While I don’t know explicitly where the idea comes from, it seems to me that there are a few interesting threads that could be looked at. First, many of the original superhero creators were immigrants or children of immigrants — Americans but not quite like other Americans. Much has been made of the “Jewishness” of Superman — an immigrant from an Old World whose geeky, mild-mannered, weakling exterior hides his inner superiority to everyone around him, who even chose an American name to hide his secret foreign-sounding one. A second thread is the rise of teen culture in the US, and the development of the gender gap as the necessity for greater and greater independence became a factor in child-rearing. FInally, I think it bears looking at the problems of urban living which, at the beginning of the 20th century, had become the main environment for most Americans. Especially important in this connection is the anonymity afforded by urban living and the alientation — call it the Walter Mitty effect — leading people to desperately wish for a way to prove themselves worthy and *noticable*.
The Dude. His Dudeness. El Duderino if you're not into the whole brevity thing. Whatever you want to call him, well, now you can be him when you go in one of our authentic The Big Lebowski costumes for men! Officially licensed by Paramount Pictures, we have exclusive designs that you're only going to find right here at HalloweenCostumes.com. A classic men's Halloween choice, when you go in this bathrobe costume, you're sure to feel like a much laid back individual. Just make sure you know how to whip up a killer White Russian!
Jump up ^ Hörandner, Editha (2005). Halloween in der Steiermark und anderswo (in German). LIT Verlag Münster. pp. 8, 12, 30. ISBN 9783825888893. Der Wunsch nach einer Tradition, deren Anfänge sich in grauer Vorzeit verlieren, ist bei Dachleuten wie laien gleichmäßig verbreitet. ... Abgesehen von Irrtümern wie die Herleitung des Fests in ungebrochener Tradition ("seit 2000 Jahren") ist eine mangelnde vertrautheit mit der heimischen Folklore festzustellen. Allerheiligen war lange vor der Halloween invasion ein wichtiger Brauchtermin und ist das ncoh heute. ... So wie viele heimische Bräuche generell als fruchtbarkeitsbringend und dämonenaustreibend interpretiert werden, was trottz aller Aufklärungsarbeit nicht auszurotten ist, begegnet uns Halloween als ...heidnisches Fest. Aber es wird nicht als solches inszeniert.
A folk costume (also regional costume, national costume, or traditional garment) expresses an identity through costume, which is usually associated with a geographic area or a period of time in history. It can also indicate social, marital or religious status. If the costume is used to represent the culture or identity of a specific ethnic group, it is usually known as ethnic costume (also ethnic dress, ethnic wear, ethnic clothing, traditional ethnic wear or traditional ethnic garment). Such costumes often come in two forms: one for everyday occasions, the other for traditional festivals and formal wear.
In 1982, Parker Brothers published the first Spider-Man game for the Atari 2600 titled Spider-Man. The game involves climbing a sky scraper, rescuing hostages and defusing bombs set by the Green Goblin. The 1990's saw a flood of Spider-Man Video Games. The first game of the decade released was The Amazing Spider-Man, a puzzle action game released for Amiga, PC:DOS, Commodore 64, and Atari ST. Another game, also titled The Amazing Spider-Man was released in 1990 for the Game Boy. The Game Boy titles spawned two sequels: The Amazing Spider-Man 2 and The Amazing Spider-Man 3: Invasion of the Spider-Slayers.
In 2010, a stage musical entitled Spider-Man: Turn Off the Dark opened on Broadway, with music by Bono and the edge and writing by Julie Taymor. The musical was wrought with problems from the very beginning, with multiple injuries happening to actors on the set, and a total cost of 75 million dollars for the production. After opening for previews, the show received many terrible reviews, and was temporarily shut down for rewrites.
When Marvel wanted to issue a story dealing with the immediate aftermath of the September 11 attacks, the company chose the December 2001 issue of The Amazing Spider-Man. In 2006, Spider-Man garnered major media coverage with the revelation of the character's secret identity, an event detailed in a full page story in the New York Post before the issue containing the story was even released.
Many new openly gay, lesbian and bisexual characters have since emerged in superhero fiction, such as Gen¹³'s Rainmaker, Apollo and Midnighter of The Authority, and Wiccan and Hulkling of the Young Avengers. Notable transgender or gender bending characters are fewer in number by comparison: the alter ego of superheroine Zsazsa Zaturnnah, a seminal character in Philippine popular culture, is an effeminate gay man who transforms into a female superhuman after ingesting a magical stone. Desire from Neil Gaiman's The Sandman series and Xavin from the Runaways are both characters who could (and often) change their gender at will. Alysia Yeoh, a supporting character created by writer Gail Simone for the Batgirl ongoing series published by DC Comics, received substantial media attention in 2011 for being the first major transgender character written in a contemporary context in a mainstream American comic book.
Today's Halloween customs are thought to have been influenced by folk customs and beliefs from the Celtic-speaking countries, some of which are believed to have pagan roots. Jack Santino, a folklorist, writes that "there was throughout Ireland an uneasy truce existing between customs and beliefs associated with Christianity and those associated with religions that were Irish before Christianity arrived". Historian Nicholas Rogers, exploring the origins of Halloween, notes that while "some folklorists have detected its origins in the Roman feast of Pomona, the goddess of fruits and seeds, or in the festival of the dead called Parentalia, it is more typically linked to the Celtic festival of Samhain, which comes from the Old Irish for 'summer's end'."
