Supported by a system similar to that of Tony Stark's classic Iron Man design, The Iron Spider armor features many gadgets, including four mechanical spider-arms, or "waldoes", that can be used to see around corners (via cameras in the tips) and to manipulate objects indirectly. Stark describes them as too delicate to use in combat, yet Spider-Man shortly afterward uses them to smash through the sensors in Titanium Man's helmet. Later on during the "Civil War" storyline, he uses them (reluctantly) during his fight with Captain America.
Most of the supervillains of Spider-Man would be introduced in The Amazing Spider-Man comic book starting with the Chameleon. The early villains would be introduced in the 1960s in the Silver Age of Comic Books, and created by Stan Lee and Steve Ditko. John Romita, Sr. replaced Ditko starting with the Rhino. Gerry Conway later replaced Stan Lee and helped create new adversaries for the web-slinger and also helped pave the way to the Bronze Age of Comic Books with the death of Spider-Man's long time romantic interest, Gwen Stacy. Many collaborators would soon take over The Amazing Spider-Man title. One of the more popular examples included Todd McFarlane's Venom in the Modern Age of Comic Books.
In 2012 a tie in to The Amazing Spider-Man movie, titled The Amazing Spider-Man,was released on June 26th. Spider-Man also featured as a playable character in the fighting game Marvel vs. Capcom Origins which was a compilation of the arcade games Marvel Super Heroes and Marvel vs. Capcom: Clash of Super Heroes. The game was released in during September 2012 on the PlayStation 3 Network and Xbox 360 Xbox Live Arcade services.
The letters page for US Marvel Comics issue #64 declared The Transformers and Marvel Universes to be separate. In the process, it politely asked the readers to just forget about the issue guest-starring Spider-Man. But the Wiki never forgets. The Marvel Database wiki notes that the Spider-Man from the issue therefore appears to be a paradox, as he has memories of events of the mainstream "616" universe, but lives in a realm where few 616 heroes and villains exist.
The United Kingdom based Panini Comics publication Spectacular Spider-Man Adventures was loosely based on the continuity of the 1990s animated series. In the series Peter Parker deals with the day-to-day headaches of balancing a social life with his super-heroics. He has a close circle of friends such as Liz Allen, Harry Osborn, and Flash Thompson, and he is involved in a relationship with Mary Jane. However, in this continuity, Mary Jane does not possess an existing knowledge of his dual identity, and thus Peter finds juggling his life with her and his crime-fighting career difficult. Despite this, Mary Jane loyally supports Peter, believing it is his dangerous job as a photographer that keeps him away from dates and other activities. A look into the future reveals Peter and MJ ultimately get married in this continuity, and have a daughter, May, who is active as Spider-Girl. At some point in this future, Peter loses his leg, which forces him to retire as Spider-Man.
Carlie Cooper: She is an officer of the NYPD's Crime Scene Unit and ex-best friend of Harry Osborn's ex-girlfriend, Lily Hollister. She had also been friends with Gwen Stacy. At Harry Osborn's goodbye party Peter asks her to be his girlfriend and the two share their first kiss. However they break up after Spider Island due to surmising that Peter was Spider-Man, and was angry that he'd lied to her. Carlie eventually left New York for her own safety.
Jump up ^ Diehl, Daniel; Donnelly, Mark P. (13 April 2011). Medieval Celebrations: Your Guide to Planning and Hosting Spectacular Feasts, Parties, Weddings, and Renaissance Fairs. Stackpole Books. p. 17. ISBN 9780811744300. All Hallows' Eve. A time of spiritual unrest, when the souls of the dead, along with ghosts and evil spirits, were believed to walk the land. Church bells were run and fires lit to guide these souls on their way and deflect them from haunting honest Christian folk. Barns and homes were blessed to protect people and livestock from the effects of witches, who were believed to accompany the malignant spirits as they traveld the earth. Although a rare few continued to divine the future, cast spells, and tell ghost stories in rural communities, woe to anyone who was denounced to the church for engaging in such activities. These may seem like innocent fun today, but it was deadly serious stuff during the Middle Ages.
