Set during Peter Parker's first year with powers, the series draws from multiple sources, including the modern comics (such as the Spider-Island storyline). Early on, Peter is accepted into Horizon High, an extremely prestigious scientific school run by Max Modell. He encounters several of his future foes in the school, and battles his familiar cast of villains like the Green Goblin, the Vulture, the Jackal and Doctor Octopus. He also meets and teams up with several members of the Avengers, such as Iron Man, Hulk and Black Widow.
When fighting Electro, Spidey had to modify his costume to defeat his foe. He once made a costume from a rubber air mattress that made victory over Electro possible. On another occasion, when Electro's powers were amplified, Spider-Man used an improved version of the insulated costume that was resistant to Electro's attacks. With the help of X-Man, Spider-Man once again defeated Electro.
Jump up ^ "Vigil of All Saints". Catholic News Agency. 31 October 2012. Archived from the original on 24 May 2013. Retrieved 1 November 2011. The Vigil is based on the monastic office of Vigils (or Matins), when the monks would arise in the middle of the night to pray. On major feast days, they would have an extended service of readings (scriptural, patristic, and from lives of the saints) in addition to chanting the psalms. This all would be done in the dark, of course, and was an opportunity to listen carefully to the Word of God as well as the words of the Church Fathers and great saints. The Vigil of All Saints is an adaptation of this ancient practice, using the canonical office of Compline at the end.
Encapsulation: Encapsulation is when attributes and methods are stored in a single class. The process of providing a public interface to interact with the object while hiding other information inside the object. Encapsulation means that the internal representation of an object is generally hidden from view outside of the object's definition.The main way that encapsulation helps reduce rippling effects of change is by keeping as many of the implementation details private to the class. By limiting the interface only to those members needed to use the class, many changes can be made to the implementation without affecting any code that uses the class. The class can be thought of as a 'capsule' or container for data and operations.
Regardless, Lee received Goodman's approval for the name Spider-Man and the "ordinary teen" concept and approached artist Jack Kirby. As comics historian Greg Theakston recounts, Kirby told Lee about an unpublished character on which he had collaborated with Joe Simon in the 1950s, in which an orphaned boy living with an old couple finds a magic ring that granted him superhuman powers. Lee and Kirby "immediately sat down for a story conference", Theakston writes, and Lee afterward directed Kirby to flesh out the character and draw some pages. Steve Ditko would be the inker.[note 3] When Kirby showed Lee the first six pages, Lee recalled, "I hated the way he was doing it! Not that he did it badly—it just wasn't the character I wanted; it was too heroic".:12 Lee turned to Ditko, who developed a visual style Lee found satisfactory. Ditko recalled:
In the Amalgam Comics continuity, Spider-Man was combined with DC's Superboy to create Spider-Boy. He was featured in Spider-Boy #1 (April 1996) and Spider-Boy Team-Up #1 (June 1997). In this continuity, Spider-Boy is the clone of researcher Peter Parker, created during an explosion in the Project Cadmus Labs. Adopted by Cadmus director General Thunderbolt Ross, he is given the name "Pete Ross". Spider-Boy's power is the ability to redirect his own personal gravity, giving him the ability to climb walls, and to increase his strength. He is able to shoot webs using a special "Web Gun" developed by Cadmus. Spider-Boy is an honorary member of the Legion of Galactic Guardians 2099 (an amalgamation of DC's Legion of Super-Heroes and Marvel's Guardians of the Galaxy plus the Marvel 2099 timeline). He is seen in the background during Spider-Verse to fight the Inheritors.
 Researchers conducted a survey for the National Retail Federation in the United States and found that 53.3 percent of consumers planned to buy a costume for Halloween 2005, spending $38.11 on average (up $10 from the year before). They were also expected to spend $4.96 billion in 2006, up significantly from just $3.3 billion the previous year. The troubled economy has caused many Americans to cut back on Halloween spending. In 2009, the National Retail Federation anticipated that American households would decrease Halloween spending by as much as 15% to $56.31. In 2013, Americans spent an estimated $6.9 billion to celebrate Halloween, including a predicted $2.6 billion on costumes (with more spent on adult costumes than for children's costumes) and $330 million on pet costumes. In 2017 it was estimated that Americans would spend $9.1 billion on Halloween merchandise with $3.4 billion of that being on spend on Halloween costumes.