In the animated show The Batman (2004–2008), the Batsuit resembles the Batman: The Animated Series suit, but has shorter ears on the cowl, has claws on the fingertips of the gloves, a slightly redesigned bat symbol with the yellow ellipse on his chest, a more high-tech computerized utility belt linking to the Batcave's computer system called the "Batwave," and a longer cape that, just like the Batman: TAS costume, sometimes behaves like a cloak, draped over the Batman's body. In the episode "Fleurs Du Mal," shown that the suit is linked to the Batwave, to monitor his physical and mental activities. Despite this regular default Batsuit, Batman uses some other variations of the Batsuit as well in the series to tackle certain situations and villains.
True playboys know that sex appeal goes way beyond physical appearance, and well, sometimes having a big bankroll and a mansion can help too! We can't get you started on the path towards being rich and famous, but we can give you the costume to let you be the ultimate philanderer—Hugh Hefner! This smoking jacket will turn you into the famed founder of Playboy magazine and the original lone resident of the Playboy mansion.
I wonder, and I am not trying to be provocative: Is there no room anymore for a child or young person to be a little bit obnoxious... a little bit inappropriate or provocative or, yes, offensive? American universities were once a safe space not only for maturation but also for a certain regressive, or even transgressive, experience; increasingly, it seems, they have become places of censure and prohibition. And the censure and prohibition come from above, not from yourselves! Are we all okay with this transfer of power? Have we lost faith in young people's capacity—in your capacity to exercise selfcensure, through social norming, and also in your capacity to ignore or reject things that trouble you?
SP//dr is a version of Spider-Man from Earth-14512. Her real identity is Peni Parker, a Japanese-American middle school student who was adopted by Aunt May and Uncle Ben following the death of her parents. She pilots a psychically-powered mech suit known as the SP//dr, which is partially controlled by a radioactive spider that also shares a psychic link with the pilot.
With help from the Invisible Woman and some of her husband's technology, Spider-Man kidnaps and imprisons Mac Gargan, (they ambushed him in an alleyway, caught him in an invisible force-field, all while Bullseye picks and eats a bogey) then poses as him to infiltrate Avengers Tower, donning a special suit made by Reed Richards, allowing him to appear as Mac Gargan with the Venom symbiote. Norman has revealed a nefarious plot to his Avengers involving his son Harry entitled "American Son". While alone, Spider-Man was ambushed by Daken, who claims that Peter smells too clean for Gargan. Daken attacks and uses his pheromones to shut down Peter's senses, however Peter focuses on his spider-sense alone, and eventually defeats Daken by throwing him into an electrical machine that electrocutes and knocks out Daken. However, Harry reveals Spider-Man's disguise in front of Osborn's Avengers,(even though Norman had known it all along, and only wanted to ensure he had his son's trust) and he was held captive and tortured by Bullseye. Identity intact thanks to his unstabilized mask, he escaped (subduing Norman and Bullseye in succession out of anger). Unfortunately Spider-Man was weakened by captivity, saved from Norman by a guilt-ridden and angry Harry, who now knew the truth about his father's relationship with Lily Hollister (Harry's girlfriend,) and began using the American Son Armor to beat up Norman. Peter watched the Osborns fight until Menace became involved, whom he incapacitated. With Harry victorious, Spider-Man convinced him not to kill Norman as it was exactly what the madman wanted.
The white areas in Spider-Mans eye cut-outs on his mask are really clever plastic lenses of the two-way mirror type. He can see out very clearly, but no one can see in. Therefore, he can never be recognized by the color of his eyes. These ingenious plastic lenses also protect his eyes from dust, dirt, and the glare of the sun. Spider-Man's colorful head-mask conceals his facial features and expressions and also effectively muffles his voice, making it unrecognizable. When using the Iron Spider-Man suit, it changed his voice in many ways. When Spider-Man became an Avenger, a special comm-link was outfitted into his mask allowing him to communicate with his fellow Avengers as well as others.
Not until 2000 would Spider-Man return in his own game. Spider-Man made his triumphant video game return in 2000, with not one, but two games, as a character in a fighting game and a special guest appearance that year. Spider-Man for the Game Boy Color was published by Activision and met with moderate success. Later that year Spider-Man, developed by NeverSoft, for the PlayStation was released. The game was met with critical and commercial success. The game was ported over to the Nintendo 64 the following year, but lacked the full motion cut scenes due the systems hardware. Spider-Man was also one of the playable character in the arcade game Marvel vs. Capcom 2: New Age of Heroes (which later was released on the Sega Dreamcast, Sony PlayStation 2, Xbox). In September of that year, Spider-Man made a special appearance in Tony Hawk's Pro Skater 2 as a hidden character. In 2001, sequels to the successful Activision titles were released. Spider-Man 2: Enter Electro for the PlayStation and Spider-Man 2: Sinister Six for the Gameboy Color. Spider-Man made an early appearance on Nintendo's new handheld system, the Gameboy Advance with Spider-Man: Mysterio's Menace. Spider-Man was also featured as a guest character in the fighting game X-Men: Mutant Academy 2.
The time between Spider-Man capturing the burglar that killed Uncle Ben and him becoming a superhero was told over 30 years after his origin when the Amazing Fantasy series was continued in 1995 by writer Kurt Busiek (#16-18, Dec. 1995 – Mar. 1996). After catching the burglar that killed Ben, Peter had given up being Spider-Man as it reminded him of his irresponsible behavior that ultimately led to his uncle’s death. Even though Maxie Shiffman, the agent he had hired when he was a costumed wrestler, was putting out ads to track down Spider-Man, Peter didn’t want anything to do with that life. Ben had been the only earner in the family and after his death Peter and his Aunt May were struggling for money. A salesman tried to con May into buying furniture that Ben had apparently left a deposit on before his death. Although the salesman had seemed genuine at the time, Peter caught Mr. Vale pulling the same stunt on an old widower when he was swinging through the city in his Spider-Man costume to clear his head. Spider-Man followed Mr. Vale to a warehouse where he discovered a whole gang of organized criminals led by The Undertaker. Spider-Man challenged the gang and soon had them rounded up for the police. Chronologically this was the first time Spider-Man had been threatened with a gun. More significantly, during the fight he discovered his Spider-Sense for the first time. Capturing these criminals lead Peter to believe that this is how he has to make up for Uncle Ben’s death, by using his powers to help others.
Author and Ditko scholar Blake Bell writes that it was Ditko who noted the similarities to the Fly. Ditko recalled that "Stan called Jack about the Fly", adding that "[d]ays later, Stan told me I would be penciling the story panel breakdowns from Stan's synopsis". It was at this point that the nature of the strip changed. "Out went the magic ring, adult Spider-Man and whatever legend ideas that Spider-Man story would have contained". Lee gave Ditko the premise of a teenager bitten by a spider and developing powers, a premise Ditko would expand upon to the point he became what Bell describes as "the first work for hire artist of his generation to create and control the narrative arc of his series". On the issue of the initial creation, Ditko states, "I still don't know whose idea was Spider-Man". Kirby noted in a 1971 interview that it was Ditko who "got Spider-Man to roll, and the thing caught on because of what he did". Lee, while claiming credit for the initial idea, has acknowledged Ditko's role, stating, "If Steve wants to be called co-creator, I think he deserves [it]". He has further commented that Ditko's costume design was key to the character's success; since the costume completely covers Spider-Man's body, people of all races could visualize themselves inside the costume and thus more easily identify with the character.