Jump up ^ Kaplan, Arie (2008). From Krakow to Krypton: Jews and Comic Books. The Jewish Publication Society. p. 120. ISBN 978-0827608436. In Uncanny X-Men #129 cover-dated Jan. 1979 and on sale in late 1978, writer Chris Claremont and the artist John Byrne created Katherine "Kitty" Pryde, aka Shadowcat, a young Jewish girl who possess the mutant ability to walk through walls.
Rapper Kanye West makes a return to the South Park world, having fully teansformed into a "Gay Fish" (his only identification in the game) and seeking Sea-Man and the player's help to guide his "momma" to Heaven aboard a unicorn that farts rainbows. This is a reference to 'Only One', a real mobile game West is making about his real mother's ascension to Heaven.
This incarnation of Spider-Man has the same powers as his classical counterpart: enhanced strength, speed, reflexes, durability and agility proportionate of a spider, along with a sixth sense which warns him of unseen danger, also known as "spider-sense" and the ability to shoot organic webbing from his wrists and adhere to sheer walls and other solid surfaces.[2] Like the traditional Spider-Man, he uses his acrobatic agility to maneuver about the rooftops and uses his webbing as nets to both stun and capture his enemies.[3] He also has a huge network of contacts throughout the city and several informants in all the gangs.[6]
Parker proposes to Watson a second time in The Amazing Spider-Man #290 (July 1987), and she accepts two issues later, with the wedding taking place in The Amazing Spider-Man Annual #21 (1987). It was promoted with a real-life mock wedding using models, including Tara Shannon as Watson,[68] with Stan Lee officiating at the June 5, 1987, event at Shea Stadium.[69][70] However, David Michelinie, who scripted based on a plot by editor-in-chief Jim Shooter, said in 2007, "I didn't think they actually should [have gotten] married. ... I had actually planned another version, one that wasn't used."[69]
Working through his grief, Parker eventually develops tentative feelings toward Watson, and the two "become confidants rather than lovers".[62] A romantic relationship eventually develops, with Parker proposing to her in issue #182 (July 1978), and being turned down an issue later.[63] Parker went on to graduate from college in issue #185,[49] and becomes involved with the shy Debra Whitman and the extroverted, flirtatious costumed thief Felicia Hardy, the Black Cat,[64] whom he meets in issue #194 (July 1979).[49]
In 2015, the Supreme Court of the United States decided Kimble v. Marvel Entertainment, LLC, a case concerning royalties on a patent for an imitation web-shooter. The opinion for the Court, by Justice Elena Kagan, included several Spider-Man references, concluding with the statement that "with great power there must also come—great responsibility".[172]
In Batman: The Animated Series (1992–1995) the Batsuit is based on the "New Look" costume. The cape, cowl, gloves, briefs, and boots are dark blue, as indicated by the highlight. Occasionally the cape and cowl are also shown to be one piece and when he's not fighting, the cape sometimes resembles a cloak, draped over Batman's body. The costume lacks any armor qualities, instead of being merely a bodysuit with no apparent special features and it often becomes torn in serious fights. It is occasionally seen packed in Bruce Wayne's luggage or in his vehicles, and it is made clear that he has numerous spares.
Mockingbird a.k.a. Barbara "Bobbi" Morse: As part of the All-New, All-Different Marvel, Bobbi is S.H.I.E.L.D.'s liaison with Parker Industries. She and Peter build a relationship slowly, with he providing her a new costume and working together to defeat Norman Osborn in Symkaria. After Peter shut down Parker Industries to stop Hydra from using his company for their own devices, she learns of his secret identity and allows him to stay at her apartment. After having stopping crime together to help Peter's self-esteem, they share a wonderful kiss. Peter lives in her apartment while recovering from the dismantling of Parker Industries. They end their relationship after realizing that outside of work and crime fighting, they don't have anything in common.
In a Manhattan warehouse, an innocent man has been murdered during a mysterious crime. Evidence points to the involvement of Venom-- the alien symbiote who is obsessed with Spider-Man's destruction. Yet Venom has always safeguarded innocent lives--- has he gone completely around the bend, or is there another suspect?Spider-Man thinks there is more to the crime than meets the eye. The spectre of the Hobgoblin, one of Spider-Man's nastiest villains, falls on a series of thefts, and leads the web-slinger to a deadly secret that may cause New York's destruction. Spider-Man must outsmart two of his most lethal foes to save the city-- but even more danger awaits him!
