The cowl's basic design has remained unchanged; however, it has been frequently updated to advance Batman's crusade. The one aspect of the cowl that does undergo variations is the ears, although the length and pointiness of the ears are supposedly primarily due to the style of the artist drawing Batman, and tends not to be tied to the functionality of the cowl in any way. However, artist, Karl Kerchl has drawn Batman's costume vault showing that he has a wide selection of cowls with ears of different lengths (Adventures of Superman #643).
In a Manhattan warehouse, an innocent man has been murdered during a mysterious crime. Evidence points to the involvement of Venom-- the alien symbiote who is obsessed with Spider-Man's destruction. Yet Venom has always safeguarded innocent lives--- has he gone completely around the bend, or is there another suspect?Spider-Man thinks there is more to the crime than meets the eye. The spectre of the Hobgoblin, one of Spider-Man's nastiest villains, falls on a series of thefts, and leads the web-slinger to a deadly secret that may cause New York's destruction. Spider-Man must outsmart two of his most lethal foes to save the city-- but even more danger awaits him!
Originally, Peter Parker wore a homemade suit consisting of cheap red and blue clothing, particularly a blue longjohns under a red sleeveless hoodie with a black spider chest emblem, red fingerless gloves with black webbing designs on them, and black goggles to fight crime in New York City. He hid this suit from his aunt May in a loft above his room, which came down on a rope whenever someone opened it.
Someone was probably smoking spinach when they suggested that Popeye was the first superhero. As the “Men of Tomorrow” book makes clear, the precursors to Superman and Batman were Doc Savage and The Shadow, created in the Street and Smith pulp magazines of the early ’30s. It is interesting to note that DC Comics currently plans to return its universe to its early roots and purge all magical powers from their characters, leaving Wonder Woman in limbo it would seem.
It was a basic convention of comic books at the time of Batman's creation that black needed a highlight color (usually blue) in order to show detail and give the illusion of three-dimensionality. Over time, the initial blue highlight spread out over the previously black cape and cowl to become the dominant color. Thus artists renditions depict the costume as black and gray or blue and gray.
The Batsuit has been repeatedly updated in order to reflect advances in technology. Originally the costume contained no protective armor since the creative talent felt that it made Batman seem too powerful to see him shrug off bullet hits. However, the real world advent of various forms of personal protective materials like Kevlar and the realization that being shot while wearing such protection still should be avoided, has led to the costume being re-imagined with varying forms of bulletproof protection which employs the aforementioned use of the suit's chest symbol to lure shots at the armor's strongest point. Despite the armor, Batman almost always evades gunfire and is very rarely actually shot. After recovering from his spinal cord injury (the result of Bane's attack), Batman reinforced the armor with a material to dampen shocks and impact, along with a spinal brace, to protect himself from such abuse.

Three former hosts of the Uni-Power—Susan Storm-Richards, Spider-Man and X-23—are all contacted by the Enigma Force once again when the Whirldemon King, a powerful entity once defeated by the time-traveling Prince Wayfinder of Ithaca and creator of the Enigma Force itself, escapes imprisonment. When X-23 sacrifices herself to save Valeria Richards from possession by the King the Uni-Power bonds with her a second time. While trapped in the Whirldemons' prison dimension, a connection is explicitly made between a starry apparition that enabled Laura to throw off the influence of a demon attempting to coerce her into serving it,[20] when the star-shaped mark left on Laura's palm after that encounter is recognized by the Whirldemon King as associated with the Enigma Force. Laura then uses the Uni-Power to wound the Whirldemon King and seal him back in his prison dimension, before returning her to earth. During these events the Enigma Force tells Laura that she has been designated the future heir to its power.[21]


“Springing unheralded out of working-class Jewish immigrant neighborhoods in the depths of the Depression, these young men transformed an odd mix of geekdom, science fiction, and outsider yearnings into blue-eyed, chisel-nosed crime-fighters and adventurers who quickly captured the mainstream imagination. Within a few years their inventions were being read by 90% of American children and had spawned a new genre in movies, radio and TV that still dominates youth entertainment seventy years later.”

Responding to the distress call they received earlier from the Asgardian ship, the Guardians of the Galaxy arrive only to discover that they are too late to stop Thanos, but are in time to save Thor who they find floating around in the ship's debris. After confirming with Thor about his altercation with Thanos, the heroes realize that if Thanos' goal is to assemble the Infinity Stones then he will eventually head to Knowhere in order to retrieve the Reality Stone which is currently in the Collector's possession. To stop Thanos from acquiring the Reality Stone; Thor, Rocket and Groot leave for Nidavellir to find the dwarf blacksmith Eitri, so that he might create a battle-axe capable of killing Thanos while Star-Lord, Gamora, Drax and Mantis go to Knowhere to protect the Reality Stone from Thanos till the others return with the axe. Unfortunately, by the time the guardians arrive at Knowhere, Thanos has already retrieved the Reality Stone from the Collector. The guardians try to take the stone back from Thanos, but are quickly defeated. Knowing that his adoptive daughter Gamora knows where the Soul Stone is, Thanos kidnaps her following his fight with her fellow guardians and trys to coerce her into revealing its location. When Gamora refuses Thanos threatens to torture her captive adoptive sister Nebula as punishment. Not wanting her sister to suffer, Gamora submits to Thanos' demands and reveals that the Soul Stone is located on the planet Vormir. Taking Gamora with him to the planet Vormir, Thanos discovers that the stone is guarded by the Red Skull who reveals that the stone can only be retrieved by someone who is willing to sacrifice someone they love. In response to this, Thanos reluctantly kills Gamora, earning him the stone.