At some unknown point Captain Universe (Gabriel Vargas) is arrested by the Kree Government for accidentally attacking a group of Kree who were killing people who he thought were innocents but were actually sympathetic to the genocidal actions of the Annihilation Wave. For months he was studied by the Kree who, despite their highly advanced technology, could not learn much about the Uni-Power other than that the suit given to all users is actually a molecular shell and not spandex as was previously believed. Eventually Gabriel is released from prison and put into a highly aggressive session of training by the Kree Military as he and several other prisoners prepare for a mission that will halt the Phalanx's technophage virus from spreading further. Gabriel lost the Uni-Power after finding a cure for a Phalanx airborne virus, and joined Starlord in battling the Phalanx. He was subsequently killed by the Phalanx select Blastaar during an attack on the Phalanx Babel Spire.
Spider-Man possesses the uncanny speed, agility and reflexes of a spider. He can move at a speed that surpasses that of the finest human athletes. This is particularly evident over short distances. He has frequently speed-blitzed many foes- including those with enhanced speed and reflexes, moving so fast that he leaves blurring after images. He has been described as moving with the speed of machine gun fire, moving faster than the eye can follow, and moved so fast that Daredevil (who has enhanced reflexes and senses) could barely register him, and was unable react to a punch he was knew Spider-Man was going to land. Over longer distances, his speed seems less pronounced, but he was still able to outrun Kraven and his cheetahs (both of whom can run at over 60 mph) and has easily outran speeding cars. However, this could be due to his preference of Web-Slinging over longer distances than due to an inability to maintain higher levels of speed over longer distances. Spider-Man can easily perform the most complicated acrobatic moves as his body is extremely flexible, giving him agility, balance and bodily coordination that surpass those of the finest human athletes. Spider-Man is considered the best when it comes to balance in the Marvel Universe, as he possesses excellent equilibrium allowing him to balance himself on any object. Even some of the most agile street-level heroes like Captain America, Daredevil and Wolverine are nowhere near Spider-Man's level of speed and agility. Spider-Man's reflexes are forty times greater than peak level humans, and when combined with his Spider-Sense, speed and agility, enable him to dodge bullets and other conventional projectiles with ease. During the Grim Hunt storyline, he even dodged sniper rifle fire at point blank range- after the bullet had been fired.
"Costume" often refers to a particular style of clothing worn to portray the wearer as a character or type of character at a social event in a theatrical performance on the stage or in film or television. In combination with other aspects of stagecraft, theatrical costumes can help actors portray characters' and their contexts as well as communicate information about the historical period/era, geographic location and time of day, season or weather of the theatrical performance. Some stylized theatrical costumes, such as Harlequin and Pantaloon in the Commedia dell'arte, exaggerate an aspect of a character.
The first human Captain Universe was an astronaut named Captain Ray Coffin. He battled Baron Karza and sealed the Prometheus Pit between the Microverse and Earth. Years later, the Uni-Power would possess his son Steve Coffin to battle Mister E and his shadow slaves. It next possessed identical twins Ann Stafford and Clare Dodgson to capture Nemesis, and then possessed small-time cat burglar Monty Walsh to stop mafia don Guido Carboni. It then possessed Doctor Strange and Commander Arcturus Rann to reinforce the space-wall between the Microverse and the Macroverse. It then possessed Bruce Banner for the first time, to defuse a nuclear missile, and wound up battling Banner's own alter ego, the Hulk. Captain Universe was then next among the heroes summoned by the Grandmaster for the Contest of Champions. The Captain Universe power next possessed Delayne Masters to defeat schoolyard bullies. It then possessed Evan Swann to stop the Quantum Mechanic from destroying the Earth.
Black Widow a.k.a. Natasha Romanova: During a HYDRA attempt to take over S.H.I.E.L.D., she is tortured to such an extent that she regresses back to an old cover identity of schoolteacher Nancy Rushman, but she is recovered by Spider-Man in time to help Nick Fury and Shang-Chi work out what had happened and restore her memory, with "Nancy" developing an attraction to Spider-Man before her memory is restored during the final fight against Madam Viper, Boomerang and the Silver Samurai.
His rescue attempt caught local authorities' attention. Spider-Man tried to explain the situation to them, but they threatened to shoot him if he did not leave the monument. Despite the threats, Spider-Man ignored them and broke into the monument, barely catching the elevator and its occupants — his schoolmates and Roger Harrington — with a ricochet web.
J. Jonah Jameson is depicted as the publisher of the Daily Bugle and is Peter Parker's boss and as a harsh critic of Spider-Man, always saying negative things about the superhero in the newspaper. Despite his role as Jameson's publishing editor and confidant Robbie Robertson is always depicted as a supporter of both Peter Parker and Spider-Man.
From at least the 16th century, the festival included mumming and guising in Ireland, Scotland, the Isle of Man and Wales. This involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food. It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf, similar to the custom of souling (see below). Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them. It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune". In parts of southern Ireland, the guisers included a hobby horse. A man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune. In Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed. F. Marian McNeill suggests the ancient festival included people in costume representing the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire. In parts of Wales, men went about dressed as fearsome beings called gwrachod. In the late 19th and early 20th century, young people in Glamorgan and Orkney cross-dressed.