If you want cool Halloween costumes that are a real blast, you can't miss our astronaut jumpsuit. It's got the kind of full coverage you need in the chill of autumn, not to mention the absolute zero of outer space. The level of detail on these Halloween costumes for men is truly amazing. There's even a six pack cooler "jet pack" to make sure you earn the nickname Buzz. Fill this container with your favorite witches brew and find out how far you can walk with a full pack on your back. Sucks not to be weightless, but you've been grounded for bad behavior!
If you're a gym rat and you've got the six pack to show it, then we ALL know there's only one costume for you—a Greek Spartan warrior! You could be just like King Leonidas in The 300 and vanquish your opponents on the battlefield...or even defeat them on the dance floor if you know a move or two. And it won't matter if you're looking for admiration from goddesses, kings and queens, or your fellow warriors. Because when you're dressed in this costume, you're not going to be leaving a whole lot to the imagination!

This series debuted on Fox October 2, 1999 and lasted through March 31, 2001. Spider-Man, in this series, was voiced by Rino Romano (making him the only voice actor to play both Spider-Man and Batman, the most-recognized characters from both DC and Marvel). This animated series was supposed to be the continuation of Spider-Man: The Animated Series show from 1994. This series would also take part in the future. The series starts off at the Polaris One site where JJJ's son, John Jameson is talking to the public. About 6 months ago, through an advanced space warp drive engine, the man made probe called Alita projected itself to the far side of the sun where Alita recorded an exact duplicate of Earth. An Earth-like planet in the same orbit on the other side of the sun. John continues to talk about the probe being destroyed. Since then, people question should there be a man-made mission to go to " Counter Earth". He goes on to say that there should be one to find out what was responsible for this and there should be an investigation. Peter then leaves to change into costume because his spider-sense is tingling. He sees Venom and Carnage and confronts them. The spaceship is readying for take off and Spidey battles Venom and Carnage while wondering what they are doing and why were they trying to stow away on the spaceship. Venom restrains Spidey and Carnage tells him that nothing will get in the way of them going to "Counter Earth" and joining the Synoptic. Spider-Man gets kicked off the flight and gets blamed for what happens to John during his mission. Six months later, they launch the Solaris II rescue mission to go to "Counter Earth". The Webslinger appears with his new suit featuring nano technology "borrowed" from the lab of Reed Richards. Microscopic robots cover his entire body with anti-symbiote devices. He is stopped by Nick Fury who gives Spidey a chance to redeem himself by taking the space shuttle to "Counter Earth", so he can go rescue John Jameson. Once on "Counter Earth", after almost being burned up on entry, Peter is under arrest and is sought out by Lord Tyger and the High Evolutionary. Spidey meets the people who are chasing him, known as the Knights of Wondergore. Lord Tyger introduces himself and the rest of the Knights of Wondergore; Ursula, Lady Vermin, and Sir Ram. While being chased throughout the city, he realizes that there is a high tech society where humanoid animals have taken over and the normal people live in the overpopulated slums. He was captured and told of what happened by the High Evolutionary who came from another planet to seek a place where petty humans squabbles; greed, selfishness, violence, and hatred was no more. He built his paradise with many experiments, using animals that he now calls Beastials. They are under the leadership of the High Evolutionary, are stronger, faster, and free of the primitive human mind. Spider-Man was rescued by the resistance who had been told that the war lasted for 50 years. Spidey finds John in the resistance deciding to stay until the humans are free of the High Evolutionary's oppression. Peter blends in with the humans to see what the "Counter Earth" world was like. After saving Shane Yamada-Jones from the robots, Naoko, Shane's mother, a doctor, helps Peter. He takes him into their home, providing Peter pays rent, giving him two weeks rent free for saving Shane's life. This series doesn't last long. Only thirteen episodes were broadcast ending with a cliffhanger. Six more episodes were made for the second season but were never aired.
Jump up ^ Armentrout, Donald S.; Slocum, Robert Boak (1999). An Episcopal Dictionary of the Church. Church Publishing, Inc. p. 7. ISBN 0898692113. Archived from the original on 30 July 2016. Retrieved 1 November 2012. The BOS notes that "suitable festivities and entertainments" may precede of follow the service, and there may be a visit to a cemetery or burial place.