It was a basic convention of comic books at the time of Batman's creation that black needed a highlight color (usually blue) in order to show detail and give the illusion of three-dimensionality. Over time, the initial blue highlight spread out over the previously black cape and cowl to become the dominant color. Thus artists renditions depict the costume as black and gray or blue and gray.

Jump up ^ Moser, Stefan (29 October 2010). "Kein 'Trick or Treat' bei Salzburgs Kelten" (in German). Salzburger Nachrichten. Archived from the original on 17 March 2014. Retrieved 11 August 2017. Die Kelten haben gar nichts mit Halloween zu tun", entkräftet Stefan Moser, Direktor des Keltenmuseums Hallein, einen weit verbreiteten Mythos. Moser sieht die Ursprünge von Halloween insgesamt in einem christlichen Brauch, nicht in einem keltischen.


Angered at Spider-Man ruining his plans again, Mysterio activates a robotic avatar and sends it after Peter. Back in the new universe, Peter fights with the other Spider-Man, but his superior experience and training is outmaneuvered by the other Spider-Man's new powers, culminating in Peter being knocked out when the other Spider-Man, Miles Morales uses his venom sting on a web that Peter had just created. Waking up in a cell, Peter meets this world's Nick Fury and explains his theory that he is from another universe, which Fury accepts as nobody would come up with something that ridiculous as a lie. Fury sends Peter away with Miles to explain this world's history to him. But just as Peter asks Miles if his counterpart is dead in this world, they are attacked by Mysterio's avatar.[4]
All seemed to go well again until Mary-Jane, whom had started acting again, was threatened by a stalker. It started with phone-calls, but when Mary-Jane took a plane, it exploded in mid-air and seemingly killed Mary-Jane. Peter, firstly stricken with grief, did not believe she had died. He knew it must have had something to do with the stalker, and Peter started a crusade to find out the truth. This brought him to Latveria and in a fight against the Hulk among others. Eventually, Peter learned that it was indeed the stalker that had faked Mary-Jane's death and had held her captive during it all. The stalker was a mutant that absorbed all of Peter's memories when he was saved by him during one of Spider-man's fights on the streets of New York. The Stalker needed Mary-Jan for himself because of it and he felled he knew her. Spider-man managed to save Mary-Jane and defeat the Stalker. Mary-Jane however was traumatized by the experience and needed time of from her life as the wife of a superhero. The two parted ways for some time.
In the face of hateful personal attacks like that, Nicholas Christakis listened and gave restrained, civil responses. He later magnanimously tweeted, “No one, especially no students exercising right to speech, should be judged just on basis of short video clip.” (He is right.) And he invited students who still disagreed with him, and with his wife, to continue the conversation at a brunch to be hosted in their campus home.
Jump up ^ Detroit Free Press interview with Stan Lee, quoted in The Steve Ditko Reader by Greg Theakston (Pure Imagination, Brooklyn, NY; ISBN 1-56685-011-8), p. 12 (unnumbered). "He gave me 1,000 reasons why Spider-Man would never work. Nobody likes spiders; it sounds too much like Superman; and how could a teenager be a superhero? Then I told him I wanted the character to be a very human guy, someone who makes mistakes, who worries, who gets acne, has trouble with his girlfriend, things like that. [Goodman replied,] 'He's a hero! He's not an average man!' I said, 'No, we make him an average man who happens to have super powers, that's what will make him good.' He told me I was crazy".

The custom of guising at Halloween in North America is first recorded in 1911, where a newspaper in Kingston, Ontario reported children going "guising" around the neighborhood.[25] In 19th century America, Halloween was often celebrated with costume parades and "licentious revelries".[26] However, efforts were made to "domesticate" the festival to conform with Victorian era morality. Halloween was made into a private rather than public holiday, celebrations involving liquor and sensuality de-emphasized, and only children were expected to celebrate the festival.[27] Early Halloween costumes emphasized the gothic nature of Halloween, and were aimed primarily at children. Costumes were also made at home, or using items (such as make-up) which could be purchased and utilized to create a costume. But in the 1930s, A.S. Fishbach, Ben Cooper, Inc., and other firms began mass-producing Halloween costumes for sale in stores as trick-or-treating became popular in North America. Halloween costumes are often designed to imitate supernatural and scary beings. Costumes are traditionally those of monsters such as vampires, werewolves, zombies, ghosts,[28] skeletons, witches, goblins, trolls, devils, etc. or in more recent years such science fiction-inspired characters as aliens and superheroes. There are also costumes of pop culture figures like presidents, athletes, celebrities, or characters in film, television, literature, etc. Another popular trend is for women (and in some cases, men) to use Halloween as an excuse to wear sexy or revealing costumes, showing off more skin than would be socially acceptable otherwise.[29] Young girls also often dress as entirely non-scary characters at Halloween, including princesses, fairies, angels, cute animals and flowers.
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