As Nick Fury and Tony Stark analyze Mysterio's equipment, Fury notes that he is allowing this Peter so much leeway as a way to make up for his failure to protect the Peter he knew. Peter attempts to explain himself to Gwen and May, but it takes Miles arriving to back up his story and convincing them that he is not an impostor or out to play a sick joke on them. Talking with Gwen and Miles in his attic, Peter confirms that Gwen exists in his world without mentioning that her counterpart is dead and also mentions his relationship with Mary Jane, while he in turn is shocked to hear that his counterpart dated Kitty Pryde, although Miles is left curious whether he has a counterpart in Peter's world. As Fury arrives to pick Peter up, Peter sees Mary Jane watching him in the street, but she runs away before he can talk to her. Returning to the Helicarrier, Peter learns that Stark is having trouble determining how he can identify Peter's world of origin amid the multitude of alternate universes in existence. With Miles' help, the Ultimates determine the location of Mysterio's headquarters based on the energy generated by his equipment, prompting the heroes led by Peter to suit up and head for the base.[6]

A Broadway musical, Spider-Man: Turn Off the Dark, began previews on November 14, 2010, at the Foxwoods Theatre on Broadway, with the official opening night on June 14, 2011.[199][200] The music and lyrics were written by Bono and The Edge of the rock group U2, with a book by Julie Taymor, Glen Berger, Roberto Aguirre-Sacasa.[201] Turn Off the Dark is currently the most expensive musical in Broadway history, costing an estimated $70 million.[202] In addition, the show's unusually high running costs are reported to have been about $1.2 million per week.[203]
While I don’t know explicitly where the idea comes from, it seems to me that there are a few interesting threads that could be looked at. First, many of the original superhero creators were immigrants or children of immigrants — Americans but not quite like other Americans. Much has been made of the “Jewishness” of Superman — an immigrant from an Old World whose geeky, mild-mannered, weakling exterior hides his inner superiority to everyone around him, who even chose an American name to hide his secret foreign-sounding one. A second thread is the rise of teen culture in the US, and the development of the gender gap as the necessity for greater and greater independence became a factor in child-rearing. FInally, I think it bears looking at the problems of urban living which, at the beginning of the 20th century, had become the main environment for most Americans. Especially important in this connection is the anonymity afforded by urban living and the alientation — call it the Walter Mitty effect — leading people to desperately wish for a way to prove themselves worthy and *noticable*.

** "Weak" enemies are enemies with less than 20 defense, 40 damage and up to 5  of loot. These will be mostly pre hardmode enemies. When playing in expert mode all enemies are much stronger and therefore these conditions limit the amount of enemies that can drop the Bloody Machete and Bladed Glove to just a couple, especially during hardmode. See the table below for clarication.
A Broadway musical, Spider-Man: Turn Off the Dark, began previews on November 14, 2010, at the Foxwoods Theatre on Broadway, with the official opening night on June 14, 2011.[199][200] The music and lyrics were written by Bono and The Edge of the rock group U2, with a book by Julie Taymor, Glen Berger, Roberto Aguirre-Sacasa.[201] Turn Off the Dark is currently the most expensive musical in Broadway history, costing an estimated $70 million.[202] In addition, the show's unusually high running costs are reported to have been about $1.2 million per week.[203]

Similar to a grappling hook, the line launching gun uses a strong clamp attached to a high-tensil wire for scaling surfaces and/or traversing gaps. It can be recovered by releasing the clamp and rewinding the cable. It was based from one that is designed as compact climbing gear for commando units. It is propelled with compressed air, and works with a magnetic grappling iron. The thin climbing cable was tested on a load-carrying capacity of 350 lbs. The line can be attached to a reel in the buckle in the utility harness, but this was only used to escape after being defeated by the Scarecow in The Narrows.
Jump up ^ Skelly, Tim. "Interview II: 'I created an army of characters, and now my connection to them is lost.'" (Initially broadcast over WNUR-FM on "The Great Electric Bird", May 14, 1971. Transcribed and published in The Nostalgia Journal #27.) Reprinted in The Comics Journal Library Volume One: Jack Kirby, George, Milo ed. May 2002, Fantagraphics Books. p. 16

