Spider-Man: Reign depicts an older Spider-Man in the future who, having given up on crime-fighting, is driven back into action by the return of some of his old enemies, exposing a conspiracy by Venom to take control of the city with a mass of symbiotes. The character is later killed by Daemos with his head smashed on Mary Jane Watson's tombstone in Spider-Verse.
Spider-Man Noir or just Spider-Man (Peter Parker) is a fictional character, a superhero appearing in American comic books published by Marvel Comics. This alternate version of Spider-Man is a darker take on Spider-Man and the mythos is set in 1933 – during the Great Depression and is a part of the Marvel Noir universe. An inexperienced but idealistic apprentice of a respected yet troubled reporter, Peter Parker is accidentally bitten by an illegally imported and highly-venomous spider, while secretly investigating a smuggling ring of ancient spider statues. Instead of killing him, the bite gave him super-human abilities, similar to that of a spider. Taking advantage of his new abilities, Parker begins to wage a one-man war against the criminal underworld in New York City as a brutal and feared vigilante, known as the "Spider-Man", partly to avenge the deaths of his uncle Ben Parker and his mentor: Ben Urich, at the hands of the city's major crime lord: Norman Osborn.
When meek Peter Parker was bitten during a radioactive spider during a science demonstration, he found he had gained super-human abilities. Peter first began to use his powers to gain fame and fortune as Spider-Man, but after his beloved uncle was killed by a criminal he could have caught earlier in the day, Peter realized his great power came with great responsibility to help others. From that day Spider-Man eschewed fame and fortune in favor of using his powers to help others and fight evil.
From at least the 16th century, the festival included mumming and guising, which involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food. It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them. It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune". F. Marian McNeill suggests the ancient pagan festival included people wearing masks or costumes to represent the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire. In parts of southern Ireland, a man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune. In 19th century Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed. In parts of Wales, men went about dressed as fearsome beings called gwrachod, while in some places, young people cross-dressed. Elsewhere in Europe, mumming and costumes were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers". It has also been suggested that the wearing of Halloween costumes developed from the custom of souling, which was practised by Christians in parts of Western Europe from at least the 15th century. At Allhallowtide, groups of poor people would go door-to-door, collecting soul cakes – either as representatives of the dead, or in return for saying prayers for them. One 19th century English writer said it "used to consist of parties of children, dressed up in fantastic costume, who went round to the farm houses and cottages, signing a song, and begging for cakes (spoken of as "Soal-cakes"), apples, money, or anything that the goodwives would give them". The soulers typically asked for "mercy on all Christian souls for a soul cake". The practice was mentioned by Shakespeare his play The Two Gentlemen of Verona (1593). Christian minister Prince Sorie Conteh wrote on the wearing of costumes: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognised by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities". In the Middle Ages, statues and relics of martyred saints were paraded through the streets at Allhallowtide. Some churches who could not afford these things had people dress as saints instead. Some believers continue the practice of dressing as saints, biblical figures, and reformers in Halloween celebrations today. Many Christians in continental Europe, especially in France, believed that on Halloween "the dead of the churchyards rose for one wild, hideous carnival," known as the danse macabre, which has often been depicted in church decoration. An article published by Christianity Today claimed the danse macabre was enacted at village pageants and at court masques, with people "dressing up as corpses from various strata of society", and suggested this was the origin of Halloween costume parties.