Reed and Horizon finally develop a cure to the virus, based off of Anti-Venom's symbiotic abilities, able to kill the virus and reverse the mutation, turning the spiders into normal people again. However, the Spider-Queen sends Tarantula to poison the serum; Peter fights him off, and Reed and Horizon manage to give Peter back his spider sense. Peter, with his full power, defeats Tarantula and throws him into a pool of the serum. The serum cures Tarantula of his degeneration and even the Spider-Queen's mind control; the healthy Kaine offers to help Peter. Madame Web and Spider-Queen are both reconnected to the Web. Spider-Queen thus becomes a Spider-Goddess.
Spider-Man (1982) Questprobe Featuring Spider-Man Doctor Doom's Revenge The Amazing Spider-Man (Amiga) The Amazing Spider-Man (Game Boy) The Amazing Spider-Man vs. The Kingpin Spider-Man: The Video Game The Amazing Spider-Man 2 (1992) Return of the Sinister Six Arcade's Revenge Invasion of the Spider-Slayers Maximum Carnage Lethal Foes Separation Anxiety Spider-Man (1995) Web of Fire Spider-Man (2000) The Sinister Six Enter Electro Mysterio's Menace Spider-Man (2002) Spider-Man 2 Ultimate Spider-Man Battle for New York Spider-Man 3 Friend or Foe Web of Shadows Toxic City Total Mayhem Shattered Dimensions Edge of Time The Amazing Spider-Man (2012) The Amazing Spider-Man 2 (2014) Spider-Man Unlimited (2014) Spider-Man (2018)
In the intercompany crossovers with DC Comics, Spider-Man has worked alongside Superman twice, once to defeat Dr. Octopus and Lex Luthor and the other to stop Doctor Doom from providing the Parasite with long-term access to the power of the Hulk and Wonder Woman. He also worked alongside Batman to defeat Carnage and the Joker, the two later collaborating to defeat the Kingpin and Ra's al Ghul, with Fisk eventually aiding the heroes in the end.
In an early recollection of the character's creation, Ditko described his and Lee's contributions in a mail interview with Gary Martin published in Comic Fan #2 (Summer 1965): "Stan Lee thought the name up. I did costume, web gimmick on wrist & spider signal."[23] At the time, Ditko shared a Manhattan studio with noted fetish artist Eric Stanton, an art-school classmate who, in a 1988 interview with Theakston, recalled that although his contribution to Spider-Man was "almost nil", he and Ditko had "worked on storyboards together and I added a few ideas. But the whole thing was created by Steve on his own... I think I added the business about the webs coming out of his hands."[20]:14
Jump up ^ Marvel Characters, Inc.; DC Comics; United States Patent and Trademark Office (November 16, 2004). "Trademark Status & Document Retrieval". United States Patent and Trademark Office. Retrieved October 30, 2013. US Serial Number: 78356610 [...] Standard Character Claim: Yes. The mark consists of standard characters without claim to any particular font style, size, or color.
Jump up ^ Manning, Matthew K.; Gilbert, Laura, ed. (2012). "1960s". Spider-Man Chronicle Celebrating 50 Years of Web-Slinging. Dorling Kindersley. p. 29. ISBN 978-0756692360. While he wouldn't have the same staying power as many other Stan Lee/Steve Ditko creations, the Crime Master gave villainy a good shot in this first half of a two-part Spider-Man adventure.

By 1995, the suit was eventually modified, the cloak becoming a scalloped-edged cape and the gloves becoming gauntlets with three “fins” with claws embedded in the fingers for climbing. Famously drawn by the likes of Neal Adams and Jim Aparo, he eventually created a unique fire-retardant and chemical-resistant triple-weave Kevlar thread for the suit. The material had carbon nanotube fibers that imparted it with a unique sheen and made it heavily resistant to tearing. This material would go into the creation of all following bat-suits and other suits in the Bat Family. The most notable traits of this evolution were the incorporation of the yellow ellipse around the bat emblem as well as the capsule utility belt.
Though only a few classes are available to the player at the start of the game, a total of twelve classes can be unlocked altogether, and the player has the option of occasionally changing their class or eventually being able to dual-class or further. Abilities can be upgraded individually, allowing the player to establish a custom, one-of-a-kind hero unlike any other that fits their playing style.
