In 2012, the 50th anniversary of Spider-Man and 10 years since the first Spider-Man movie, a reboot of the Spider-Man movie franchise was launched. The Amazing Spider-Man saw then-unknown British actor Andrew Garfield step into the role, with a supporting cast that included Emma Stone as Gwen Stacy, Rhys Ifans as Curst Connors/The Lizard, Dennis Leary as Captain George Stacy, Sally Field as Aunt May and Martin Sheen as Uncle Ben. Directed by Marc Webb, the film was the first Spider-Man movie to be filmed in 3D, and featured a new, heavily modified costume design that proved to be highly controversial among the fans.

^ Jump up to: a b c d e f Manning, Matthew K.; Gilbert, Laura, ed. (2012). "1970s". Spider-Man Chronicle Celebrating 50 Years of Web-Slinging. Dorling Kindersley. p. 72. ISBN 978-0756692360. Writer Gerry Conway and artist Ross Andru introduced two major new characters to Spider-Man's world and the Marvel Universe in this self-contained issue. Not only would the vigilante known as the Punisher go on to be one of the most important and iconic Marvel creations of the 1970s, but his instigator, the Jackal, would become the next big threat in Spider-Man's life.
The Iron Spider armor appears in the Ultimate Spider-Man animated series. It is initially used by Peter Parker in the episodes "Flight of the Iron Spider", "The Iron Octopus" and "Venom Bomb". Subsequent seasons depict the armor in the hands of Amadeus Cho under the Iron Spider mantle. Additionally the episode "Rampaging Rhino" features a variant Iron Spider Hulkbuster created by Curt Connors at the time when the Hulk fights with the Rhino.
With world-altering research to support, graduates who assume positions of extraordinary power, and a $24.9 billion endowment to marshal for better or worse, Yale administrators face huge opportunity costs as they parcel out their days. Many hours must be spent looking after undergraduates, who experience problems as serious as clinical depression, substance abuse, eating disorders, and sexual assault. Administrators also help others, who struggle with financial stress or being the first in their families to attend college.
Work it, brother! We all know the reputation that Halloween costumes for women have, but sometimes, guys just want to feel sexy too! And we most definitely have costumes that will let you show off your man assets, whether you're a total beefcake...or even if you just want to be sexy in your own way. Whatever your intentions, check out these styles for some of our most popular costumes for men that will let you show off your sex appeal!
Black Widow a.k.a. Natasha Romanova: During a HYDRA attempt to take over S.H.I.E.L.D., she is tortured to such an extent that she regresses back to an old cover identity of schoolteacher Nancy Rushman, but she is recovered by Spider-Man in time to help Nick Fury and Shang-Chi work out what had happened and restore her memory, with "Nancy" developing an attraction to Spider-Man before her memory is restored during the final fight against Madam Viper, Boomerang and the Silver Samurai.
J. Jonah Jameson is depicted as the publisher of the Daily Bugle and is Peter Parker's boss and as a harsh critic of Spider-Man, always saying negative things about the superhero in the newspaper. Despite his role as Jameson's publishing editor and confidant Robbie Robertson is always depicted as a supporter of both Peter Parker and Spider-Man.[47]
Jump up ^ Hörandner, Editha (2005). Halloween in der Steiermark und anderswo. LIT Verlag Münster. p. 99. ISBN 9783825888893. On the other hand the postmodern phenomenon of "antifashion" is also to be found in some Halloween costumes. Black and orange are a 'must' with many costumes. Halloween - like the medieval danse macabre - is closely connected with superstitions and it might be a way of dealing with death in a playful way.
Designated as Earth 30847, not much of this Spider-Man is different from traditional itterations, except for the fact that the universe is shared by Capcom characters. This universe does not have a concrete lore, but the main plot of Marvel Vs. Capcom does feature Spider-Man contributing to the battle against Ultron Sigma, a fusion of Ultron and Sigma from the Mega Man X series.
In the Clone Saga, a controversial story arc, the long lost Jackal-made copy of Peter Parker returns. For years he was believed to have died after his initial encounter with the real Peter Parker. The clone, who is now calling himself Ben Reilly spent years traveling the world as he knew there was no place for him in New York City again. When his aunt May was believed to be dying, Ben returned to New York and eventually met Peter Parker. At first the two fought and Peter saw Ben as a thread, but later on the two of them worked together, with Ben even taken over as Spider-man for some time when it was believed that Peter had lost his powers. It was also during this time that aunt May seemingly died of old age. Before she passed away, she told Peter that she had known about him being Spider-man for some time now. Years later, it would be revealed that it was not aunt May that had died, but a stand in that was the work of Norman Osborn. Peter remained out of super-heroin for some time, untill his powers seemingly returned and he and the Scarlet Spider fought side by side for some time. The story arc lasted for two years and ended with the death of Ben Reilly at the hands of a returning Norman Osborn who was revealed to be alive and has been pulling strings from the moment he was believed to have died. On that day, Peter felt to have lost a brother. Although Norman Osborn was defeated, it was far from the last thing that was heard from him. With his powers fully returned, Peter resumed his work as the Amazing Spider-Man once again.
This series debuted September 12, 1981 and ended on September 11, 1982. This was the second animated production of Spider-Man after its original series that started in 1967. This series was produced by the newly formed Marvel Productions, having risen from the ashes of DePatie-Freleng Enterprises. The company that had produced the 1978 New Fantastic Four and 1979 Spider-Woman animated series. This version's character design would be later used for the series Spider-Man And His Amazing Friends series and would have some of the same people play as the same characters. The character designs for the series were based on the classic style of Spider-Man artist John Romita and were very similar to the visual look of the comics from the mid 60s to the early 80s. This series tells the life of Peter Parker a
In 1957 Japan, Shintoho produced the first film serial featuring the superhero character Super Giant, signaling a shift in Japanese popular culture towards tokusatsu masked superheroes over kaiju giant monsters. Along with Astro Boy, the Super Giant serials had a profound effect on Japanese television. 1958 saw the debut of superhero Moonlight Mask on Japanese television. It was the first of numerous televised superhero dramas that would make up the tokusatsu superhero genre.[27]
Planet of the Symbiotes (1995) Spider-Man: Chapter One (1998) Spider-Man: Blue (2002) Spider-Man/Black Cat: The Evil that Men Do (2002) Trouble (2003) Venom vs. Carnage (2004) Spider-Man: House of M (2005) Spider-Man and the Fantastic Four (2007) Spider-Man: With Great Power (2008) Astonishing Spider-Man & Wolverine (2010) Spider-Man and the X-Men (2014)