The film was a hit at the box office, and as a result, The Amazing Spider-Man 2 was released in 2014. The film featured the return of most of the original cast, as well as new faces like Jamie Foxx as Max Dillon/Electro, Dane DeHaan as Harry Osborn/Green Goblin and Paul Giamatti as Aleksei Sytsevich/The Rhino. While the movie was a modest financial success, it was heavily panned by critics and made less at the box office than its predecessor. Despite plans for a third movie and a host of spin-offs (including a solo Venom movie, a female-led team movie featuring characters like Silver Sable, Black Cat, Spider-Gwen, Stunner and Lightbrght, and a Sinister Six movie) , the decision was made to discontinue the franchise.
i agree with steve, in that the first superhero i could think of was gilgamesh. i think what jason is stuck on here is the first comic book hero - not just a character who uses superhuman powers for good, but one whose tales were published in modern drawning. if it wasn’t just drawn, but told through modern media that defines a superhero for jason, wouldn’t the shadow preceed mandrake in his radio drama?
A close friend of Peter's, Jean DeWolff was killed by a criminal called the Sin-Eater. Spider-Man became determined to capture him before anyone else was hurt and so he teamed up with Daredevil, who also held a grudge against the criminal. After an encounter with Sin-Eater that left an innocent bystander harmed, Peter was drawn closer to the dark side. After saving Betty Brant from the criminal, Spider-Man was tempted to kill him but was stopped by Daredevil. The two heroes captured and unmasked the criminal and in the process formed a bond of friendship and trust between each other.
^ Jump up to: a b c d Manning, Matthew K.; Gilbert, Laura, ed. (2012). "1970s". Spider-Man Chronicle Celebrating 50 Years of Web-Slinging. Dorling Kindersley. p. 72. ISBN 978-0756692360. Writer Gerry Conway and artist Ross Andru introduced two major new characters to Spider-Man's world and the Marvel Universe in this self-contained issue. Not only would the vigilante known as the Punisher go on to be one of the most important and iconic Marvel creations of the 1970s, but his instigator, the Jackal, would become the next big threat in Spider-Man's life.
A few months after Spider-Man's introduction, publisher Goodman reviewed the sales figures for that issue and was shocked to find it was one of the nascent Marvel's highest-selling comics.[29]:97 A solo ongoing series followed, beginning with The Amazing Spider-Man #1 (cover-dated March 1963). The title eventually became Marvel's top-selling series[9]:211 with the character swiftly becoming a cultural icon; a 1965 Esquire poll of college campuses found that college students ranked Spider-Man and fellow Marvel hero the Hulk alongside Bob Dylan and Che Guevara as their favorite revolutionary icons. One interviewee selected Spider-Man because he was "beset by woes, money problems, and the question of existence. In short, he is one of us."[9]:223 Following Ditko's departure after issue #38 (July 1966), John Romita, Sr. replaced him as penciler and would draw the series for the next several years. In 1968, Romita would also draw the character's extra-length stories in the comics magazine The Spectacular Spider-Man, a proto-graphic novel designed to appeal to older readers. It only lasted for two issues, but it represented the first Spider-Man spin-off publication, aside from the original series' summer annuals that began in 1964.[30]

Spider-Man has the proportionate strength of a spider, thus allowing him to press 10 tons without effort and much more when under stress. His attacks are so strong; they could kill a normal person- Spider-Man has to pull his punches or kicks when not fighting foes with similar or higher strength levels to avoid fatalities. His strength also extends to his feet, allowing him to leap great lengths and attain a heights of much greater three stories with one powerful jump. Spidey's strength has made him capable of going toe-to-toe with opponents including Doctor Octopus, Venom and Rhino. He has even held his own against powerful heroes such as Iron Man and the Hulk. It's also shown that Spider-Man can break free from Doctor Octopus's nearly indestructible arms albeit with much effort, although this was due to the Sinister Six suit enhancing his strength. Spidey's strength and durability also give him incredible stamina allowing him to exert himself beyond the limits of humans as his body produces less fatigue toxins. He was able to fight Morlun continually for many hours, and has stated an ability to hold his breath for at least twice as long as non-enhanced humans. After his encounter with the Queen, Spider-Man's strength had been increased to the point where he has become able to lift over 15 tons without effort and after the Other story arc he was able to lift at least 20 tons without effort. During that time, he wore an Iron Spider costume designed for him by Tony Stark which increased his strength further allowing him to lift over 25 tons without effort. He has stopped wearing the Iron Spider costume after the Civil War and his enhanced strength was erased by Mephisto after the One More Day storyline. Spider-man's best strength feats tend to come during periods of emotional duress- for example in a fight with Iron Man 2020, where when a boy was injured mid fight, an enraged Spider-Man jumped up to his flying height and hit him with such force the foe was sent flying hundreds of feet into a building, which was destroyed on impact. Another instance was when he lifted a segment of the Daily Bugle, after the building was attacked by the Green Goblin. In both cases, he didn't have any enhancements from the Queen or the Other.


[32] Researchers conducted a survey for the National Retail Federation in the United States and found that 53.3 percent of consumers planned to buy a costume for Halloween 2005, spending $38.11 on average (up $10 from the year before). They were also expected to spend $4.96 billion in 2006, up significantly from just $3.3 billion the previous year.[33] The troubled economy has caused many Americans to cut back on Halloween spending. In 2009, the National Retail Federation anticipated that American households would decrease Halloween spending by as much as 15% to $56.31.[34] In 2013, Americans spent an estimated $6.9 billion to celebrate Halloween, including a predicted $2.6 billion on costumes (with more spent on adult costumes than for children's costumes) and $330 million on pet costumes.[35][36] In 2017 it was estimated that Americans would spend $9.1 billion on Halloween merchandise with $3.4 billion of that being on spend on Halloween costumes.[37]
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