Catwoman has no shame about her preferred choice of action, stealing and being a top notch catburglar are at the top of her list. But when the times call for a hero, she has no problem standing side-by-side with Batman to team up and defeat the baddies. When she’s on the prowl for precious jewels, though, is sure to be the most opportune time for a quick picture. Once she takes out the vital controls of the security system, she’ll have no problem slipping into the joint and lining her pockets with a little extra cash or whatever she can find in the safety deposit box. Have her show her claws for the picture, and she can smile or look serious—either way this picture is going to be one to remember!

While out web-swinging, Spider-Man sees a brilliant purple light from a distant warehouse, and investigates it to find Mysterio ranting about how he missed out on one chance to kill Spider-Man already. Although Spider-Man quickly defeats him and ties him up, when examining Mysterio's equipment, he is shot by Mysterio, causing him to fall through the rift created by the equipment. When he regains consciousness, he discovers that it is daylight. Although he interrupts a mugging, he is shocked and confused when the would-be victim informs him that, while he is grateful for the rescue, it might be disrespectful to be seen wearing Peter Parker's suit after his death. Swinging away to think about what he has just heard, Spider-Man runs into another Spider-Man on a rooftop.[3]
While the previous game featured a straightforward, traditional turn-based combat system akin to most fantasy role-playing games, this game has a new grid-based combat system that remains turn-based but is much more refined. The player can now move their characters every turn, as well as build larger parties of allies that can be in play at once, against larger groups of opponents. This system encourages strategy from player and opponent alike, as attacks now knock back, or even forward, characters, which can make them more or less susceptible to certain attacks. Movement on the grid opens up some attacks and closes others.
Knowing that Thanos will soon be coming for the Mind Stone, the remaining Avengers alongside Black Panther and Wakanda's military forces, prepare to defend Wakanda while Black Panther's sister Shuri works to extract the Mind Stone from Vision. Finding himself unable to transform into the Hulk after his last fight with Thanos, Bruce equips himself with Iron Man's newest Hulkbuster armor, so that he might fight alongside his friends. As Thanos invasion of Wakanda begins; Thor, Rocket, and Groot arrive to reinforce the Avengers. With the help of their newly arrived allies and Wakanda's military might, the Avengers are able to route Thanos' army and kill Proxima Midnight, Cull Obsidian, and Corvus Glaive. Unfortunately, while the Avengers were preoccupied fighting Thanos' children, Thanos was able to breach Wakanda's defenses and make his way to Shuri's lab where he encounters the Scarlet Witch who stayed behind to protect the Vision. Realizing there was no way she could defeat Thanos on her own or buy Shuri enough time to finish the extraction process, Scarlet Witch attempts to destroyed the stone while it is still inside the Vision, but is incapacitated by Thanos before she can finish. With the Scarlet Witch defeated, Thanos claims his the Mind Stone killing the Vision in the process.
“We are not asking to be coddled,” the open letter insists. “The real coddling is telling the privileged majority on campus that they do not have to engage with the brutal pasts that are a part of the costumes they seek to wear.” But no one asserted that students should not be questioned about offensive costumes––only that fellow Yale students, not meddling administrators, should do the questioning, conduct the conversations, and shape the norms for themselves.  “We simply ask that our existences not be invalidated on campus,” the letter says, catastrophizing.
Oh how nice it is to have the ladies of the Big Apple back for The Real Housewives of New York City season 10. Bethenny Frankel, Dorinda Medley, Carole Radziwill, Sonja Morgan, Tinsley Mortmier and Luann de Lesseps wasted no time getting into the drama at Dorinda's Halloween party. The drinks were orange, bubbly and flowing. The outfits were tight and the weaves were almost as big as the attitudes.
Reed and Druid travel into a portal left by Captain Universe's "death" only to find him alive and well within the body of Earth-616's Eternity. Captain Universe explains to the two superheroes of the creation of the Multi-Eternity that ensures a boundless multiverse. Afterwards Captain Universe vanishes without a trace while Reed and Druid return to their respective realities after a confrontation with Abraxas, the antithesis of Eternity and Galactus.