As part of the Avengers, Spider-Man traveled to Latveria to investigate Doctor Doom's apparent attack on the neighboring country, Symkaria. Upon arrival, he and his fellow heroes found a dome-shaped structure emitting radiation and broke into it. Inside the building, they came under attack from automated laser turrets, and while Spider-Man was busy webbing them up and cracking jokes, he was suddenly electrocuted into submission and kidnapped by Runabout. When he regained consciousness, he found himself strapped to a table by a giant robot named Megatron, who explained that the hero was about to help him and his Decepticons conquer the world. Man and Machine, Part One Megatron began extracting Spider-Man's radioactive blood, refining it into a powerful energon isotope that he used to supercharge his troops. All Spidey could do was lay there and weakly taunt him. Man and Machine, Part Two


Het kolossale glazen gebouw is vanaf Amsterdam Sloterdijk nauwelijks te missen. In de interactieve aankomsthal waar een fors touch-beeldscherm de ruimte vult en waar klanten het KPN Experience Lab kunnen betreden, worden we opgewacht door Jorn Vriend (product owner MijnKPN). Het telecombedrijf lanceerde in mei een vernieuwde Mijn-omgeving. De pilot had een ‘op maat gemaakt selfservicekanaal’ als doel. Voldoende aanleiding dus om dit keer niet de klantenserviceafdeling, maar het technologische hart van KPN een bezoek te brengen. Vol enthousiasme en bevlogenheid leidt hij ons rond over de afdeling, waar we een voetbalveld, een Playstation en surfborden aantreffen.

From at least the 16th century,[5] the festival included mumming and guising,[6] which involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food.[6] It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them.[7] It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune".[8] F. Marian McNeill suggests the ancient pagan festival included people wearing masks or costumes to represent the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire.[5] In parts of southern Ireland, a man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune.[9] In 19th century Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed.[6] In parts of Wales, men went about dressed as fearsome beings called gwrachod,[6] while in some places, young people cross-dressed.[6] Elsewhere in Europe, mumming and costumes were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers".[6] It has also been suggested that the wearing of Halloween costumes developed from the custom of souling, which was practised by Christians in parts of Western Europe from at least the 15th century.[10][11] At Allhallowtide, groups of poor people would go door-to-door, collecting soul cakes – either as representatives of the dead,[12] or in return for saying prayers for them.[13] One 19th century English writer said it "used to consist of parties of children, dressed up in fantastic costume, who went round to the farm houses and cottages, signing a song, and begging for cakes (spoken of as "Soal-cakes"), apples, money, or anything that the goodwives would give them".[14] The soulers typically asked for "mercy on all Christian souls for a soul cake".[15] The practice was mentioned by Shakespeare his play The Two Gentlemen of Verona (1593).[16][17] Christian minister Prince Sorie Conteh wrote on the wearing of costumes: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognised by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities".[18] In the Middle Ages, statues and relics of martyred saints were paraded through the streets at Allhallowtide. Some churches who could not afford these things had people dress as saints instead.[19][20] Some believers continue the practice of dressing as saints, biblical figures, and reformers in Halloween celebrations today.[21] Many Christians in continental Europe, especially in France, believed that on Halloween "the dead of the churchyards rose for one wild, hideous carnival," known as the danse macabre, which has often been depicted in church decoration.[22] An article published by Christianity Today claimed the danse macabre was enacted at village pageants and at court masques, with people "dressing up as corpses from various strata of society", and suggested this was the origin of Halloween costume parties.[23][24]
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