Spider-Man has a limited healing factor. While not on Wolverine's level, it is sufficiently powerful enough to recover from severe injuries from broken bones and large amounts of tissue damage in a matter of days. After getting his powers, he soon found that his eyesight was repaired, discarding his glasses. During a battle with a villain called the Masked Marauder, Spider-Man is rendered completely blind, however after about 2 days his sight was perfect, albeit sensitive for about a day after. In another instance, he suffered multiple broken bones, trauma, and blood loss when he was defeated by the Rhino, but was fine in the next issue.
The Peter Parker of the daily Spider-Man newspaper strip continues his career as a struggling photographer constantly facing down the abuse of his less-than-satisfied boss J. Jonah Jameson, whilst battling crime in his disguise as Spider-Man. In addition to opposing classic enemies, much of the strip sees Peter battle new enemies. He has also teamed up with various heroes through the strip's run, such as Daredevil and Wolverine. He is married to Mary Jane in this continuity, and has often been aided by her in his battles with his enemies. This universe was visited by Morlun during the Spider-Verse event, but due to time distortions constantly resetting things so that the simplest actions take weeks to progress, Morlun finds his efforts to consume this version of Peter fruitless. The Master Weaver of the Inheritors elects to rebel against his masters for once and seals this universe away in a pocket dimension where it will remain safe from any further attacks.
^ Norman Osborn using the Green Goblin alias is as commonly described as Spider-Man's archenemy. Mostly after he is the first villain to uncover the hero's true identity, being responsible for setting up the death of Spider-Man's girlfriend in one of the most famous Spider-Man stories of all time which helped end the Silver Age of Comic Books and begin the Bronze Age of Comic Books. He was thought to be dead after that but writers help bring him back from the 1990s and he returned to plague Spider-Man once more in the comic books (such as being involved of the killing of Aunt May) and other heroes (such as the Avengers). He is also an enemy of Spider-Man sometimes just as himself and not just only as his Goblin persona.
From at least the 16th century, the festival included mumming and guising, which involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food. It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them. It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune". F. Marian McNeill suggests the ancient pagan festival included people wearing masks or costumes to represent the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire. In parts of southern Ireland, a man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune. In 19th century Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed. In parts of Wales, men went about dressed as fearsome beings called gwrachod, while in some places, young people cross-dressed. Elsewhere in Europe, mumming and costumes were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers". It has also been suggested that the wearing of Halloween costumes developed from the custom of souling, which was practised by Christians in parts of Western Europe from at least the 15th century. At Allhallowtide, groups of poor people would go door-to-door, collecting soul cakes – either as representatives of the dead, or in return for saying prayers for them. One 19th century English writer said it "used to consist of parties of children, dressed up in fantastic costume, who went round to the farm houses and cottages, signing a song, and begging for cakes (spoken of as "Soal-cakes"), apples, money, or anything that the goodwives would give them". The soulers typically asked for "mercy on all Christian souls for a soul cake". The practice was mentioned by Shakespeare his play The Two Gentlemen of Verona (1593). Christian minister Prince Sorie Conteh wrote on the wearing of costumes: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognised by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities". In the Middle Ages, statues and relics of martyred saints were paraded through the streets at Allhallowtide. Some churches who could not afford these things had people dress as saints instead. Some believers continue the practice of dressing as saints, biblical figures, and reformers in Halloween celebrations today. Many Christians in continental Europe, especially in France, believed that on Halloween "the dead of the churchyards rose for one wild, hideous carnival," known as the danse macabre, which has often been depicted in church decoration. An article published by Christianity Today claimed the danse macabre was enacted at village pageants and at court masques, with people "dressing up as corpses from various strata of society", and suggested this was the origin of Halloween costume parties.