedly primarily due to the style of the artist drawing Batman, and tends not to be tied to the functionality of the cowl in any way. However, artist, Karl Kerchl has drawn Batman's costume vault showing that he has a wide selection of cowls with ears of different lengths (Adventures of Superman #643).
In the X-Men Forever universe after the X-Men have faked their deaths, Spider-Man runs into Rogue during a patrol, Rogue having recently unintentionally absorbed Nightcrawler's powers and appearance. Testing her new powers, Rogue spends the night fighting crime alongside Spider-Man, later suggesting that the two kiss to see how her recent transformation has affected her original abilities. After Spider-Man assists the X-Men in destroying a group of Sentinels, the X-Men return to the manor, Cyclops concluding that Spider-Man can be trusted to keep the secret of their continued survival.
There’s a related question that has some bearing on the answer to the above question: what is a superhero? There have probably been books (or at least extensive Usenet threads) written on this topic, but a good baseline definition needs to acknowledge both the “super” and the “hero” parts. That is, the person needs to have some superhuman power or powers and has to fight the bad guys. But this basic definition is flawed. Superman is an alien, not human. Batman doesn’t have any super powers…he’s a self-made superhero like Syndrome in The Incredibles. Or can a superhero be anyone (human or no) that fights bad guys and is superior to normal heroes…the cream of the hero crop? And what about a costume or alter ego…are they essential for superheroism? These are all questions well-suited for asking the internet, so have at it: what’s a good definition for a superhero?
Born to Richard and Mary Parker in Queens, New York, Peter Parker lost his parents at a very young age when their plane went down overseas while they were on a mission as government spies. He was raised by his aunt and uncle (May and Ben Parker) who, along with his teachers at Midtown High School, thought he had a bright future due to his affinity for science. However, Peter struggled with bullies and being teased for his introverted nature (sometimes referring to him as a "professional wallflower") and interest in science that pegged him as a teacher's pet.
As with Spider-Man, the villains' powers originate with scientific accidents or the misuse of scientific technology and also tend to have animal-themed costumes or powers (Vulture, Doctor Octopus, Beetle, Lizard, Rhino, Scorpion, Jackal and Black Cat). There also are supervillains with the powers over the elements (Sandman, Shocker, Electro, Molten Man and Hydro-Man), some that are horror-themed (the Goblins, Morbius, Morlun, and the Symbiotes) some that are crime lords (Kingpin, Tinkerer, Tombstone, Hammerhead, Silvermane and Mister Negative), and some that are masters of trickery (Chameleon and Mysterio). These villains oftentimes form teams such as the Sinister Six to oppose the superhero.
Trick-or-treating is a customary celebration for children on Halloween. Children go in costume from house to house, asking for treats such as candy or sometimes money, with the question, "Trick or treat?" The word "trick" implies a "threat" to perform mischief on the homeowners or their property if no treat is given. The practice is said to have roots in the medieval practice of mumming, which is closely related to souling. John Pymm writes that "many of the feast days associated with the presentation of mumming plays were celebrated by the Christian Church." These feast days included All Hallows' Eve, Christmas, Twelfth Night and Shrove Tuesday. Mumming practiced in Germany, Scandinavia and other parts of Europe, involved masked persons in fancy dress who "paraded the streets and entered houses to dance or play dice in silence".
Cosplay, a word of Japanese origin that in English is short for "costume play", is a performance art in which participants wear costumes and accessories to represent a specific character or idea that is usually always identified with a unique name (as opposed to a generic word). These costume wearers often interact to create a subculture centered on role play, so they can be seen most often in play groups, or at a gathering or convention. A significant number of these costumes are homemade and unique, and depend on the character, idea, or object the costume wearer is attempting to imitate or represent. The costumes themselves are often artistically judged to how well they represent the subject or object that the costume wearer is attempting to contrive.
Samhain/Calan Gaeaf marked the end of the harvest season and beginning of winter or the 'darker half' of the year. Like Beltane/Calan Mai, it was seen as a liminal time, when the boundary between this world and the Otherworld thinned. This meant the Aos Sí (/iːsˈʃiː/ eess-SHEE), the 'spirits' or 'fairies', could more easily come into this world and were particularly active. Most scholars see the Aos Sí as "degraded versions of ancient gods [...] whose power remained active in the people's minds even after they had been officially replaced by later religious beliefs". The Aos Sí were both respected and feared, with individuals often invoking the protection of God when approaching their dwellings. At Samhain, it was believed that the Aos Sí needed to be propitiated to ensure that the people and their livestock survived the winter. Offerings of food and drink, or portions of the crops, were left outside for the Aos Sí. The souls of the dead were also said to revisit their homes seeking hospitality. Places were set at the dinner table and by the fire to welcome them. The belief that the souls of the dead return home on one night of the year and must be appeased seems to have ancient origins and is found in many cultures throughout the world. In 19th century Ireland, "candles would be lit and prayers formally offered for the souls of the dead. After this the eating, drinking, and games would begin".