Karen: The suit has a built-in A.I. named Karen, similar to Tony Stark ’s F.R.I.D.A.Y., that informs Spider-Man on changing tactical situations and provides diagnostic reports. This feature was initially set to activate after Parker completed the Training Wheels Protocol, but Ned Leeds unlocked it with the rest of the suit's abilities. Karen records and stores data while the suit is in use through the Baby Monitor Protocol, allowing Spider-Man to access a personal database and review information he may have overlooked previously, or to research people or events he has previously encountered. Karen also provides suggestions and activates features autonomously, such as when she enabled the suit's 'Enhanced Reconnaissance Mode' when Parker needed help surveying a couple of criminals.
Hundreds of Yale students have now signed an open letter to Erika Christakis that is alarming in its own right, not least because it is so poorly reasoned. “Your email equates old traditions of using harmful stereotypes and tropes to further degrade marginalized people, to preschoolers playing make believe,” the letter inaccurately summarizes. “This both trivializes the harm done by these tropes and infantilizes the student body to which the request was made.” Up is down. The person saying that adult men and women should work Halloween out among themselves is accused of infantilizing them. “You fail to distinguish the difference between cosplaying fictional characters and misrepresenting actual groups of people,” the letter continues, though Erika Christakis specifically wrote in her Halloween email, “I suppose we could agree that there is a difference between fantasizing about an individual character vs. appropriating a culture, wholesale, the latter of which could be seen as (tacky)(offensive)(jejeune)(hurtful), take your pick.”
As students saw it, their pain ought to have been the decisive factor in determining the acceptability of the Halloween email. They thought their request for an apology ought to have been sufficient to secure one. Who taught them that it is righteous to pillory faculty for failing to validate their feelings, as if disagreement is tantamount to disrespect? Their mindset is anti-diversity, anti-pluralism, and anti-tolerance, a seeming data-point in favor of April Kelly-Woessner’s provocative argument that “young people today are less politically tolerant than their parents’ generation.”
In 1966, Marvel Comics introduced the Black Panther, an African monarch who became the first non-caricatured black superhero.[53] The first African-American superhero, the Falcon, followed in 1969, and three years later, Luke Cage, a self-styled "hero-for-hire", became the first black superhero to star in his own series. In 1989, the Monica Rambeau incarnation of Captain Marvel was the first female black superhero from a major publisher to get her own title in a special one-shot issue. In 1971, Red Wolf became the first Native American in the superheroic tradition to headline a series.[54] In 1973, Shang-Chi became the first prominent Asian superhero to star in an American comic book (Kato had been a secondary character of the Green Hornet media franchise series since its inception in the 1930s.[55]). Kitty Pryde, a member of the X-Men, was an openly Jewish superhero in mainstream American comic books as early as 1978.[56]
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“Springing unheralded out of working-class Jewish immigrant neighborhoods in the depths of the Depression, these young men transformed an odd mix of geekdom, science fiction, and outsider yearnings into blue-eyed, chisel-nosed crime-fighters and adventurers who quickly captured the mainstream imagination. Within a few years their inventions were being read by 90% of American children and had spawned a new genre in movies, radio and TV that still dominates youth entertainment seventy years later.”
Spider-Man is a fictional superhero in the Marvel Universe debuting in the anthology comic book series issue Amazing Fantasy #15 (August 1962) in the Silver Age of Comics published by Marvel Comics. After his debut he would get his own comic book entitled The Amazing Spider-Man. The comic book series would introduce many of what would become his major supervillain adversaries. Spider-Man would then be popular enough for more Spider-Man comic spinoffs (The Spectacular Spider-Man, Marvel Team-Up, Web of Spider-Man, Peter Parker: Spider-Man etc.) which introduced more recurring enemies of the web-slinger.

We would like to point out that while there’s lots of good to be done as a superhero, well, sometimes it’s just more fun to be a bad guy. If you have a group that relishes in deviousness there’s one cadre of callous evil-doers that stands out amongst a universe of comic book villains—Batman’s Rogues Gallery. The various villains Batman has faced over the years would make quite the ferocious force if ever they assembled together in the same lineup. Which is why you should totally do it with your group! There’s sure to be a Batman at your party anyway, so you might as well show up en masse to give him a tough time. Even if you’re not seeking to disrupt the peacetime partying, we’re sure there’s lots of fun to be had when these DC Comics characters get together!