Urich encounters Peter Parker during an oration by Peter’s Aunt May Parker in Central Park. The socialist slant of Aunt May’s words does not sit well with the Enforcers, and Urich is forced to intervene in order to prevent serious injury to either Peter or May. Urich subsequently takes Peter under his wing,[1] and after Peter mistakenly receives a tip-off meant for the Spider, the young man ventures to a warehouse where the Goblin’s men are unloading a shipment of stolen antiques. A particular antique — a spider statue — breaks open and releases a horde of spiders. One of the spiders bites Peter, causing him to pass out and dream of a spider god. When he awakes, he is upside-down in a black web.[2]

Dressing up in costumes and going "guising" was prevalent in Ireland and Scotland at Halloween by the late 19th century.[125] Costuming became popular for Halloween parties in the US in the early 20th century, as often for adults as for children. The first mass-produced Halloween costumes appeared in stores in the 1930s when trick-or-treating was becoming popular in the United States.

At the end of the Silver Age, Norman Osborn's memories began to flood back. He decided to hurt Peter as much as possible as the Green Goblin. He kidnapped Gwen Stacy and held her hostage at the Brooklyn Bridge. Spider-Man went to save Gwen and, despite being ill at the time, managed to defeat the Goblin. The Goblin threw Gwen off the bridge and, although Peter caught her by attaching a web line to her leg as she fell, the drop caused her neck to snap. As Spider-Man held Gwen's dead body, he vowed to kill the Goblin. He tracked him down to one of his warehouses. He brutally pummeled the Goblin in a fit of rage but managed to stop himself from committing murder. In one last attempt to achieve victory, Norman sent his Goblin Glider to impale Spider-Man from behind. Peter ducks and the Goblin is apparently killed from being impaled by his own glider. Mary Jane consoled Peter on the death of Gwen and the two started to date. Peter eventually proposed to her, but she refused and ended up breaking up with him. At this time Miles Warren, a college professor obsessed with Gwen became the deranged villain known as the Jackal. He hired the Punisher to kill Spider-Man and he also made copies of both Gwen and Peter. The Peter copy escaped and Gwen's copy eventually went back to Miles. Harry Osborn followed in the footsteps of his father and became the next Green Goblin. He blamed Peter for his father's death. Harry later lost his memory after a fight with Spider-Man. Harry's psychologist, Bart Hamilton attempted to take up the mantle of the Goblin himself but was killed by his own bomb while fighting Peter.

Jump up ^ Braden, Donna R.; Village, Henry Ford Museum and Greenfield (1988). Leisure and entertainment in America. Henry Ford Museum & Greenfield Village. ISBN 9780933728325. Archived from the original on 15 July 2014. Retrieved 2 June 2014. Halloween, a holiday with religious origins but increasingly secularized as celebrated in America, came to assume major proportions as a children's festivity.
From at least the 16th century,[5] the festival included mumming and guising,[6] which involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food.[6] It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them.[7] It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune".[8] F. Marian McNeill suggests the ancient pagan festival included people wearing masks or costumes to represent the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire.[5] In parts of southern Ireland, a man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune.[9] In 19th century Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed.[6] In parts of Wales, men went about dressed as fearsome beings called gwrachod,[6] while in some places, young people cross-dressed.[6] Elsewhere in Europe, mumming and costumes were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers".[6] It has also been suggested that the wearing of Halloween costumes developed from the custom of souling, which was practised by Christians in parts of Western Europe from at least the 15th century.[10][11] At Allhallowtide, groups of poor people would go door-to-door, collecting soul cakes – either as representatives of the dead,[12] or in return for saying prayers for them.[13] One 19th century English writer said it "used to consist of parties of children, dressed up in fantastic costume, who went round to the farm houses and cottages, signing a song, and begging for cakes (spoken of as "Soal-cakes"), apples, money, or anything that the goodwives would give them".[14] The soulers typically asked for "mercy on all Christian souls for a soul cake".[15] The practice was mentioned by Shakespeare his play The Two Gentlemen of Verona (1593).[16][17] Christian minister Prince Sorie Conteh wrote on the wearing of costumes: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognised by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities".[18] In the Middle Ages, statues and relics of martyred saints were paraded through the streets at Allhallowtide. Some churches who could not afford these things had people dress as saints instead.[19][20] Some believers continue the practice of dressing as saints, biblical figures, and reformers in Halloween celebrations today.[21] Many Christians in continental Europe, especially in France, believed that on Halloween "the dead of the churchyards rose for one wild, hideous carnival," known as the danse macabre, which has often been depicted in church decoration.[22] An article published by Christianity Today claimed the danse macabre was enacted at village pageants and at court masques, with people "dressing up as corpses from various strata of society", and suggested this was the origin of Halloween costume parties.[23][24]
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