In 1972, a second monthly ongoing series starring Spider-Man began: Marvel Team-Up, in which Spider-Man was paired with other superheroes and villains.[31] From that point on there have generally been at least two ongoing Spider-Man series at any time. In 1976, his second solo series, Peter Parker, the Spectacular Spider-Man began running parallel to the main series.[32] A third series featuring Spider-Man, Web of Spider-Man, launched in 1985 to replace Marvel Team-Up.[33] The launch of a fourth monthly title in 1990, the "adjectiveless" Spider-Man (with the storyline "Torment"), written and drawn by popular artist Todd McFarlane, debuted with several different covers, all with the same interior content. The various versions combined sold over 3 million copies, an industry record at the time. Several limited series, one-shots, and loosely related comics have also been published, and Spider-Man makes frequent cameos and guest appearances in other comic series.[32][34] In 1996 The Sensational Spider-Man was created to replace Web of Spider-Man.[35]
Mass-market edition of a brand new novel which follows super hero Spider-Man as he tries to put a stop to The Gentleman's (the leader of the Sinister Six) plan to destroy all the financial markets in the world. Spider-Man battles the most dangerous Sinister Six line-up ever: Doctor Octopus, Electro, Mysterio, the Vulture, the tragic but deadly Pity, and the group's mysterious leader, the Gentleman - a villain who had a hand in the deaths of Spider-Man's parents! But what neither Spider-Man nor his enemies know is that the Gentleman is about to set his master plan into motion: destroying all the financial markets in the world and make himself the richest man in the world. As for the villainess Pity, Spider-Man has become convinced that she is his long-lost sister. But to get Pity to reject her life of crime and break free of the Gentleman's control, he needs conclusive proof - proof that only the X-Man known as Wolverine has. But time is running out for Spider-Man, for Pity and for the world.
Some Christians feel concerned about the modern celebration of Halloween because they feel it trivializes – or celebrates – paganism, the occult, or other practices and cultural phenomena deemed incompatible with their beliefs.[217] Father Gabriele Amorth, an exorcist in Rome, has said, "if English and American children like to dress up as witches and devils on one night of the year that is not a problem. If it is just a game, there is no harm in that."[218] In more recent years, the Roman Catholic Archdiocese of Boston has organized a "Saint Fest" on Halloween.[219] Similarly, many contemporary Protestant churches view Halloween as a fun event for children, holding events in their churches where children and their parents can dress up, play games, and get candy for free. To these Christians, Halloween holds no threat to the spiritual lives of children: being taught about death and mortality, and the ways of the Celtic ancestors actually being a valuable life lesson and a part of many of their parishioners' heritage.[220] Christian minister Sam Portaro wrote that Halloween is about using "humor and ridicule to confront the power of death".[221]
But in the mid-1990s, many thought that the trunks were a quaint design flaw that didn’t belong in modern-day superhero costumes. In the storyline “Troika," Batman experimented with his look and made a new batsuit. The blue was replaced by black and coal gray colors. The bodysuit was now all one piece, with no visible division between boots and gloves, spikes were added to the boots in a style similar to the gloves and the shorts were completely gone.
Samhain/Calan Gaeaf marked the end of the harvest season and beginning of winter or the 'darker half' of the year.[43][44] Like Beltane/Calan Mai, it was seen as a liminal time, when the boundary between this world and the Otherworld thinned. This meant the Aos Sí (/iːsˈʃiː/ eess-SHEE), the 'spirits' or 'fairies', could more easily come into this world and were particularly active.[45][46] Most scholars see the Aos Sí as "degraded versions of ancient gods [...] whose power remained active in the people's minds even after they had been officially replaced by later religious beliefs".[47] The Aos Sí were both respected and feared, with individuals often invoking the protection of God when approaching their dwellings.[48][49] At Samhain, it was believed that the Aos Sí needed to be propitiated to ensure that the people and their livestock survived the winter. Offerings of food and drink, or portions of the crops, were left outside for the Aos Sí.[50][51][52] The souls of the dead were also said to revisit their homes seeking hospitality.[53] Places were set at the dinner table and by the fire to welcome them.[54] The belief that the souls of the dead return home on one night of the year and must be appeased seems to have ancient origins and is found in many cultures throughout the world.[55] In 19th century Ireland, "candles would be lit and prayers formally offered for the souls of the dead. After this the eating, drinking, and games would begin".[56]
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